VALUTAZIONE IMDb
6,5/10
5212
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Chinese restaurant worker wanted for murder in Hong Kong contracts Ebola in South Africa, becomes immune to it, and unknowingly spreads the virus there, then comes back to Hong Kong and co... Leggi tuttoA Chinese restaurant worker wanted for murder in Hong Kong contracts Ebola in South Africa, becomes immune to it, and unknowingly spreads the virus there, then comes back to Hong Kong and continues to infect people with it.A Chinese restaurant worker wanted for murder in Hong Kong contracts Ebola in South Africa, becomes immune to it, and unknowingly spreads the virus there, then comes back to Hong Kong and continues to infect people with it.
- Regia
- Sceneggiatura
- Star
Shing Fui-On
- Boss Kwan
- (as Fui-On Shing)
Tsui-Ling Wong
- Lily Chow
- (as Siu-Ling Wong)
Peter Ngor Chi-Kwan
- Ma
- (as Peter Ngor)
Recensioni in evidenza
Hong Kong's extreme Category III rating allows producers and directors to cater to the sickest desires of their audiences by focusing on violence, sex, sexual violence and scenes of depravity normally not found in mainstream cinema. During the 1990s, there was a boom in such productions, with the most popular inevitably starring Anthony Wong as some kind of crazed killer or pervert.
THE EBOLA SYNDROME is one of the best-known of its kind and that's no surprise; this is one hell of a ride of a film, chock-full of bad taste scenes in which the writer tries to go out of his way to offend everybody watching. The protagonist, played by Wong, is a guy who goes around raping women and eventually contracting and spreading the Ebola virus, which leads to much unpleasantness.
From the opening set-piece you know what you're in for with this one: tons of bad language, naked women and gross gore effects. The directors throws in animal dissection, autopsies and all kinds of sickening stuff involving food production that's guaranteed to turn your stomach. Rape and murder are commonplace, and yet at the same time there's daft comedy to offset the darkness. It's all portrayed so over the top and ridiculously that none of it is disturbing.
What surprised me most about THE EBOLA SYNDROME is that it's a well made movie comparable with other Hong Kong films of the 1990s. The technical values are strong and the acting isn't too shabby either; Wong is a commanding actor and you can see why he's enjoyed mainstream as well as cult success. Yes, this is an unpleasant and sometimes childish film in the way it seeks out one depravity after another, but at the same time it's undeniably entertaining and it goes down avenues that Hollywood wouldn't dare. The ending rampage is by far my favourite part of the movie and has to be seen to be believed.
THE EBOLA SYNDROME is one of the best-known of its kind and that's no surprise; this is one hell of a ride of a film, chock-full of bad taste scenes in which the writer tries to go out of his way to offend everybody watching. The protagonist, played by Wong, is a guy who goes around raping women and eventually contracting and spreading the Ebola virus, which leads to much unpleasantness.
From the opening set-piece you know what you're in for with this one: tons of bad language, naked women and gross gore effects. The directors throws in animal dissection, autopsies and all kinds of sickening stuff involving food production that's guaranteed to turn your stomach. Rape and murder are commonplace, and yet at the same time there's daft comedy to offset the darkness. It's all portrayed so over the top and ridiculously that none of it is disturbing.
What surprised me most about THE EBOLA SYNDROME is that it's a well made movie comparable with other Hong Kong films of the 1990s. The technical values are strong and the acting isn't too shabby either; Wong is a commanding actor and you can see why he's enjoyed mainstream as well as cult success. Yes, this is an unpleasant and sometimes childish film in the way it seeks out one depravity after another, but at the same time it's undeniably entertaining and it goes down avenues that Hollywood wouldn't dare. The ending rampage is by far my favourite part of the movie and has to be seen to be believed.
This flick derives much of its grasping force from what has to be, if not the most explicit, at least somewhat the most sickening gore ever.
Some scenes are rather innovative : decapitation through the use of a ping-pong table, Kai blowing his load in a steak, corpses being chopped up into hamburger meat with a saw, eyes chewed out of a living head and lots of ebola-related bodily fluids.
