The Watermelon Woman

There are themes and issues in this film that are obvious, but well defined and used - lesbianism, racism, interracial relationships.... and the ups and downs of working in a video rental shop. All that aside, I have to say that, for me "The Watermelon Woman" is all about obsession. Ah - obsession! The obsession in this case is our leading lady's obsession with a marginal black actress in black & white movies of days long gone by, credited in the films on as "The Watermelon Woman." Who was she... what was her real name... why was she someone to obsess upon? Our lovely leading lesbian begins a journey of body and mind to find the truth of the Watermelon Woman and her life. I tell you obsession is a wondrous thing... when you find something (or, if you're me, many things) to obsess on, your life will be filed with the richness of discovery.. and you'll never be a boring party guest. So, have a look at "The Watermelon Woman," who knows you may just find yourself obsessed. Super sweet.

There are hundreds upon thousands of lesbian movies, and the majority are labelled "Adult". Name one lesbian movie about black women that isn't pornographic? Watching this one was something I could relate to. Finally, a movie touching on black history, interracial attraction, stereotypes, and the fictional day-in-the-life of an aspiring film-maker. More original than most, speaking as a black woman. Excuse the bad technology, and you've got a story about a woman researching her black history and getting laid in the process! Maybe she couldn't get the rights to do "The Aunt Jemima Story". You know, that black maid who's face stared back at you from the pancake box, having gone through a few make-overs through the years? There's even a scene where Cheryl holds up movie stills of black actresses playing the usual slave/maid who become unknowns in the process. Well, this is one important movie for me, and I hope more people appreciate this as they listen to Cheryl's closing monologue. Now this movie deserves a remake!

6/10

The Watermelon Woman (1996) was written and directed by Cheryl Dunye. Dunye also stars. The film introduction included the information that this was the first movie to be directed by an openly lesbian Black director.

We learned that Dunye was a film student who wanted to make a documentary about Black women in 1930's movies. Except for movies made for Black audiences, Black women were invariably cast as servants or slaves. Very often their names didn't appear in the movie credits.

Rather than actually doing the documentary, Dunye made a narrative film about a woman (herself) trying to make the documentary. It sounds strange, but it makes sense when you're watching it.

We saw the movie at Rochester's wonderful Dryden Theatre at the George Eastman Museum. It will work well enough on the small screen. It's not a movie for everyone, but it's an important film, and worth seeing.

This is a very lighthearted film about a black video store clerk (Cheryl Dunye) who wants to make a documentary about an early black actress, known only as The Watermelon Woman." The fact that both Cheryl (Dunye) and the actress are lesbians keeps her going. In fact, in life imitating art, Cheryl finds that The Watermelon Woman was having a lesbian relationship with a white director, and then, she begins a relationship with a white video store customer (Guinevere Turner - American Psycho, Itty Bitty Titty Committee).

The film explored black language, early black actresses, black lesbians, mammies, and watermelon. It even featured an interview with Camille Paglia discussing mammies and watermelon in the context of blacks and Italians, It's nice to see Italians spoken of in something other than the Mob.

Her BFF Tamera (Valarie Walker) is a party girl, but she draws the line at interracial relationships, and that causes a problem for Cheryl.

There are a lot of good scenes throughout the movie, and it made it worthwhile even if the acting wasn't particularly good.

The end credits will surprise you.

I liked how The Watermelon Woman blends a fictional narrative with real historical questions. Cheryl Dunye's storytelling is both creative and personal, making for a film that feels intimate and reflective. The indie production value is noticeable, and it's not a movie that will wow you with visuals, but its heart and purpose shine through. A solid film that's definitely worth checking out if you're into indie or queer cinema. The film's style is a bit unconventional, and it's not always the smoothest ride, but it's an important piece of cinema that sheds light on stories we don't often hear. It may not be for everyone, but I found it thought-provoking and original.