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IMDbPro

Uomini & donne - Istruzioni per l'uso

Titolo originale: Hommes, femmes, mode d'emploi
  • 1996
  • T
  • 2h 2min
VALUTAZIONE IMDb
6,1/10
774
LA TUA VALUTAZIONE
Uomini & donne - Istruzioni per l'uso (1996)
ComedyDrama

Aggiungi una trama nella tua linguaBenoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the ... Leggi tuttoBenoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic whi... Leggi tuttoBenoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the same sickness. The two man face suffering in opposite ways: Benoit Blanc is optimistic while Fabiolini, always unsure of himself, is persuaded he is seriously ill. The two men meet... Leggi tutto

  • Regia
    • Claude Lelouch
  • Sceneggiatura
    • René Bonnell
    • Jean-Philippe Chatrier
    • Claude Lelouch
  • Star
    • Fabrice Luchini
    • Bernard Tapie
    • Alessandra Martines
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,1/10
    774
    LA TUA VALUTAZIONE
    • Regia
      • Claude Lelouch
    • Sceneggiatura
      • René Bonnell
      • Jean-Philippe Chatrier
      • Claude Lelouch
    • Star
      • Fabrice Luchini
      • Bernard Tapie
      • Alessandra Martines
    • 4Recensioni degli utenti
    • 3Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 2 candidature totali

    Foto18

    Visualizza poster
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    + 11
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    Interpreti principali48

    Modifica
    Fabrice Luchini
    Fabrice Luchini
    • Fabio Lini
    Bernard Tapie
    Bernard Tapie
    • Benoit Blanc
    Alessandra Martines
    Alessandra Martines
    • Docteur Nitez
    Pierre Arditi
    Pierre Arditi
    • Lerner
    Ticky Holgado
    Ticky Holgado
    • Toc Toc, Loulou's Father
    Ophélie Winter
    Ophélie Winter
    • Pretty Blonde of Crillon
    Patrick Husson
    • Falsetto Singer#-#Falestto Singer
    • (voce)
    Salomé Lelouch
    • Lola Dufour
    • (as Salomé)
    Christophe Hémon
    • Loulou, boy from Train
    William Leymergie
    William Leymergie
    • Dufour
    Caroline Cellier
    Caroline Cellier
    • Madame Blanc
    Gisèle Casadesus
    Gisèle Casadesus
    • Clara Blanc, Benoit's Mother
    Daniel Gélin
    Daniel Gélin
    • The Widower
    Anouk Aimée
    Anouk Aimée
    • The Widow
    Philippe Khorsand
    Philippe Khorsand
    • Restaurant chief
    Agnès Soral
    Agnès Soral
    • Fabio Lini's girlfriend
    Clotilde de Bayser
    Antoine Duléry
    Antoine Duléry
    • Regia
      • Claude Lelouch
    • Sceneggiatura
      • René Bonnell
      • Jean-Philippe Chatrier
      • Claude Lelouch
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti4

    6,1774
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    Recensioni in evidenza

    9DukeEman

    To live and to love in happiness.

    The crisscross factor and its consequences all captured in this fascinating observation on relationships. From the blossom of young love in search of unity to old love fading with sorrow and redemption. A grand scale tale about the simple things in life that matters to us all; To live and to love in happiness.
    5dbdumonteil

    to believe in love and happiness (instructions leaflet)

    I remember that this Claude Lelouch effort was surrounded by much hype when it reached the streets in 1996. In general, when they are theatrically released, the director's efforts follow this media pattern and it probably reveals his narcissistic side. But "Hommes Femmes Mode D'Emploi" caused a stir due to the presence of Bernard Tapie who managed the Marseille football club. I must acknowledge that he gave a thoroughly honorable performance for his first steps in cinema and Fabrice Lucchini gives him strong support which was the least he could do for a seasoned actor like him. I could say the same thing for the rest of the cast. The input from each actor is surely the sign that Lelouch loves his actors and is ready to give them presence on the screen and to maintain it.

