Il regno

I have a weak spot for Danish cinema and TV. I think that their filmmaking is anchored to reality. Even if "Riget'' is a show about the supernatural, the narration and some of the events told feels likely to happen. No crazy monster or unjustified and over the top violence. Lars Von Trier managed to keep my interest for all the episodes, while he slowly unveils the mystery. It is a balanced series with peculiar characters having parodistic traits. I believe that this is why this show works well: there are scary elements, but it does not take itself too seriously. The show is entirely set in a hospital and it is the perfect location for this story, with all its long corridors and creepy basements. The acting is good and it looks natural, nothing feels forced and I enjoyed the Ernst-Hugo Järegård performance. Out of all the characters, I think that Stig was the most interesting one. I also enjoyed Søren Pilmark: Hook is the proper anti hero of this story. I liked how he handles certain tough situations with biting sarcasm. Sigrid Drusse together with Bulder are the perfect ghost hunters couple, that will enable the entire supernatural storyline. At the beginning this is marginal, but then it will gradually become central towards the end of the first season and it will then be enriched during the second one. In 2022, after more than 20 years, we finally have a closure to this story. "Exodus" feels at times more like a reboot rather than a proper continuation. To be honest I was not very convinced by the pilot, it looked very strange and illogical, but then things get better in the mid-season. I think that the director did the best he could with what he had, considering that most of the main cast is dead. However, Von Trier managed to call back quite a few original members, and this was a good gift to all the fans of the show. I was very happy to see Willem Defoe taking part in this project. "Riget" is truly a different ghost story with an original plot. Compared to his other jobs, it is not as graphic, so potentially there is room for a larger audience pool. My final score is 8 stars out of 10.

Lars von Trier's weird, crazy TV show about a haunted hospital with an amazing atmosphere and a great cast. Shows that you don't need a lot of money as long as you've got great actors, good writing and the perfect location. Shot entirely on an ordinary video camera, this is "no budget" Arthouse cinema. The second part of the series is just as good, and I only wish we would have gotten the originally planned third part as well, but the untimely death of the lead actor sadly prevented this from ever happening. Still, let's enjoy what we got. 9 stars out of 10.

In case you're interested in more underrated masterpieces, here's some of my favorites:

imdb.com/list/ls070242495

I am becoming fascinated with Lars von Trier. After seeing 'Zentropa', 'Breaking the Waves' and 'The Idiots', each movie different from the last, and each a minor masterpiece. Now I've watched another piece in the puzzle of his career, the fantastic (in all meanings of the word!) mini-series 'The Kingdom', and I'm once again hugely impressed! I can't think of any contemporary American or British director with his range or inventiveness.

'The Kingdom' concerns a large and sophisticated Danish hospital which is being haunted by ghosts. The doctors who work there are an eccentric bunch at the best of times, and things get progressively weirder. 'The Kingdom' successfully juggles humour, mystery, horror, soap opera and surrealism in a way not seen since 'Twin Peaks'. I found it to be compulsive viewing and can't wait to get my hands on the sequel, which sadly is nowhere to be found in Australia.

'The Kingdom' I'm sure will one day be regarded as a television classic. It's THAT good. I loved it, and hopefully you will too. Hats off to von Trier!

I didn't like Riget I much. It was boring, and horror stories like that had been told a thousand times before. On the positive side, Stig Helmer was one of the most memorable characters ever, and he was even better than he was in the second series. Kudos to Jaregard for an outstanding interpretation. Also on the positive side, some things were funny (Helmer with the car rims) and some were genuinely absurd (where Krogshoj lives). But overall, Riget remained well inside the boundaries of the horror genre, and the narration didn't reach the critical point where everything becomes art.

Now Riget II, a masterpiece. The second series expresses all the unrealized potential of the first one. The tone is consistently grotesque, each action and interaction is quite absurd, and all the bonds with reality have been cut. There's no suspension of disbelief anymore, because everything is obviously surreal. Still, the audience is hooked till the end following a plot that is part crazy, part logical and compelling. There's much more humor and much more horror than there was in the first series, allowing the film to reach that critical point where contrast between tones and genres creates a rich canvas of relationships and meanings. You will smile at the electric car, believe the zombie poison, and listen to extremely deep pieces of philosophy by the dishwashers and Lars von Trier himself. The last scene with Little Brother is painful and hilarious at the same time, while flirting with a cosmological, universal, spiritual significance: hats off. You will also witness delightful, unbelievable situations, that make perfectly sense within the plot: this is a subtle form of art that started to reach its full potential in the nineties.

I watched Riget II before year 2000 for the first time, and then recently watched it again. At the time, I was quite shocked by its originality. Many things that von Trier did here spread around later in film making: I think this series was really ahead of the times. For example, I could not but notice the similarities between Riget II and "Arrested Development", the comedy series: camera work, editing, jumps between scenes and subplots, dry humor, over the top characters, lots of things were exactly the same. It's like Von Trier developed a language to imagine and handle absurd situations with ease; you can notice the obvious progress he made from Riget I to II.

Simply one of the best and most original European tv series ever. So original, clever and visually groundbreaking it was way ahead of its time. Dont miss this one!