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Grimly convincing portrayal of life in junior high school for the unpopular. If you aren't blown away by how realistic this is then you weren't unpopular enough: this is the real deal.

This movie strips away the rosy patina of nostalgia that covers most other films that portray the grim nature of childhood. I admire the film for avoiding the common trap of making the lead an innocent victim. Heather is, when the opportunity arises, just as cruel as anyone else in the film. The movie doesn't make Heather a child, but instead makes her a confused human being full of conflicting emotions such as hatred, lust, anguish and guilt.

I think to understand this movie though, you need to realize that you are viewing everything from Heather's point of view. Teachers and parents are ridiculously unfair, classmates are alarmingly sadistic, and you could point at some action and say, oh, I doubt that would happen, but there's a strong emotional truth; this is what it feels like to be an unhappy child.

When I watch movies about unpopular kids, I am always disappointed because their lives are better than mine was, and this is the first movie I could point to and say, if you want to see what I was dealing with in Junior High, watch Dollhouse. But while I always wanted a movie that shows the unvarnished truth, it is really difficult to watch. Although if you can make it through the first half hour it gets just a shade less horrific. And it does have a quirky sense of humor that lightens it some. I avoided this movie for years because I was afraid it would be too painful, and a friend said no, it's not that painful, and she was sort of right and sort of wrong. But it's definitely worth seeing.

Do not go into Welcome to the Dollhouse expecting a charming coming-of-age story. Don't expect to have a lot of laughs either. I'd seen this film several times before this viewing, including its original theatrical run, and it was just as cringe-worthy as the first time, if not more so because you know what to expect and find that you are bracing yourself.

Solondz gives us the story of Dawn Weiner, a painfully awkward 13 year old girl who not only has to contend with being ostracized and friendless at school, but is essentially ignored and treated with disdain at home as well. Being the middle child is obviously not the easiest thing to deal with within the family dynamic, but when your older brother is a geeky over achiever and your little sister is a gorgeous ballet-dancing cherub who commands total devotion from her mother, life is generally difficult for Dawn.

Solondz throws in some intriguing plot points that punch up the story and encourage introspection, but while the story and presentation are excellent, the real breakout element of the film is the performance of Heather Matarazzo. It is amazing that she was the same age as her character during filming because the performance, while the right age, exhibits a talent beyond her years. You would be hard pressed to find someone who actually found the torment against her as humorous. Rather, Solondz is so relentless with the abuse that it's almost like picking at a scab. However, in the character of Dawn Weiner, we also see strength and conviction to go along with her vulnerability. It's as if she finally realized and perfected these defense mechanisms simply so she can `survive' junior high school.

Welcome to the Dollhouse is not a feel-good movie by any means. It is a stark and realistic look at adolescence in a way that we don't normally see it – it is not a sunny and idyllic junior high/high school experience, and not every `nerd' is stereotypical, a fact soundly proven by the complexity of the heroine of this great movie.

--Shelly

"Welcome to the Dollhouse" is a feel-bad movie with little to make most viewers smile. It's depressing, awful and painful to watch. It's also incredibly insightful and incredibly well made.

Heather Matarazzo stars as Dawn, a miserable kid who just began middle school. She's not particularly pretty, nor talented nor self- assured. The other kids are incredibly nasty and take full advantage of her insecurities, her teacher could use euthanizing and her mother is a complete jerk...and as a result Dawn is depressed and lost. The film follows her during part of the school year and by the end, her life still seems to suck...just as much as when the film began.

So why do I give this miserable film an 8? Well, writer/director Todd Solondz really understands kids this age...and most Hollywood films completely get kids this age wrong! They usually make them too smart, too self-aware and too happy...which is great if you are a movie star but not reality. Here, however, Solondz explores what life can be like for kids who feel like outsiders...which is incredibly tough at that age. The only negative is that there really is no ending to this story...Dawn is still miserable, her mother still is a terrible parent and things look like it's just going to be more of the same. But wow...what an incredibly well made little film!

WELCOME TO THE DOLLHOUSE (1996) **** Heather Matarazzo, Brian Sexton Jr., Eric Mabius, Matthew Faber, Daria Kalinina, Angela Pietropinto. Easily one of the best independent films ever produced. Matarazzo is brilliant perfection as 11 year old Dawn Wiener - Wiener Dog - who is trying desperately to survive the 7th grade NJ suburban hell with her existence as a gawky, nerdy yet smarter- than-the-rest protagonist facing every conceivable roadblock to hurdle including a dimwitted hunky high schooler and a seemingly threatening classmate (Sexton who is also great) who can't decide if he wants to "rape" her. Heartbreaking and all too close to the bone perfectly realized depiction of how judgemental we all are and just how harrowing adolescence really is. Dare not to be angered when her self-indulgent mother takes away her cake at the dinner table while the rest of the monstrous family greedily eat their desserts. Black comedy satire and documentarian genres blending seamlessly to a genuine masterpiece of poignancy sharply observant parable of anomie and angst by writer and director Todd Solondz (who won the Best Picture prize at Sundance). Wickedly funny and dead on accurate.

Welcome to the Dollhouse is an excellent film. It shows, in a strictly un-opinionated manner, a young girl's experiences as one of the unpopular kids in her junior high-school. She is faced with the extreme viciousness commonly shown in schools towards the students who, for whatever reason, don't fit in. The film never attempts to go any deeper than simply displaying these occurences to us, never really analyzing them or questioning why things like that happen. It just shows what is, what we've all experienced or at least seen, and for that I think it's all the more effective.

There are also some humorous moments thrown in, which I thought were nice and somewhat alleviated the otherwise depressing mood of the film (not that I'm complaining).

Welcome to the Dollhouse is a great snapshot of human behaviour. That's the best way I can describe it.