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5,8/10
4632
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Aggiungi una trama nella tua linguaA serial killer in Los Angeles celebrates Jack the Ripper's 100th birthday by committing similar murders.A serial killer in Los Angeles celebrates Jack the Ripper's 100th birthday by committing similar murders.A serial killer in Los Angeles celebrates Jack the Ripper's 100th birthday by committing similar murders.
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Recensioni in evidenza
It's been a long time since I've seen this but I enjoyed the movie and thought that James Spader gave a great performance. My best friend had it taped off TV and was mentioning the movie one day and hunted it out for us to watch after I had said that I had never seen it or even heard of it, which was odd because I was a fan of James Spader.
The movie has a lot of twists and turns and the excitement builds up and you really get engrossed in the film. James and Cynthia had great chemistry and I agree with others that their romance was not done in a typical, over-done fashion.
The title of the movie is bad and makes you think automatically that it will just be some stupid B movie but it's actually one of the best thrillers I've seen and definitely the best thriller out of the "B" section. I think if the film had more publicity and a better cover/title more people would know of it and want to rent it.
I would recommend it to anyone that likes a good thriller, especially ones that they've never heard of and want to be surprised.
The movie has a lot of twists and turns and the excitement builds up and you really get engrossed in the film. James and Cynthia had great chemistry and I agree with others that their romance was not done in a typical, over-done fashion.
The title of the movie is bad and makes you think automatically that it will just be some stupid B movie but it's actually one of the best thrillers I've seen and definitely the best thriller out of the "B" section. I think if the film had more publicity and a better cover/title more people would know of it and want to rent it.
I would recommend it to anyone that likes a good thriller, especially ones that they've never heard of and want to be surprised.
A serial killer in Los Angeles celebrates Jack the Ripper's 100th anniversary by committing similar murders.
My first thought was how strange this film was for starting when there was only one murder left. It seems like it would make more sense to start at the first murder and allow the characters to solve the mystery of the pattern. Instead, they know from the opening scene that the killer is following the pattern of Jack the Ripper. This takes out much of the mystery element...
The cast here is pretty great, with both James Spader and Robert Picardo, both (I think) before becoming bigger names. Spader always had that boy next door charm, and Picardo is interesting and plays his role as a psychiatrist well, coming off as very suspicious at all the right moments.
The New York Times said "is so dull it leaves you plenty of time to marvel at how a plot can be this rickety, how a production can look this shabby, and how the first-time writer and director Rowdy Herrington could borrow a story with so relentless a grip on our imaginations and in no time at all declaw it." This seems terribly harsh. While not the greatest movie, it is still much better than many films out there, and had a premise that was enough to carry it.
I watched this film on Netflix, and I am told this version is different from the one on VHS or that was shown in theaters. I would be curious to know the differences, as I am told they are big enough to completely change the plot of the film... I liked the version I saw, but maybe the other is even better?
My first thought was how strange this film was for starting when there was only one murder left. It seems like it would make more sense to start at the first murder and allow the characters to solve the mystery of the pattern. Instead, they know from the opening scene that the killer is following the pattern of Jack the Ripper. This takes out much of the mystery element...
The cast here is pretty great, with both James Spader and Robert Picardo, both (I think) before becoming bigger names. Spader always had that boy next door charm, and Picardo is interesting and plays his role as a psychiatrist well, coming off as very suspicious at all the right moments.
The New York Times said "is so dull it leaves you plenty of time to marvel at how a plot can be this rickety, how a production can look this shabby, and how the first-time writer and director Rowdy Herrington could borrow a story with so relentless a grip on our imaginations and in no time at all declaw it." This seems terribly harsh. While not the greatest movie, it is still much better than many films out there, and had a premise that was enough to carry it.
I watched this film on Netflix, and I am told this version is different from the one on VHS or that was shown in theaters. I would be curious to know the differences, as I am told they are big enough to completely change the plot of the film... I liked the version I saw, but maybe the other is even better?
I caught this on TV late at night. Thought it would just be some
typical 80's slasher movie, but I was pleasantly surprised to see
what a genuinely well-made thriller this was. It's a basic potboiler
story, but thoughtfully executed and James Spader is excellent in a
dual role as twin brothers. It's got a little bit of everything --
reincarnating the Jack the Ripper myth, twin brothers who are (of
course) total opposites, a bit of the paranormal, a great whodunit
mystery, and some genuinely creepy scenes. Spader really makes
this watchable -- the story's solid enough, but his performance is
just so much fun to watch. He plays one twin, who is the affable,
friendly doctor who works in a local free clinic, and then his
anti-hero bad-boy twin brother who works a minimum-wage job,
has shady connections, but ultimately shares his brother's sense
of justice and good heart. And Spader's performance isn't the
typical uber-yuppie, not a whiny preppy wimp, and not a total
psychopath. He's just playing an average guy trying to do the right
thing, save the girl, and clear his brother's name by finding the real
murderer. It's good stuff! For James Spader fans, I think it's a great
chance to see him do yet another unique job of character
interpretation.
