Curdled - Una commedia pulp

One of my favorite scenes in Pulp Fiction was the one with Butch and Esmeralda Villalobos, the cab ride. Not many people I watched it with, and most of you maybe, didn't really care for it. More than half of the scene didn't make the final cut. I thought it was intriguing, this woman wants to know "what it would feel like to kill a man."

Imagine my surprise when I turned on this movie, CURDLED; starring Esmeralda herself, Angela Jones. Her character, Gabriela is fixated on murders. She keeps scrapbooks of newsclippings and the likes. Then she joins a crime scene clean-up crew. Only she aint too bothered that much with the actual cleaning up. Instead she savors the thought that 'this is where the killing actually happened, right here.'

What miffed me was that I found out that Tarantino was the Exec Producer, but he didn't help out with any of the writing. (IMDb only credits him with the news reports) There were a few scenes he could have spruced up, I'm sure, especially at the cleaning crew's home base. There were a few blahh moments. I also wondered if he could've been ballsy enough to keep Angela Jones as the same character as in Pulp Fiction, instead of the ditzy not-all-there Gabriela. But I guess this was a Reb Braddock vehicle. I see this started out as a short of his. Billy Baldwin is also very good in this.

I give this a 7 or an 8, I'm not sure which I'll choose just yet. It's really a solid 7.5 on IMDb's 1-10 scale.

Definitely check this movie out.

Gabriella (Angela Jones), a Colombian immigrant, is obsessed with understanding violent crime. The current string of murders by the Blue Blood Killer of affluent Miami socialites provides her with fodder for her scrapbook of death. She lands a job with a post-murder cleaning service and during a Blue-Blood clean-up job, discovers evidence that police have overlooked.

While this is not a perfect film, it is a fun dark comedy that should appeal to "gore hounds" and fans of Robert Rodriguez. Apparently this exists in the same universe that "From Dusk to Dawn" does, plus features Billy Baldwin as a killer. That is pretty sweet.

I would need to see this a second time to really get a handle on it, but I think I was pleasantly surprised and hope this film somehow makes a resurgence on people's to-see lists.

In my opinion, this is one of the most underrated movies of the 90s, featuring one of my all-time favorite performances by the enchanting Angela Jones. It is based on a short made in 1991, about a childlike murder-obsessed Colombian-American who takes a job as a maid...who cleans up after violent murders. Apparently, Tarantino liked the short so much that he cast Jones in Pulp Fiction and produced a full length version of "Curdled" with Jones and William Baldwin (who is surprisingly great.) This is one of my favorite black comedies and easily the funniest serial killer thriller ever. Angela Jones lights up the screen with her animated facial expressions (think Audrey Tautou) and quirky delivery. Oh, and this movie features one of the best dance sequences in a movie (yes, even better than Britt Ekland's in "The Wicker Man"). The recently released DVD is a blessing and surprisingly chockful of extras (including the original short film) for a movie that is apparently so reviled. The worst thing I can say about "Curdled" is that Braddock didn't go on to make another film and Jones went on to do a freakin "Children of the Corn" sequel. Recommend to all fans of serial killer movies and dark comedies. My rating: 10/10

When Curdled was in the cinemas I missed it, but now I rented the VHS and I'm happy, having seen it. I had a couple of hours of pure fun. This is a very good "black" movie: in Europe we'd rather say "noir with a touch of sophisticated humour"or "black comedy". The actresses are impressive and the plot unique. Just follow my advice: if you loved Pulp Fiction or Reservoir Dogs don't miss it, Curdled it's even better!

Tarantino presents this little gem, which he caught at an Italian genre festival while promoting Reservoir Dogs (he relates the fateful anecdote in an epilogue after the movie on video.) It shares with that director the nervy, hip black-comedy attitude, an absolute command of cinematic techniques, and a post-modern approach steeped in b-movie history. However, where QT's films (and similar triumphs like Go) are explosive, this one is insidiously subtle and dead-pan; so much so that the gradual recognition of the filmmakers' intentions will give you the shivers. The creeping revelations of the themes, the dark pastels, self-referential script and straight-faced performances are reminiscent of earlier successful dark comedies, like Parents and I, Madman. Jones (her solo dance is a knockout) and Baldwin are both dead-on, and the director and editor never miss a beat. This is one of the best films of the 90s. (by the way, did anyone notice that this film opened about the same time as Headless Body in Topless Bar? quite a coincidence.)