Monsieur Aznavour

Bravo to Tahar Rahim! I've always believed that a great film starts with an outstanding actor, and Rahim exceeds all expectations. Who could have imagined that his resemblance to Charles Aznavour would be so striking? Having seen Aznavour perform live in the past, I was amazed at how perfectly Rahim captured not only his appearance but also his signature mannerisms. It felt like Aznavour himself was brought back to life on screen!

Another fascinating aspect of the film is its vivid portrayal of 20th-century Paris, where we get glimpses of other iconic figures like Edith Piaf. It immerses you in that glamorous era, bringing the lives of these legends to the forefront.

The cinematography is nothing short of breathtaking-precisely executed and visually captivating, it keeps you engaged from start to finish. Directors Grand Corps Malade and Mehdi Idir have truly crafted a masterpiece, recreating Aznavour's life with remarkable authenticity.

This is a film you won't want to miss-it's an unforgettable experience that you'll be glad you watched!

Musical biopics seem to be one of the most prolific film genres of recent years. 'Monsieur Aznavour' had the premises of a special case, as it is a film whose conception started while Charles Aznavour was still alive. He himself chose the two filmmakers - screenwriters and directors - Mehdi Idir and Grand Corps Malade - and granted them access to his personal archives and in his residences for discussions with him and his family. Aznavour died in 2018, when the film was in pre-production. The two filmmakers let a few years pass before resuming the work at the film, releasing it in 2024, when 100 years since the singer's birth were celebrated. We cannot know how the film would have looked if it had been made when Aznavour was still alive, but it is hard to imagine that it could have been more respectful and reverential in its attitude towards the musician's biography. 'Monsieur Aznavour' is a classic-style biopic, more a docu-drama rather than an artistic interpretation from a different perspective of the artist's life and work.

The script is conceived as a classic biography, almost in documentary style. We first see the little Aznavourian as an 8-year-old boy, living with his family of Armenian refugees following the genocide during the First World War, the difficult years of adaptation and integration in France in the interwar period. With the help of his classic good family (father, mother and his sister Aïda who was his best friend and confidant throughout his life, or in any case throughout the film), the child and then the young man will get through the difficult periods of war and occupation and begin a career as a musician, becoming Aznavour. The change and true launch will occur with the meeting with Édith Piaf, who will make of him her personal driver, favorite composer and the singer who appears as a 'warm-up' at the opening of concerts. The true independent career will only begin when he leaves the tutelage of the great star, who did not believe or did not want to believe in his future as a singer. The road was not easy, some decisions were not optimal, but in the end Aznavour gets where he wanted to, achieving glory and success with the public. The film depicts several key moments in the artist's biography, including famous encounters with personalities such as Johnny Hallyday or Frank Sinatra, his role in Truffaut's film 'Tirez sur le pianiste' or episodes from his private life. The price paid on a personal level was huge. When he had to choose between career and personal life, the former took priority, and the price was paid not only by him but also by those around him.

The script divides Aznavour's life and career into five chapters, with the first three, which describe his difficult youth, his launch, his rise, his crises and the beginning of his success, taking on the greatest importance and occupying most of the screening time. Some aspects of his personal life are ignored (the second of his three marriages is not mentioned at all) or treated rather superficially. In my opinion, the casting of Tahar Rahim in the lead role was not that inspired. He is a talented actor, but with a very different profile. He looks excellent, for example, in the series 'The Serpent', but here I don't think he managed to portray the complexity of this highly talented artist, workaholic, permanently dissatisfied with himself, overcoming shyness with bravery. In addition, sorry, he is too tall for the role. Aznavour's height (1.60m) was part of his personal complexes, he compensated for his anti-male model physiognomy with charisma and warmth. These are precisely what Tahar Rahim lacks, in my opinion. An interesting casting is that of Marie-Julie Baup as Édith Piaf, a very difficult role to play after seeing the film with Marion Cotillard. I liked her acting, same for Camille Moutawakil in the role of Aïda. From time to time, documentary sequences are inserted into the film, short excerpts from what Aznavour filmed on his travels with his amateur camera (another hobby of his) and only at the end we enjoyed original music. Most of the songs are performed by actors, and it is hard to avoid, for those who know and love the voices of Aznavour or Piaf, the unfavorable comparisons. The film was made with many good intentions and looks good. Due to the history of this production, 'Monsieur Aznavour' is probably the most detailed and historically accurate biographical film that will ever be made about Charles Aznavour. But that may not be enough for a very good biographical film. It lacks an original perspective, it lacks the passion and intense artistic and emotional experience that I had every time I saw and heard Aznavour sing. I hope there will be better films about him. Charles Aznavour deserves it.

Biopics rarely succeed, specially when trying to put a whole long life and career into a 2 hour movie. It's not possible.

Technically the film is 'well done' but has no character. So many things nags in this movie are 'well done', but again, no charaer cter no depth. The lead actor is just ok, but again, at the same time bland. Aznavour was not a tall man, 5ft4 is mentioned in the film, probably he was even shorter, so maybe one would choose an actor in a somewhat similar height range...?

Edith Piaf's relationship with Aznavour comes over extremely bland and boring, all his wives show no character - mostly all decoration.

Why as it so important to point out more than once that he was not Jewish. I don't care, but somebody thought it is.

We learn nothing about how he became sa great composer..just by deciding to be one?

Anyway that all has to fall wayside when cramming a bio into a biopic.

Honestly I know a little bit the old singer " Charles Aznavour " cause in france in my country it's a legend but I Donnie completely his background well... I know the all essentiels informations about him thanks to this movie and his story it's very passionate thanks to this nice biopic !!!!

First to all rules from a good biopic was respect ! This movie it's very a tribute for him-self and his fans and in the same time explain his story. For me on these points the movie it's succeed !!! And the script it's very passionate you know a lot about him especially when you don't know his story like me ... and you feel not boring during the process of script even if at times it's a little less gripping but for me the story telling it's succeed !!!!

The performance from the main character it's crazy he played very well and same thing for the rest of the cast !!!

The director makes a good job too, you felt very in old times from the set background, the colors using in the shoot's....

And the rest of works from people who work in shadows, the crew thanks to them, The costumes were really well done too !!!

This movie it's very a good movie and biopic for all fans who loves Charles Aznavour and people like me who doesn't know before his story and try to get into...

Not masterpiece biopic but a very good one, as said this movie its completely a Tribute !!!!

A nice movie about a grandiose figure of French and world culture.

However, the taste after watching is very sweet. Such an aftertaste, as after you took sugar from a sugar bowl with a big spoon and put it in your mouth as a child. There is not enough disclosure of dramatic and tragic moments of the hero's life, which happen in the life of each of us. Even being under occupation during WWII was shown quite easily and naturally, with the exception of a couple of scenes.

Even if you are not a fan of Aznavour's work and songs, the film is recommended for viewing to immerse yourself in the atmosphere of Europe during the almost whole 20th century!