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Paris Is Burning

  • 1990
  • VM16
  • 1h 18min
VALUTAZIONE IMDb
8,2/10
19.921
LA TUA VALUTAZIONE
Paris Is Burning (1990)
Guarda Official Trailer
Riproduci trailer1: 40
2 video
47 foto
Un documentario

Una cronaca della scena drag di New York nel 1980.Una cronaca della scena drag di New York nel 1980.Una cronaca della scena drag di New York nel 1980.

  • Regia
    • Jennie Livingston
  • Star
    • Brooke Xtravaganza
    • André Christian
    • Dorian Corey
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,2/10
    19.921
    LA TUA VALUTAZIONE
    • Regia
      • Jennie Livingston
    • Star
      • Brooke Xtravaganza
      • André Christian
      • Dorian Corey
    • 54Recensioni degli utenti
    • 34Recensioni della critica
    • 82Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 17 vittorie e 1 candidatura in totale

    Video2

    Official Trailer
    Trailer 1:40
    Official Trailer
    Janelle Monáe, Laverne Cox, and More Share Their Must-Watch Picks for Pride
    Clip 3:40
    Janelle Monáe, Laverne Cox, and More Share Their Must-Watch Picks for Pride
    Janelle Monáe, Laverne Cox, and More Share Their Must-Watch Picks for Pride
    Clip 3:40
    Janelle Monáe, Laverne Cox, and More Share Their Must-Watch Picks for Pride

    Foto47

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
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    + 40
    Visualizza poster

    Interpreti principali28

    Modifica
    Brooke Xtravaganza
    • Self
    • (as Carmen and Brooke)
    André Christian
    • Self
    • (as Andre Christian)
    Dorian Corey
    Dorian Corey
    • Self
    Paris Duprée
    Paris Duprée
    • Self
    • (as Paris Dupree)
    Pepper LaBeija
    Pepper LaBeija
    • Self
    Junior LaBeija
    • Self
    Willi Ninja
    Willi Ninja
    • Self
    Sandy Ninja
    • Self
    Kim Pendavis
    • Self
    Freddie Pendavis
    Freddie Pendavis
    • Self
    Sol Pendavis
    • Self
    Avis Pendavis
    • Self
    Octavia St. Laurent
    Octavia St. Laurent
    • Self
    • (as Octavia Saint Laurent)
    Stevie Saint Laurent
    • Self
    Anji Xtravaganza
    • Self
    • (as Angie Xtravaganza)
    Bianca Xtravaganza
    • Self
    Danny Xtravaganza
    • Self
    David Xtravaganza
    • Self
    • Regia
      • Jennie Livingston
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti54

    8,219.9K
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    10

    Recensioni in evidenza

    joeochoaesq

    Really well made. Interesting. Sad, too.

    I will confess that I had no idea what I was walking into when I saw it. At the time, I was between jobs and seeing every movie I could. It was either that-or look for a job!

    Remember seeing the title and thinking it was about WW2, Hitler, etc. Of course, once the movie started, I was surprised.

    It was a very cool movie. I don't think it matters if you're straight, gay, or somewhere in between. It opened my eyes to a whole new sub-culture I never knew existed. What I saw was a group of men very passionate about something in their lives. Fascinating to watch them transform their appearance.

    Sad to see how their families didn't accept them or when there was a death of one of the principals. I remember they showed one of the actors truly depressed b/c his family (maybe his father) tossed all of the clothes he had collected. Outside of the monetary value, he really had pride in all that he had amassed over the years.

    I left thinking I wouldn't want to try it, but I thought it would be very fun to attend one of these balls.
    rrb

    What happened to them?

    I just saw this movie again for the first time since it came out. It's so much sadder now. You feel you're watching these people as they once were, over 10 years ago, when they still had hopes and dreams that by now have probably dwindled to nothing. I read somewhere that most of those profiled died within 4 years, principally from AIDS. I'd love to know what happened to them all. I think Willie Ninja, the most resourceful, clever & self-respecting of the group, is still somewhat successful as a dancer/entrepreneur.
    10giatime

    I Love this movie.

