Chaos

Whoa, what can I say here. Well this has got to be the most over-hyped piece of garbage i've seen since Battlefield Earth. First off this film is a complete remake of Last House without the gritty revenge angle. I saw the full cut, so don't think all the negative reviews are for the edited version. Why Roger Ebert bothered with complaining about this film is beyond me, I mean any money this dud made was because of his comments. I really think if he never said anything, this film would have few to no reviews on here, and would have just faded away. The physical and mental torture in this film is disturbing by it's very nature Mr. Ebert, I mean what were you expecting from this storyline, but yet the scenes really lacked any edge, little actual gore is seen, and it certainly isn't a sexy film in any way, so really why see it? I knew exactly how things were going to turn out from the beginning, and not for one moment was I tense, or really interested in the proceedings. Maybe i'm just a jaded gore hound, but this film really has nothing to offer, and just makes you want to go back and watch Last House On The Left again to see how it's done right. A revenge plot would have helped greatly, just to add some unpredictability. All in all whether your looking for extreme gore, suspense, nudity, a good story, or acting, you will be disappointed. The only reason I gave it a two out of ten, is a few of the actors' seemed to have talent, they just had nothing to work with.

There is no reason for anybody to see this film if they have seen LAST HOUSE ON THE LEFT. This film sucks! It starts with careless sensitivity to the characters and degenerates into a brutal and disgusting film with no real reason and no real point. The bulk of the dialog is misogynist or racist, the violence is way overdone, the torture is constant beyond the point of just being sickening and disgusting, and the long sequences where the victims try to get away are done with such a complete lack of a stance toward the value of human life and integrity or attention to detail that I really feel completely sorry for all the actors for having taken part in this film.

To call this a horror film would be a huge lie since the aspect of horror or suspense is lost within it's destructive scenes of two girls just begging to live. The girls' deaths are done in such a sickly, rough, and over-the-top style that the process of them dying is made overly complicated and egotistically unbalanced for the two girl's hope of living. By the time they are in the process of being killed, the thought of them still being alive leads to too many conflicts with the other characters watching as to whether they deserve to stay alive.

It is not an accomplishment for a film to do this. This destroys what "apparently" was the original supposed intention of the film was to be. A cautionary tale. It not only fails in these violet scenes, but also in changing the ending, the notion of revenge being successful or good is turned back on the characters.

This film is nothing but a wannabe shock film that fails because it doesn't have any interest in showing us what is shocking but rather telling us that it is shocking. Not recommended.

I read an article on this man they named Chaos and the story behind him. That's what peaked my interest in seeing this movie. I knew there would be violence,(that's a no-brainer). I just wasn't prepared for anything like this. I actually couldn't move at one point during the film because I was in shock. I felt ashamed and horrified that I was watching this all alone. I've always believed that horror films or any film for that matter doesn't have to be bloody or gruesome to be effective. This director seems to get off on the fact that he made the most brutal film ever. Can you explain this to me? Is he actually proud of this movie? He had the nerve to say it will save lives by watching it. I would love for him to elaborate. All I know, when making a movie, especially one that revolves around such a serious matter, you should use some common sense and decency. I feel sorry for the two young women who decided to take on these rolls. I'd like to know why they chose to exploit themselves. Not a really great way to start your career. If I ever see them in anything again, I'll never get those images out of my head. The movie is for people who love shock value. It's more than disgusting. It's just very very very sad. I pity the director of this film. He doesn't care about the message he's sending. I could see that when I watched all the extra's of the movie to find out what kind of person made this film. It's disturbing!!!!

One day, a wrestler (count the number of the letters in his name and you will still come up with a higher number than his IQ) decided to plagiarize Wes Craven's mediocre debut from the 70s... and in less than a year he vomitted out this "film", a horrifyingly dull attempt at offending and probably "shocking" everyone. A very failed attempt, needless to say. Wrestler, keep this in your "mind" (if you had one): one can only offend and shock when one represents something. A mosquito won't offend me, a worm won't shock me... why should I react any differently to a sad attempt by a pathetic subhuman wrestler? Just ignore him and in time he will die, alone and forgotten, and hopefully with "Chaos" being the only "film" he'll ever have made.

This movie already annoyed me before it even properly started… The first screen depicts a written message in which is stated that hundreds of girls get abducted and sexually abused every year, and that the producers of this movie wish to illustrate these crimes as graphic and realistic as possible in order to warn parents and potential victims about the dangers of meeting up with strangers. Seriously, shenanigans like these make me furious because A) you honestly don't need to show explicit rape footage and sadist murder in order to pass the message of kids having to be wary of strangers and B) it's 300% hypocritical! If you want to make a raw and shocking exploitation movie, that's perfectly fine, but don't pretend even for one second that cinema like this has a deeper social moral or an educational task to fulfill. Perhaps my rant is slightly exaggerated, but pretentious messages like that at the beginning of a film irritate me enormously! Furthermore, I honestly don't understand where all the commotion with regards to this film comes from. Some people (mainly the haters) call it a rip-off of Wes Craven's "Last House on the Left", whereas others (primarily the fans) refer to it as an unofficial remake of that same exploitation landmark. To me personally it's just another entry in the "rape & revenge" sub-genre of exploitation cinema that is admittedly a lot more similar LHOTL than most titles. Throughout the 1970s and early 1980s, and then once more in the years 2000-2010, there were dozens of movies cashing in on the success of LHOTL (and, ironically enough, Wes Craven stole the idea of Ingmar Bergman's "The Virgin Spring") so why would one more form a problem? The only significant difference that "Chaos" has to offer is that it goes another step further when it comes to depicting misogynous cruelty and repulsive murder. Two young girls, Emily and Angelica, have planned to go to a rave in the woods, much against the will of Angelica's mother. They arrive so early that the rave hasn't even started yet, so they tag along with a guy named Swam who claims that he has ecstasy in his cabin. They end up in the hands of Chaos and his accomplices. Chaos is a dangerously deranged psychopath and rapist, and the poor girls' final hours will be excruciating and miserable. Then, in good old LHOTL tradition, the rapists somehow end up at the parents' house and another violent confrontation ensues. Yes, the violence is sickening. What Chaos does to the white girl's nipple and especially how he kills the black girl is truly disgusting and will make even the most hardened horror viewer squirm in his/her seat. But let's not exaggerate, neither. "Chaos" is not the most depraved film ever made, even though I'm sure that is what writer/director David DeFalco likes to believe. Kevin Gage, who's biggest moment of glory was to appear in Michael Mann's "Heat" in 1995, gives a more than solid performance as the titular sicko Chaos, but in spite of that he will never grow out to become a cult/exploitation icon like Krug Stillo (David Hess) did after "Last House on the Left".