VALUTAZIONE IMDb
6,5/10
9471
LA TUA VALUTAZIONE
La lussuria si trasforma in amore per una donna quarantenne della classe operaia e un pubblicitario yuppie ventenne con poco in comune.La lussuria si trasforma in amore per una donna quarantenne della classe operaia e un pubblicitario yuppie ventenne con poco in comune.La lussuria si trasforma in amore per una donna quarantenne della classe operaia e un pubblicitario yuppie ventenne con poco in comune.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Rachel Chagall
- Rachel
- (as Rachel Levin)
Renée Taylor
- Edith Baron
- (as Renee Taylor)
Kim Myers
- Heidi Solomon
- (as Kim Meyers)
Recensioni in evidenza
It was interesting to me that it was more of a problem that she was such a slob than that she was significantly older than him. If anyone can carry off a believable and appealing older woman/younger man romance to a mass audience, it's Susan Sarandon. No other actress combines her ripe, open sexuality with such an accessible and self-assured personality. She makes sexiness respectable. James Spader does less well, not so much because of a faulty performance, but because he seems unable to break through a preternatural reserve. It served him well in "Sex, Lies and Videotape" but a little more emotionality is called for here. The sex scene when he is writhing in the throes of passion and finds a half-eaten sandwich under the bed is hilarious, not to mention the pivotal scene when he gives her a dustbuster as a gift. The future for this couple might seem unlikely, but I don't think it's any less likely than that of most movie lovers.
there are very few romance or romantic comedies, which strike a real note for the audience, or anyone who appreciates reality and decent acting.
This film does have that. Sarandon is very good; she is a "down-at-heel" waitress, almost twenty years older than the character portrayed by Spader. Some of the interactions are amusing and sad. Her drinking, her loss of a child. Spader's background is respectable, white-collar but bored, he meets Sarandon after missing his deceased wife.
Films like this are sometimes underrated. There was not a lot of hype about this film, which is one of the reasons I like it (We do not need Hollywood to tell us what's good, i.e. "The Break Up", which was actually not good).
While the scenes with Spader's relatives were a bit stereotyped, overall there are a few good messages here. Life doesn't always work out how we want, "perfect couples" aren't necessarily happy, and the Spader character was actually quite good, not being the negative insensitive character here. Definitely worth viewing. 8/10.
This film does have that. Sarandon is very good; she is a "down-at-heel" waitress, almost twenty years older than the character portrayed by Spader. Some of the interactions are amusing and sad. Her drinking, her loss of a child. Spader's background is respectable, white-collar but bored, he meets Sarandon after missing his deceased wife.
Films like this are sometimes underrated. There was not a lot of hype about this film, which is one of the reasons I like it (We do not need Hollywood to tell us what's good, i.e. "The Break Up", which was actually not good).
While the scenes with Spader's relatives were a bit stereotyped, overall there are a few good messages here. Life doesn't always work out how we want, "perfect couples" aren't necessarily happy, and the Spader character was actually quite good, not being the negative insensitive character here. Definitely worth viewing. 8/10.
For me there really is nothing better than good writing, good actors and an interesting and engaging film. This has all of that.
I won't go saying that this is a fantastic film, it's not going to be on the top 250 list with Shawshank, but what it does attempt to do it does very well, tell a compelling story about two lonely people in different stages of life from two different socioeconomic levels finding each other first for a physical relationship and over time that relationship deepens into something quite beautiful.
Spader is a white collar ad exec who seemingly has everything a 27 year old would want, except he lost his wife two years prior and is still quite depressed and mourning her loss. His friends want to see him find someone new, but it doesn't seem to work for him as he just isn't receptive to the women he is paired with.
He find Susan Sarandon in a bar, she's drinking and they start off awkwardly but there is a palatable connection that these two actors have that is unmistakable. A quite sexy (in my opinion) love scene occurs and in the next morning while Spader is trying his best to be a gentleman but still get out of her home after what he believes is a one night stand there is something there that these two wounded people connect on.