Ebola syndrome would not be the same without the psychological profile of its main character.If we were given an insight on Kais childhood, it is likely to be a miserable one, full of abuse and rejection. Thus would explain his disturbed sexual attitude (he does not seem to be able to perform without constant oral stimulation) and his loser nature. Let's face it, most of his aggression originates from a lack of self-esteem, for which he tends to overcompensate once he disposes of financial powers and/or the opportunity to deploy physical force. It makes for a violent person, but not a threatening one, compared to Hannibal Lecter or the maniac from Maniac. Kai is, in a way, a personification of the virus, which searches for power and immortality through the devastation of other life forms, not realizing his actions will eventually lead to his own extinction.
Together, the gore and Wong hold together a remarkable modern piece of exploitation, with an honesty that most of its contemporaries do not dare to show, but which also demands the right mood, otherwise it feels cheap. In either case, see a schrink if this turns you on.
Some scenes are rather innovative : decapitation through the use of a ping-pong table, Kai blowing his load in a steak, corpses being chopped up into hamburger meat with a saw, eyes chewed out of a living head and lots of ebola-related bodily fluids.
Ebola syndrome would not be the same without the psychological profile of its main character.If we were given an insight on Kais childhood, it is likely to be a miserable one, full of abuse and rejection. Thus would explain his disturbed sexual attitude (he does not seem to be able to perform without constant oral stimulation) and his loser nature. Let's face it, most of his aggression originates from a lack of self-esteem, for which he tends to overcompensate once he disposes of financial powers and/or the opportunity to deploy physical force. It makes for a violent person, but not a threatening one, compared to Hannibal Lecter or the maniac from Maniac. Kai is, in a way, a personification of the virus, which searches for power and immortality through the devastation of other life forms, not realizing his actions will eventually lead to his own extinction.
Together, the gore and Wong hold together a remarkable modern piece of exploitation, with an honesty that most of its contemporaries do not dare to show, but which also demands the right mood, otherwise it feels cheap. In either case, see a schrink if this turns you on.
Herman Yau's "Ebola Syndrome" is a gruesome Hong Kong horror in the tradition of "Bunman:The Untold Story" and "Dr.Lamb".Anthony Wong is incredible as Kai San-he is one of the most depraved characters I have ever seen.Still the tone of the film isn't really disturbing-"Ebola Syndrome" can be very humorous at times.However if you're squeamish don't watch this one-there is torture,rape,dismemberment,masturbation with pork product,cannibalism and plenty of heavy violence on display.The plot is simple:Wong plays a deranged serial killer who flees Hong Kong after committing multiple murders and ends up contracting the Ebola Virus during his brief hideout in Africa.After murdering several people in Africa he returns to Hong Kong with some stolen money to start all over again.But now he is the Ebola carrier and he is spreading deadly virus...Overall,"Ebola Syndrome" doesn't quite live up to "Bunman:The Untold Story",however fans of extreme cinema should be pleased.
Back in the early 90s, I recall widespread concern about incurable diseases such as the Ebola virus, and Hollywood taking the premise and churning out movies such as Outbreak and the such. In Hong Kong cinema, director Herman Yau cemented his cult status for films with excessive graphic depiction of sex and violence with this movie - Ebola Syndrome.
As compared to the other cult hit The Untold Story, you can spot various similarities in terms of presentation style, and certain plot elements and development. Again the lead role, Kai San, is played by Anthony Wong, this time with long frizzy hair, and begins the movie with both sex (with his boss' wife) and violence (yet another gruesome massacre played out in full on screen, coupled with sexual violence). Naturally he becomes a fugitive and escapes to outside Hong Kong - this time to South Africa, and becomes an employee at a local Chinese restaurant.
The similarities do not end there. You just cannot wait for the next dismemberment and the making of the new "char siew bao", now termed African Buns for local flavour. Expect more hard unflinching violence, and this time too with the camera unmoved from the decapitation of animals like chickens and frogs - heart still pumping, and the slicing out of innards, or the chopping off of legs. Sure puts you off your next bowl of frog leg porridge. And serving as another reminder, is not to offend your cook, as he has the power to include unwanted ingredients, including bodily fluids! Rapid fire profane dialogue is a standard, and sometimes comical as the characters rattle off combinations of vulgarities with ease. But just in case you wonder if Ebola Syndrome is The Untold Story rehashed in a different setting, rest assure that only the good gory bits from Untold get squeezed into the first half of Ebola. Unfortunately the second half seemed to want to move away tangentially from its predecessor, and kept its focus on the contact with, and spreading of the disease.
