Lettere d'amore

This is a wonderful movie, with perfect performances by the very best actors. Anyone who doesn't appreciate this little masterpiece has probably spent too much time in front of the TV. The writing is superb, and the direction flawless. From the opening 360 degree pan, which ends by a close-up of the bakery (which is, in fact, the center of the drama), to the outstanding last line of the film (which is, in fact, the theme of the movie), the storytelling is absolutely first-rate. The acting is a study in naturalistic performance style. Jane Fonda is, as always, the best of the best, but Stanley's father steals the show. De Niro, as Stanley, gives an understated and totally endearing portrayal of a resourceful and intelligent "illiterate." This film is the opposite of the "blockbuster" -- finely crafted, intimate, and uncompromising.

'Stanley and Iris' show the triumph of the human spirit. For Stanley, it's the struggle to become literate and realize his potential. For Iris, it's to find the courage to love again after becoming a widow. The beauty of the movie is the dance that Robert DeNiro and Jane Fonda do together, starting and stopping, before each has the skills and courage to completely trust each other and move on. In that sense it very nicely gives us a good view of how life often is, thus being credible. Unlike some other reviewers I found the characters each rendered to be consistent for the whole picture. The supporting cast is also carefully chosen and they add a depth of character that the main characters get added meaning from the supporting performances. All in all an excellent movie. The best thing I take from it is Hope.

Working girl Iris (Jane Fonda) keeps bumping into Stanley (DeNiro), a cook. After realizing that he can't read, she accidentally gets him fired. After some ups and downs, Stanley asks if she will help him learn to read. More ups and downs. Of course they fall in love. But there's more to the story. Some other fun people in here - Swoosie Kurtz is her sister; Kathy Kinney (Mimi from Drew Carey) is a coworker. Feodor Chaliapin was Grandfather in Moonstruck. Stephen Root (Newsradio, Milton from Office Space) is Mr. Hentley at the nursing home. It's pretty good. It's a SLOW mover. But Deniro and Fonda must have liked the script. Directed by Martin Ritt; passed away at the end of 1990, so this was his last film. Nomiinated for Hud. Also did Norma Rae in 1979. Story based on a book by Pat Barker. DeNiro made this about the same time as Goodfellas. As of today, Deniro has SEVEN films in production! Fonda took about a fifteen year break, which was approximately the time she was married to Turner. This film is pretty good. Some big names for a simple little story.

This may not be a memorable classic, but it is a touching romance with an important theme that stresses the importance of literacy in modern society and the devastating career and life consequences for any unfortunate individual lacking this vital skill.

The story revolves around Iris, a widow who becomes acquainted with a fellow employee at her factory job, an illiterate cafeteria worker named Stanley. Iris discovers that Stanley is unable to read, and after he loses his job, she gives him reading lessons at home in her kitchen. Of course, as you might predict, the two, although initially wary of involvement, develop feelings for each other...

Jane Fonda competently plays Iris, a woman with problems of her own, coping with a job lacking prospects, two teenage children (one pregnant), an unemployed sister and her abusive husband. However, Robert DeNiro is of course brilliant in his endearing portrayal of the intelligent and resourceful, but illiterate, Stanley, bringing a dignity to the role that commands respect. They aren't your typical charming young yuppie couple, as generally depicted in on screen romances, but an ordinary working class, middle aged pair with pretty down to earth struggles.

I won't give the ending away, but it's a lovely, heartwarming romance and a personal look into the troubling issue of adult illiteracy, albeit from the perspective of a fictional character.

As the last film directed by the redoubtable Martin Ritt, this 1990 drama is full of good intentions about adult illiteracy and has two proved star actors, Jane Fonda and Robert DeNiro, in the lead roles. Nonetheless, it rarely hovers above the level of a Lifetime TV-movie, as the story amounts to a series of episodes around the burgeoning relationship between Iris, a recently widowed worker in a pastry factory and Stanley, a quiet, illiterate cook who likes to invent mechanical contraptions in the privacy of his apartment. They meet when he is hired at the company cafeteria, but he loses his job when it becomes clear he cannot read or write. Realizing his illiteracy has prevented him from taking care of his ailing father, Stanley asks Iris to teach him. The rest is pretty inevitable, though there are affecting moments along the way mainly because DeNiro is able to convey the basic decency and veiled humiliation of his character.

What I do miss in DeNiro's performance is the edge of danger that makes him truly transcend his best roles like what he did right after this film as Jimmy Conway in Martin Scorsese's "Goodfellas". Stanley seems to be a distant cousin of DeNiro's similarly passive and inarticulate character in Ulu Grosbard's 1984 "Falling in Love". In what was to be her last film for fifteen years, Jane Fonda seems woefully miscast, looking too intellectually alert and physically aerobicized to portray Iris with conviction. Begging for a Kathy Bates-type to inhabit her, Iris should be downcast about her life and feeling a deepening loneliness about her situation, but Fonda's off-screen resourcefulness makes it difficult to believe this woman would truly feel stuck. It also feels disingenuous of the character to talk about her weight concerns and wanting a couple of eclairs when we are looking at an actress who has made millions on her workout tapes.

Regardless, Ritt is also a master when it comes to showing the trials of everyday people in working class settings, and there is genuine chemistry between the two actors, which helps considerably as the story meanders toward its conclusion. The rest of the cast is used inconsistently as plot devices, in particular, Swoosie Kurtz as Iris's battered sister, who oddly disappears midway through the story, and Martha Plimpton as Iris's sullen, impregnated daughter. I have to conclude the primary problem with the film is the episodic screenplay by Harriet Frank, Jr. and Irving Ravetch, both of whom have teamed with Ritt on a number of superior films like "Hud" and "Norma Rae". The DVD has no extras.