The thing that I love about this movie is it's honesty. It doesn't go where you'd expect this movie to go. It is well directed and the story is quite compelling in addressing the needs to two adults to love and be loved. It's the theme of social expectations and the burdens they cause (rightfully or not) and the impact they can have on a relationship.
It really is a shame that films like this just don't get produced any longer as it's nice to see good actors bring interesting characters to life in a very well produced slice of life film.
I won't go saying that this is a fantastic film, it's not going to be on the top 250 list with Shawshank, but what it does attempt to do it does very well, tell a compelling story about two lonely people in different stages of life from two different socioeconomic levels finding each other first for a physical relationship and over time that relationship deepens into something quite beautiful.
Spader is a white collar ad exec who seemingly has everything a 27 year old would want, except he lost his wife two years prior and is still quite depressed and mourning her loss. His friends want to see him find someone new, but it doesn't seem to work for him as he just isn't receptive to the women he is paired with.
He find Susan Sarandon in a bar, she's drinking and they start off awkwardly but there is a palatable connection that these two actors have that is unmistakable. A quite sexy (in my opinion) love scene occurs and in the next morning while Spader is trying his best to be a gentleman but still get out of her home after what he believes is a one night stand there is something there that these two wounded people connect on.
The thing that I love about this movie is it's honesty. It doesn't go where you'd expect this movie to go. It is well directed and the story is quite compelling in addressing the needs to two adults to love and be loved. It's the theme of social expectations and the burdens they cause (rightfully or not) and the impact they can have on a relationship.
It really is a shame that films like this just don't get produced any longer as it's nice to see good actors bring interesting characters to life in a very well produced slice of life film.
10Lady-Lee
Wonderful romance and character study between two people who live on the opposite sides of the tracks.Two strong but stereotypical people pair up and evolve into very un-stereotypical unit and try to function in a hostile enviroment. The acting in the movie is so good it surpasses the diologue. The loss and love Spader communicates with just his eyes is a sight to behold and Sarandon projects a dichotomy of neediness and strength.
This movie contains one of the best endings in movie history, right up there with Green Card. A truly uplifting movie that conveys joy, hope, and victory. What more can a woman ask for? And James Spader is a hunk!!
This movie contains one of the best endings in movie history, right up there with Green Card. A truly uplifting movie that conveys joy, hope, and victory. What more can a woman ask for? And James Spader is a hunk!!
Truth to tell I only watched this movie recently because I consider Susan Sarandon one of our finest actors. Also, I'm going add, one of our sexiest actors too. Ms. Sarandon gets the most from this role by underplaying the part with most of her interpretation deriving from her facial expressions. And, I have to admit, that if she can excite a 70 year-old man with her sexual magnetism as she did me, she has it all over some of the so-called younger sexy actresses. There was one scene that bothered me though, the Thanksgiving dinner scene where Spader's Jewish family is depicted as shallow and bigoted, something like Woody Allen's family in one of his films. Also, why the director ended the picture with that hokey table-top nonsense in a crowded restaurant is beyond understanding. It detracted from the reality of the film.
Lo sapevi?
- QuizRobert Downey Jr. was considered for the role of Max Baron and even screen tested with Susan Sarandon.
- BlooperIn the final scene where Max and Nora are talking at the restaurant, their hairstyles change mid-conversation.
- Colonne sonoreLove Or Money
Performed by Slater Sealove Band
Courtesy of Reata
Written by James Slater & Carl Sealove
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Pasión otoñal
- Luoghi delle riprese
- Duff;s Reataurant, 392 North Euclid Avenue, Saint Louis, Missouri, Stati Uniti(The NYC restaurant where Sarandon and Spader reunite at end)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 17.487.531 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.078.697 USD
- 21 ott 1990
- Lordo in tutto il mondo
- 17.487.531 USD
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