Stemming from Kai San's inability to keep his pants on, he takes advantage of a comatose African tribe woman, who unknowing to him, is a victim of the Ebola virus. With an incredible stroke of luck, he survives the infection and becomes a virus carrier, spreading the disease in South Africa no thanks to his African Buns, and amongst prostitutes when he returns to Hong Kong. The rest of the movie becomes a comedy somewhat with the police attempts to contain the virus as well as to apprehend Kai San. Nothing too fancy in its second half treatment.
One more thing, look out carefully at the cameos and extras!
As compared to the other cult hit The Untold Story, you can spot various similarities in terms of presentation style, and certain plot elements and development. Again the lead role, Kai San, is played by Anthony Wong, this time with long frizzy hair, and begins the movie with both sex (with his boss' wife) and violence (yet another gruesome massacre played out in full on screen, coupled with sexual violence). Naturally he becomes a fugitive and escapes to outside Hong Kong - this time to South Africa, and becomes an employee at a local Chinese restaurant.
The similarities do not end there. You just cannot wait for the next dismemberment and the making of the new "char siew bao", now termed African Buns for local flavour. Expect more hard unflinching violence, and this time too with the camera unmoved from the decapitation of animals like chickens and frogs - heart still pumping, and the slicing out of innards, or the chopping off of legs. Sure puts you off your next bowl of frog leg porridge. And serving as another reminder, is not to offend your cook, as he has the power to include unwanted ingredients, including bodily fluids! Rapid fire profane dialogue is a standard, and sometimes comical as the characters rattle off combinations of vulgarities with ease. But just in case you wonder if Ebola Syndrome is The Untold Story rehashed in a different setting, rest assure that only the good gory bits from Untold get squeezed into the first half of Ebola. Unfortunately the second half seemed to want to move away tangentially from its predecessor, and kept its focus on the contact with, and spreading of the disease.
Stemming from Kai San's inability to keep his pants on, he takes advantage of a comatose African tribe woman, who unknowing to him, is a victim of the Ebola virus. With an incredible stroke of luck, he survives the infection and becomes a virus carrier, spreading the disease in South Africa no thanks to his African Buns, and amongst prostitutes when he returns to Hong Kong. The rest of the movie becomes a comedy somewhat with the police attempts to contain the virus as well as to apprehend Kai San. Nothing too fancy in its second half treatment.
One more thing, look out carefully at the cameos and extras!
This is the type of horror film the world seems to be seeing less and less of nowadays. Pure Evil, Pure Gore, Unrelentless in its delivery and damn entertaining all the way through.
A geeza catches ebola, he's immune to the effects and is just a carrier, he spreads it all over the place. thats is the basic outline of the plot. You need know no more to get the jist of it all.
This is a classy film all the way through, i love everything about it. The deaths are brutal and realistic looking. Its predictable as hell, but not even this can stop it from being a top film.
As a horror, this is almost as good as it can get. 10/10
A geeza catches ebola, he's immune to the effects and is just a carrier, he spreads it all over the place. thats is the basic outline of the plot. You need know no more to get the jist of it all.
This is a classy film all the way through, i love everything about it. The deaths are brutal and realistic looking. Its predictable as hell, but not even this can stop it from being a top film.
As a horror, this is almost as good as it can get. 10/10
Lo sapevi?
- QuizDuring the DVD commentary, Anthony Chau-Sang Wong made it clear that it was not him killing the frog in the first kitchen scene. He said that not only does it take a special skill to prepare a frog like that, but he also found it to be cruel.
- Versioni alternativeApproximately two minutes were cut from original theatrical showings; the cut material had been presumed lost until November 2021, when Vinegar Syndrome released a fully uncut 4K restoration of the film, sourced from the original camera negative.
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By what name was Ebola Syndrome (1996) officially released in India in English?
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