    This quality put aside, "Hommes Femmes Mode D'Emploi" is in the same league as virtually all Lelouch's efforts which preceded it. The director remains faithful to his favorite topics, notably fate and fortunes of life that link different characters. A little iffy editing, characters who enjoy philosophizing about life and time that go by in a positive way (see the sequence between Lucchini and Tapie in the car when talk about the French philosopher and mathematician Pascal) bestow the film with a naive, simplistic aura. Lelouch can't make the distinction between realism and fabulous. More serious, his freewheeling look at life leads him to irresponsibility. Pierre Arditi acts a doctor who declares his theory to Allessandra Martines that the brain is responsible for our aches. So, if you say to a healthy man that he is gravely ill and to a seriously ill man that he is in good health, morales should be inverted. Reality Mr. Lelouch is drastically different. A doctor has to tell the truth to his patients, no matter harsh it is.

    And there's still this drawback from him to include superfluous sequences and a subplot which barely bring something to the bulk of the main plot (the sequences with the two tramps and the subplot featuring Claude Lelouch's daughter and Ticky Holgado's son who try hard to see again). As I've written it before, the cast makes up a bit for the unlikeliness and the dangerously naive side of the venture and Lelouch's virtuosity at camera is sometimes gripping but is it enough? If you're a Lelouch buff, you'll certainly want to include it in your DVD collection. The others, you can look away without remorse.
    6Afracious

    A problematic look at relationships

    This is a film focusing on the up and downs of the relationships between men and women. It opens with a beautiful circular aerial shot of a château. The main character is played by the disgraced former Marseilles soccer club owner, Bernard Tapie. He is Benoit Blanc, a wealthy businessman who has had many women and starts to have problems with his health. Also, the other main character, a cop, has the same health problem. The two guys meet at the doctor's and discuss their problems. One of the doctors who examines them is Blanc's beautiful former lover who he dumped, and she is now bitter and deceitful. The other characters include two young lovers who lie about their age and can't find each other again after their first meeting; Blanc's mother who marries again at the age of eighty; and two street musicians who Blanc gives help to, one of whom wails an irritating sound through most of the film. Apart from that foible, the film is watchable and has a touching scene where the two guys visit Lourdes to seek a miracle cure for their health problems. It is an interesting look at the relationships of men and women from different age groups in all walks of life.
    9Piers1

    Seemingly random yarns not without substance

    I recorded this from UK TV about 3 years after it was released and I would like to confess that I really enjoyed this production. I only wish it were available on DVD with subs.

    I'm not familiar with Lelouch's body of work but have taken note of some critical appraisals certain of which mark him as somewhat polished, perhaps suggesting affectedness and/or superficiality.

    IMO, underneath the main and supporting story lines here (which almost self-identify as yarns) which play like anecdotes of dubious veracity such as a bibulous fabulist at a bar might recount, there can be discovered a revelatory satire on the human condition (needless to say, the best commendation one could make for a work of art). This is commonly translated as a journey, a search for something nameless (because you don't know what it is yet), but you do know is of inestimable value - like some phantom treasure (cf. the tramp with the world-quieting singing voice), and which might be discovered anywhere.

    Is it enlightenment? Love? I hesitate to name it. One thing that this film communicates very enjoyably and with resounding verve characterised in a very French, gaily philosophical way, is the common cinematic narrative that we all are linked by those seemingly random, chaotic, journeys or rather, it is our journeys which are interlinked which confers on us all the status of fellow-travellers, pilgrims dancing and singing our several ways, all of which ultimately -and without exception- lead in one direction: toward the place on the other side of the horizon.

    Altri elementi simili

    I migliori anni della nostra vita
    6,8
    I migliori anni della nostra vita
    Mr. Klein
    7,5
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    Le roman de Jim
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    Les Spécialistes
    6,4
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    7,4
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    7,3
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    7,0
    Un p'tit truc en plus
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    7,1
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    5,7
    Finalement - Storia di una tromba che si innamora di un pianoforte
    L'amour c'est mieux que la vie
    5,3
    L'amour c'est mieux que la vie

    Trama

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    Lo sapevi?

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    • Connessioni
      Featured in Who Is Bernard Tapie? (2001)
    • Colonne sonore
      La Vie qui Va
      Music by Charles Trenet

      Lyrics by Charles Trenet

      Performed by Charles Trenet

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    Dettagli

    Modifica
    • Data di uscita
      • 29 novembre 1996 (Italia)
    • Paese di origine
      • Francia
    • Lingua
      • Francese
    • Celebre anche come
      • Erkekler kadınlar kullanma kılavuzu
    • Luoghi delle riprese
      • Lourdes, Hautes-Pyrénées, Francia
    • Aziende produttrici
      • Les Films 13
      • TF1 Films Production
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 2 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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