L'abbazia di Northanger

I've really enjoyed that adaptation. It's witty, charming and the necessary changes brought to the book narrative are clever and do not jar too much with the original. It made me reread the book, which I think should always be the effect of a good adaptation.

The actor playing Henry Tilney was charming (maybe more than the book Henry Tilney in fact) and all the others seemed to fit their roles. Carey Mulligan makes a very effective Isabella Thorpe and plays her part with subtlety while Felicity Jones looks just naive enough for the role of Catherine. I was only bothered by the choice of William Beck of Robin Hood to play John Thorpe. His physical appearance simply did not seem to fit the character. He is a very good actor but hardly attractive enough to make a valid love-interest for romantic Catherine.

The only reason I do not give it "10" is because of the absurd over-sexualisation of Catherine's dreams or the lending to her of "The Monk" by Thorpe.

This is taking incredible liberties with the historical period in order to "make it relevant" to 21st century viewers which TV film-makers must assume to be incapable of viewing anything with interest if it does not contain overtly sexual contents, though the contrary has been proved again and again.

I've watched the film twice now and I have to say, I think this is a very lightweight version of Austen, There is nothing terribly bad about it, but nothing that great either. The one exception I would make is Carey Mulligan's Isabella Thorpe. She is very good as the manipulative and venal Isabella. But she also has a tinge of the pathetic about her. She seems to be a person who is determined to make the wrong decisions. As always in Davies adaptations, it is the 'villains' who are more interesting, but not even Andrew Davies and Mulligan can make John and Isabella Thorpe more than simply manipulative and venal. Felicity Jones is suitably innocent as Catherine, Fields is kind and understanding as Henry. The great Liam Cunningham is criminally wasted as Gen Tilney though. Everyone else is very nice and the costumes are lovely. Lismore Castle makes for a suitably large and intimidating Abbey and Dublin makes for a great 19th Century Bath.

In conclusion it's all very nice and pretty, (a kiss of death IMO) . The biggest gripe apart from the lack of any real tension and conflict in the plot would be Davies obligatory insertion of sexual misbehavior that is just so unlike Austen's novel. The Gothic elements introduced by Catherine's vivid dreams seem to have been heavily inspired by the 1987 version. I could be wrong about that, perhaps every adaptation has these boring dream sequences.

All in all, not my favourite Austen. You should never be bored by Austen.

This adaptation of Northanger Abbey has gone a long way to redeeming ITV's Jane Austen Season after a severely poor start with Mansfield Park starring Billie Piper. Where as Mansfield Park was dull and lifeless, Northanger Abbey was lively and highly amusing. It was actually funny, and kept well to the spirit of the book. Newcomer Felicity Jones was brilliant as Catherine Morland, so too was JJ Field as Henry Tilney and Catherine Walker as Eleanor Tilney. In fact the whole cast did a great job of entertaining throughout. The script was brilliant, and you felt that Andrew Davies was really enjoying himself when adapting Austen's novel. When I see Davies' name attached to a period drama I feel safe that it will be done competently and in good taste, and Northanger Abbey was. My only criticism, which isn't so much a criticism more of my wanting it to continue, is that the ending was cut a little short. Of course this was due to time restraints. This is ITV's best period drama for a very long time. Not since Emma have they done one so good. This is certainly one I would recommend to both Austen enthusiasts and newcomers alike, it truly is accessible to all, and can be enjoyed by many!

Northanger Abbey is not just one of my favourite Jane Austen books, but also one of my favourite books full stop. So, when hearing of an ITV adaption, I was in equal parts excited and nervous.

Well, after seeing it I can only praise it. The cast performed extremely well - especially JJ Field as the charming and likable Henry Tilney, and Felicity Jones as the naive and excitable Catherine Morland - the direction was top class, and the narrative - though not always faithful to the book - was pretty much faultless.

Some people may be disappointed in the less-faithful parts of the feature, but I felt that they fit in very well with Ms. Austen's novel. They were charming and felt very up-to-date in a way that would appeal to both Jane Austen lover's, and people who just wanted to watch a good film on Sunday night.

If you haven't seen this, then I highly recommend it, and I know that I certainly will be buying the DVD.

Huzzah! - another adaptation: for Austen fans there can never be enough. Still…I gulped a little when I heard that ITV were doing a Jane Austen season. ITV tend to drastically abridge their period dramas, and they can end up slightly cheap-looking, losing integrity when contrasted with the more solid and sober (and timeless?) productions of the BBC.

Northanger Abbey was Austen's first proper novel, but her last to be published; very much a turn of the (19th) century novel, showing some of the roughness of that time, before ladies became entirely encased in the strict rules society saw fit to impose. It's fitting that a cheeky, confident and funny writer (Andrew Davies) gets to have a bit of fun with this one some 200 years later. In it, Catherine Morland, a young, naïve girl from a quiet village, gets her first taste of many things on a trip to Bath, and learns both life lessons and something about love through her contact with two very different families she meets there; the grasping, manipulative Thorpes and the thoughtful and sophisticated Tilneys.

The two leads, Felicity Jones as Catherine Morland, and J J Field as Henry Tilney, are beautifully cast. Felicity Jones' youth, pretty looks and inexperience served her character very well. Her 'modern' tone has been criticised, but whilst an older actress might have delivered the lines with greater accuracy, we'd have lost Jones' juvenile wonder and humour. She delivered (almost all) her lines nicely, and although at moments she looked almost simple, staring up blankly with her mouth open, in a way this was appropriate. Nothing in Catherine Morland's previous limited experience prepared her for the life of Bath or for a family like the Tilneys – she may well gape. I loved the dream sequences where her constant absorption in Gothic horrors spills over into her imagination: her reading was teaching her to look for horror everywhere.

J J Field was wonderful in the BBC's recent adaptation of Philip Pullman's excellent "The Ruby in the Smoke", and shows again that he can play the leading man with great charm and naturalistic ease - a long career in the making I think. Re-reading the book I'm struck by the affectionate details with which Austen made Henry Tilney lovable, such as his messy rooms and his keen sense of humour. I think Field goes a long way towards putting this on screen, despite shockingly ill-fitting clothes and a script very constrained for time, missing dialogue which would have drawn out his growing attachment to Catherine. Austen has Henry tell Catherine that she "is superior in good nature to all the world". In this version her youth and looks alone seem to be the reason for her appeal.

The minor characters were mostly well-played and well drawn; especially Eleanor Tilney, who brought great dignity to her role. Some concessions have certainly been made to an audience deemed incapable of reading subtlety or of tolerating lengthy or literary dialogue. But certain additions were really funny and delightful: Catherine rolling her eyes and curling her lip at Captain Tilney's rudeness; her little sister announcing, hand on hips and with a nice swing of her little head; "CATHY. Mama says will you bring Mr Tilney to the DRAWING room." Her withering glare at Henry when they are all seated, in awkward silence, is genius: go girl.

Adaptations don't need to be slavish. The BBC's rather lurid 1986 version took just as many liberties, and more than warranted a revisit. Overall I found this a delightful adaptation, delivered with verve and spirit, so well done ITV, please, more of this, less of the abridged and dumbed-down rubbish!