Ragione e sentimento

I saw this movie in a cinema back in 1996 and since that June I have seen it about a dozen times. It is true, that being an ardent lover of the so-called Romantic (as if the 13th century couldn't be Romantic or 17th, but these things are academic nonsense) period I can enjoy even minor pieces of period cinema, however this is most probably the best film set in the early 19th century. Although it centers on the relationship of the two sisters and their respective romantic relationships, it also seems to be a salute to the period itself in its precise description of the English country society. It is truthful to Jane Austen's novel, but Emma Thompson's script is fine in its own right, with many omissions and additions to the novel. The acting is superb, Kate Winslet as the typical Romantic dreamer (sensibility) is breathtaking (try not to be moved when her character wanders in the rain to see the house of her beloved and when she whispers half-deranged: 'Willoughby, Willoughby, Willoughby.') is perfect as is Emma Thompson as the rational but equally tormented older sister(sense). Greg Wise is perfect as the dashing semi-Byronic hero Willoughby and Allan Rickman as the mellow Brandon. To say nothing of the art direction, the music or the fantastic image composition. I would recommend everyone with some sort of emotional subtlety to see this film, for the story, the wit, the period and the imagery.

I haven't read the book (yet), but concerning the film as it is, I can assure you that it is very well made. You'll get one of the best period dramas (I wouldn't go all the way with "best ever", but then again, I don't often use extremes to describe a movies) that you have seen!

Of course you have to be open to this kind of movie. Meaning, that if you're more likely to watch Bruce Willis in Die Hard or can't wait for the next Steven Seagal movie, this might not be your cup of tea! There is a strong possibility that you won't like (to watch) this movie at all.

So if you have seen period dramas and like them, than watch this one too, if you haven't watched one yet, than this can be a perfect movie to start with (although some might say, it's downhills after that ;o) )

A wonderful enactment of Jane Austen's first novel from 1811, in which two sisters at the marrying age suffer from affairs of the heart. One has an inclination towards common sense and decorum (Emma Thompson), and the other, an emotional side, with great sensitivity to passion and romance (Kate Winslet). In addition to the heartbreak that comes from unrequited love and bad behavior from men, the film also makes clear the limited options women had in 19th century England, with paternalistic inheritance laws and limited employment options, something I liked about it.

The production quality is very high here, with cinematographer Michael Coulter and director Ang Lee putting beautifully composed images on the screen, the costume and set designs truly taking us back in time, and an all-star cast delivering excellent performances. Winslet and Thompson each have several fantastic moments, and the supporting players are all rock solid as well, e.g. Alan Rickman, Hugh Grant, and on down the line. (Although Hugh Grant, much as I love him, always seems to be playing Hugh Grant, hair included here).

A period drama is not one I would ordinarily leap to watching and this one certainly has its share of melodrama, but it's true to the period and the original work, so if you're looking for a great adaptation of classic literature, look no further (and oh, how I wish there were more such productions of the classics of Russian literature!). Just as importantly, though, the film drew me in from the beginning and kept up a good pace, managing to not feel overly stuffy or antiquated. Emma Thompson did a great job with the screenplay, and was worthy of the Oscar she won for it.

After seeing Pride and Prejudice with Colin Firth I wouldn't expect myself to like another JA adaptation so much, but I confess I did. P&P stays my favourite but S&S is very close.

I can't agree with some of the comments that Hugh Grant wasn't proper for Edward Ferrars. Yes, maybe his age didn't match Emma Thompson's exactly but I think he acted wonderfully. His speech especially and stiff walk. I loved the scenes at the beginning where he made friends with Margaret Dashwood and played with her. It was so sweet.

My favourite, however, was definitely Colonel Brandon! I think Alan Rickman was just perfect for that role. I've seen him only as professor Snape in the first Harry Potter film, so I can't compare very much but I would say he is a great actor. I love his voice (especially when he says "What can I do? Give me some occupation, Miss Dashwood, or I shall run mad.), love his intonation and how he cares for Marianne so tenderly and patiently even though she turns her back on him. You can see the suffering in his eyes!

I first read the book and didn't like it much but after seeing the film I'll reread it. I highly recommend JAusten's books to anyone who hasn't read them yet and likes JA's adaptations.

Wow, here's an emotional story that gets you involved and wears you out by the end. I wears you out not from action, but from watching two good ladies suffer heartbreaks one after the other. This is not my normal viewing fare but I am big fan of two things this movie has to offer: (1) Emma Thompson and (2) incredible visuals.

Few people were better in the 1990s at playing the sensible-sweet-wholesome and pretty and-always unfairly ignored woman than Thompson (see The Remains Of The Day and Howards End). Your heart aches for this woman whose characters always deserve better than what they receive.. Her facial expressions alone convey pain better than anyone I've ever seen on film. This is perhaps her best work and it was justice she was honored for it.

It was refreshing to see Alan Rickman actually place a nice guy and Kate Winslet was appealing, too - a far cry from spoiled brat role in the film that gave her stardom, Titantic.

One tip that I found useful in watching this movie. If you are not British, you might switch on the English subtitles to better understand the dialog and the phraseology of early 19th century England, in which this story takes place.

The only problem with using the subtitles is that it detracts from marveling at these visuals. This is one of the prettiest films I have ever seen, on both the inside and outside scenes. It's just gorgeous cinematography frame after frame with beautiful colors. Nice music score, too.

This kind of story is a bit too soap opera-like for my normal tastes but to watch Thompson and to ogle the colors, sets and scenery makes it all a rewarding experience. For women who like these kind of Jane Austen stories, this must really be a special film. For the rest of us, it's still very much worth seeing, and adding to one's DVD collection. It''s great film-making.