    First of all I am a butch, straight white male. But even with that handicap I love this movie. It's about real people. A real time and place. And of course New York City in the 80's. I had many gay friends growing up in New York in the eighties and the one thing about them i always admired was their courage to live their lives the way they wanted to live them. No matter what the consequences. That's courageous. You have to admire that. This is a great film, watch it and take in what it was like to be a flamboyant African American or Hispanic Gay man in the New York of the eighties. It's real life. Bottom line it's real life.
    10DeltaX27

    Some answers as to where they are now.....

    While many unfortunately passed on, the ballroom scene is still very much alive and carrying on their legacy. Some are still very much alive and quite well, Octavia is more radiant and beautiful than ever, Willi Ninja is very accomplished and gives a great deal of support to the gay community as a whole, Pepper Labeija just passed on last year of natural cause, may she rest in peace. After Anji's passing Carmen became the mother of the house of Xtravaganza (she was in the beach scene) and she is looking more and more lovely as well. Some balls have categories dedicated to those who have passed, may they all rest in peace. There is currently another project underway known as "How Do I Look?", you can check out the website at www.howdoilooknyc.org.
    10preppy-3

    Absolutely riveting

    Documentary starts in 1986 in NYC where black and hispanic drag queens hold "balls". That's where they dress up however they like, strut their stuff in front of an audience and are voted on. We get to know many of the members and see how they all hold together and support each other. As one man says to another--"You have three strikes against you--you're black, gay and a drag queen". These are people who (sadly) are not accepted in society--only at the balls. There they can be whoever and whatever they want and be accepted. Then the film cuts to three years later (1989) and you see how things have changed (tragically for some).

    Sounds depressing but it's not. Most of the people interviewed are actually very funny and get a lot of humor out of their situations. They're well aware of their position in society and accept it with humor--just as they should. We find out they all live in "houses" run by various "mothers" and all help each other out. The sense of community in this film is fascinating.

    When this film came out in 1990 it was controversial--and a big hit. It won Best Documentary Awards at numerous festivals--but was never even nominated for an Academy Award. Their reason was "Black and hispanic drag queens are not Academy material". Fascinating isn't it? Homophobia and racism all together.

    Seen today it's still a great film--and a period piece. It just isn't like that anymore--the NY they show no longer exists. The balls are still held but not in the spirit we see here. Also drag has become more "accepted" in society (for better or worse). And I've heard the houses are gone too. That's kind of sad. I WOULD like to know where these characters are now--I know two died of AIDS but I have no idea about the others. And what DID happen to that 13 year old and 15 year old shown?

    Still, it a one of a kind documentary--fascinating, funny and riveting. A must see all the way! A definite 10. Where's the DVD???

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      A young Pepper LaBeija can be seen very briefly as a contestant in the 1968 documentary The Queen (1968), about a drag beauty pageant held in New York City. The legendary Crystal LaBeija, original mother and founder of the House of LaBeija, is also featured giving a fierce and shady reading.
    • Citazioni

      Dorian Corey: I always had hopes of being a big star. But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you've made a mark on the world if you just get through it, and a few people remember your name. Then you've left a mark. You don't have to bend the whole world. I think it's better to just enjoy it. Pay your dues, and just enjoy it. If you shoot an arrow and it goes real high, hooray for you.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Doc Hollywood/Return to the Blue Lagoon/Hot Shots!/Paris Is Burning/Another You (1991)
    • Colonne sonore
      Is It All Over My Face!
      Performed by Loose Joints

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    Dettagli

    Modifica
    • Data di uscita
      • agosto 1991 (Stati Uniti)
    • Paesi di origine
      • Regno Unito
      • Stati Uniti
    • Sito ufficiale
      • Official Facebook
    • Lingua
      • Inglese
    • Celebre anche come
      • The Children Are
    • Luoghi delle riprese
      • New York, New York, Stati Uniti
    • Aziende produttrici
      • Art Matters Inc.
      • BBC Television
      • Edelman Family Fund
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 500.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 3.905.297 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 310.127 USD
      • 11 ago 1991
    • Lordo in tutto il mondo
      • 3.906.006 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 18 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.33 : 1

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