Riccardo III - Un uomo, un re

My understanding of this movie is that Pacino had been panned for a stage performance of Richard III, and that the motivation behind this movie was to emphasize the seriousness with which Pacino takes his craft. There were some suggestions that Pacino had thought he might be resting on his laurels to some extent, or otherwise thought he could simply perform Shakespeare as he had any previous role. Making this movie was a clear statement that if his previous performance was not up to snuff, he would demonstrate his willingness to learn and desire to be successful in such a challenging role.

I think the movie seems less self-indulgent if viewed in this light, and it is even more fascinating to watch someone who's as highly regarded as Pacino show so much desire and interest in further perfecting his craft.

This film has fascinated me ever since I first happened upon it in the library of Millsaps College in Jackson, Mississippi. By a happy coincidence, I also checked out Ian McKellen's quite excellent "Richard III" on the same day and spent most of the afternoon viewing and comparing the two.

It all works: the performances, the interviews, the clowning around on the set. I thought Spacey was wooden, but Baldwin . . . wow . . . who would have expected such a performance.

Highly recommended for anyone who reads and thinks.

Rusty

To me, "Looking for Richard" is about one man's love of Shakespearean plays. This film is his vehicle to share that admiration with as many people as possible. I'm glad Mr. Pacino made this film, because he is so well-respected by such a wide variety of people, that his presence will draw them first to this film and then hopefully to the theatre.

I found the film extremely interesting. If you're at all interested in theatre, you'll enjoy watching the cast debate during rehearsals. It gave me a greater insight into what's involved in actually putting on a play. Usually, you just see the finished product, and they make it look so easy. I was relieved to learn from the film that the actors and directors struggle with the text of the plays too. So you don't have to feel bad if you don't understand all the dialogue - you will get the gist of it. The film is simply urging people to give Shakespeare another chance. You might like it, or you might not, but at least you'll have given it a shot. And if you do like it, it'll keep you busy for years.

Since most people are initially exposed to Shakespeare in high school, I imagine that's where their phobia originates. I had an English teacher who was passionate about Shakespeare, and he instilled that appreciation in me. Unfortunately, everyone isn't as lucky. Boring classes turned them off, and that's all they'll ever experience of Shakespeare. They are missing so much. I hope all the English teachers out there who are less than comfortable with teaching Shakespeare will show this film to their classes to counteract any Shakespeare phobia-inducing incidents.

I saw this movie in English-language version at midnight in April 2004 on a Dutch commercial TV-station. Al Pacino is to be praised for making this movie, of which I have the feeling that it could not be made in these times (are there any indies left?). I was fascinated to see what a gap there is between American and 'European' (i.e. British) ways of tackling the problem of performing a play of Shakespeare: the British interviewees were cool as cucumbers, the American actors (who all do a fine job) were sometimes desperate to find ways of passage through the labyrinth of the play. Pacino used a fine parallel: he made a historic event (the play written by Shakespeare) into a work of art, as did Shakespeare when he turned the rise and fall of the Richard III of the fifteenth century into a play. I think Pacino also tried to do something with one of the most fascinating Shakespearean themes: how life and play (or: men and actors) are intertwined and often cannot be separated. But Pacino could not elaborate on that, probably because he felt that the film otherwise would be too long. Pacino did well in trying to find the most appropriate locations for the scenes. I was mesmerized to see how Richard could do all that he wanted when inside castles and towers, but was at a loss when he found himself in the open fields. Al Pacino, there are still a lot of Shakespeare's plays waiting for you!

Al Pacino brings Shakespeare to the common man in this documentary exploring the complexities of Richard III. If you can get past the insinuation that the "every day ordinary man (or woman)" is too slow to understand the intricacies of Shakespeare, you are left with quite an interesting, entertaining film. I have to be honest and say that many people do find Shakespeare a little bewildering, and tackling Richard III, one of his deepest, confusing plays, is no easy task. Therefore, let down your guard, and let the actors and scholars give us their interpretation of this most fascinating play. I found much irony in this simple effort, which made the film all the more enjoyable. In telling us of a story of a man, who wants so badly to become king as to betray all those he knows and loves, we learn the story of a singular, power hungry man, with an urge to rule his people. In his own admission, Pacino himself is on a quest to be the ultimate monarch of his own film, and tell us all, us commoners, the true meaning of this classic work. Whether or not the parallel is intentional, I don't know, but it still makes for interesting story telling. And the ultimate irony of all is that some of the deepest and most intelligent quotes come from interviews with Joe Q. Public; the man on the street.