typical 80's slasher movie, but I was pleasantly surprised to see
what a genuinely well-made thriller this was. It's a basic potboiler
story, but thoughtfully executed and James Spader is excellent in a
dual role as twin brothers. It's got a little bit of everything --
reincarnating the Jack the Ripper myth, twin brothers who are (of
course) total opposites, a bit of the paranormal, a great whodunit
mystery, and some genuinely creepy scenes. Spader really makes
this watchable -- the story's solid enough, but his performance is
just so much fun to watch. He plays one twin, who is the affable,
friendly doctor who works in a local free clinic, and then his
anti-hero bad-boy twin brother who works a minimum-wage job,
has shady connections, but ultimately shares his brother's sense
of justice and good heart. And Spader's performance isn't the
typical uber-yuppie, not a whiny preppy wimp, and not a total
psychopath. He's just playing an average guy trying to do the right
thing, save the girl, and clear his brother's name by finding the real
murderer. It's good stuff! For James Spader fans, I think it's a great
chance to see him do yet another unique job of character
interpretation.
Because DTV (Direct-To-Video) thrillers have a reputation for being the "bastard stepchildren" of larger budgeted cable, TV and big screen fare, some great little movies that hold dynamite performances have a tendency to become underrated and overlooked. This was definitely one of them.
James Spader gives a performance every bit as remarkable as that of Jeremy Irons in DEAD RINGERS, playing twins who become embroiled in a murder mystery involving a serial killer, who is copycatting the infamous Jack the Ripper's horrendous legacy of bloody terror, down to the most minute details.
B-movie pro Herrington knows how to keep the action, cinematography and editing going at maximum warp, so that the glaring inconsistencies and gaping plot holes are apparent only on repeated viewings. But if you can get past that, you will be rewarded by Spader's performance, (which gives one all the more reason to wonder why this man is not a major star right now), as well as some fine turns by Cynthia Gibb (TV's FAME), Jim Haynie, TWIN PEAKS' Chris Mulkey (another criminally overlooked actor), and a wickedly enjoyable portrayal by Rod Loomis, as a local doctor who knows a lot more about the murders than he lets on.
A nice little surprise that's worth seeking out on the shelves of your local video palace when all the "good" stuff is gone for the weekend.
James Spader gives a performance every bit as remarkable as that of Jeremy Irons in DEAD RINGERS, playing twins who become embroiled in a murder mystery involving a serial killer, who is copycatting the infamous Jack the Ripper's horrendous legacy of bloody terror, down to the most minute details.
B-movie pro Herrington knows how to keep the action, cinematography and editing going at maximum warp, so that the glaring inconsistencies and gaping plot holes are apparent only on repeated viewings. But if you can get past that, you will be rewarded by Spader's performance, (which gives one all the more reason to wonder why this man is not a major star right now), as well as some fine turns by Cynthia Gibb (TV's FAME), Jim Haynie, TWIN PEAKS' Chris Mulkey (another criminally overlooked actor), and a wickedly enjoyable portrayal by Rod Loomis, as a local doctor who knows a lot more about the murders than he lets on.
A nice little surprise that's worth seeking out on the shelves of your local video palace when all the "good" stuff is gone for the weekend.
"Jack's Back" (1988) is a serial killer movie that is thoroughly '80s: the soundtrack, the lighting, the acting--everything. Watching this movie is like going back many years in a time machine. In other words, it's pretty fun. It's also surprisingly restrained. For example, in a scene where the lead goes into a topless bar to buy a gun, there is no obligatory shot of topless girls gyrating around steel poles; he just walks into the bar owner's office. Who knows, maybe the small budget held them back, but it was actually enjoyable to watch a movie that didn't indulge in every predictable grotesquerie.
The plot is simple: It's the hundred-year anniversary of Jack the Ripper's crime spree, and someone is killing prostitutes in exactly the same manner, on exactly the same dates. Kinda fun.
The plot is simple: It's the hundred-year anniversary of Jack the Ripper's crime spree, and someone is killing prostitutes in exactly the same manner, on exactly the same dates. Kinda fun.
Lo sapevi?
- QuizDirector Rowdy Harrington originally wanted the movie to be titled "Red Rain" and Peter Gabriel's song of the same name was meant to play at the opening credits. Since this was a low budget film, he couldn't get the rights to the song, so he hired Paul Saax to compose the song "Red Harvest" instead. Shortly before the movie release, the studio felt that the title "Red Rain" had no relation to the plot so they decided to change to a more appealing title, "Jack's Back".
- BlooperIdentical twins do not have the same fingerprints.
- Citazioni
Sam Hilliard: This is an emergency. May we come in?
Chris Moscari: I'm not really dressed.
Scott Morofsky: It's okay, we're police officers.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Delitti perfetti
- Luoghi delle riprese
- 901 E. Edgeware Road, Los Angeles, CA 90026, Stati Uniti(Interior and exterior. John Wesford's apartment.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
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