Assassinio all'aeroporto

"Friday Foster" - the reputation of this work is more legendary than the film itself. I was quite disappointed when I saw it for the first time, because it didn´t deliver the typical kickass madness you normally get from a Pam Grier movie! The storyline is tame, the forced political correctness is only pesky and the whole stuff lacks in violence and sex, so prepare for blaxploitation in its mildest form! If you want to be entertained somehow watch out for the performances of genre greats like Yaphet Kotto, Carl Weathers, Eartha Kitt, Scatman Crothers or Thalmus Rasulala! Their fine acting improves this average film considerably. Main actress Pam Grier is convincing in the lead, but she´s not that sexy and tough as she was in "Coffy" or "Foxy Brown"! A quite unspectacular film, nothing special at all!

Friday Foster (Pam Grier), an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America... and things go awry.

I love blaxploitation films and I love Pam Grier (which is pretty much necessary given how much the two overlap). Here she is made out to be a very strong woman in a variety of ways -- head-strong, smart as a whip... and someone who sexually knows what they want (this is a fine line between "easy" and "determined", and Foster walks it well).

Is it the best of its kind? Probably not. But well worth a watch for fans of the genre, with some great supporting actors -- including Scatman Crothers, Eartha Kitt and Carl Weathers, among others. Unfortunately for us, this was Grier's final film with American International Pictures.

Friday Foster is probably the most fun of all the 70's Pam Grier flicks. Though not as good overall as Coffy or Foxy Brown, both had a certain amount of serious content; not Foxy Brown. Here Pam's intrepid reporter discovers a dangerous plot to eliminate black leaders. She's aided by Yaphett Kotto, hunted by Carl Weathers, and along the way she runs into Scatman Crothers, the guy who played the villan in Bucktown and the hero in Blacula, one of the cast of Across 110th Street and the bartender from the Loveboat. The film is light, but very amusing...I recommend it for Pam Grier fans.

Sexiest black woman of all time Pam Grier kicks ass and looks great doing it. This film has everything you are looking for in a blaxploitation flick. Scatman Crothers and the bartender from the "Love Boat"; what else would you want? Great!

I'm sure many fans used to the action-packed Pam Grier flicks must have hated this film when it came out. FRIDAY FOSTER doesn't feature Grier kicking ass or cussing out a criminal, but does have a great cast, excellent acting by Grier, and a funky score.

Grier stars as Friday Foster (real name? who knows?!), a photojournalist who becomes involved in a scheme to kill off all the black leaders of the world. Chasing criminals, sleeping with politicians, and brushing elbows with hired assassins, Friday saves the day and solves the case in the end.

OK, no Pam Grier kicking ass. So what? Here, this is where Grier got her acting chops. While previously in films like BLACK MAMA, WHITE MAMA, COFFY & FOXY BROWN, Grier was just a vehicle for action, here she is given a vivid character to perform with and does a superb job. Besides Grier, there are plenty of other blaxploitation regulars to savor: Godfrey Cambridge as a gay suspect; Eartha Kitt as Madame Rena, a flamboyant dress designer (always fun to see her); Carl Weathers as a hired assassin; Thalmus Rasulala as the richest black man in the world; Yaphet Kotto as Friday's cop boyfriend (he's great!); Scatman Crothers as a dirty old man preacher (criminally underused); and "Gilligan's Island" regular Jim Backus in a cameo as a sleazy white politician. Also appearing is Tierre Turner, the annoying little kid from BUCKTOWN, as Friday's kid brother.

While FRIDAY FOSTER might not be action-packed and an excellent Grier action vehicle, blaxploitation doesn't get any better than this. I might even say this is Grier's best 70s film besides COFFY, if only because she does her best acting job here. Recommended.