Una vita al massimo

With at least 12 `starring actors' in character and supporting rolls, half of them legends or mega stars; this Tarantino tale defies a short review. The different levels on which this movie works are impressive. As a love story we begin to believe that the quirky `loser' couple is unconditionally bound together. As a pseudo `film noir' we begin to care about the fate of the central characters. In the suspense/thriller/crime drama mode there are plenty twists and turns to push us to the edge and pull us back just in time. The action scenes are deliciously violent and unlike most other films, this one gives us pinches of humor sprinkled in amidst the mayhem. Even `the King' alter ego is woven in credibly enough to improve our understanding of the Clarence Worley character.

The plot, albeit original, fresh and mesmerizing, seems somehow secondary to the characters and the characterizations. Any of several rolls could have been performed over the top by what seemed to be an ensemble cast. But director Scott lets the talent go just far enough. Even the remainder of the supporting cast is wonderful; Saul Rubinek in particular does a terrific job as the puffed-up/ego-feeding movie producer. Hollywood missed giving this movie and its cast proper recognition.

With enough memorable scenes and talented stars to fuel a half a dozen blockbusters, True Romance gives us the `best bang for our buck' in years. The Walken/Hopper scene alone is worth the `price of admission' not to mention the Gandolfini/Arquette and Slater/Oldman match ups. This can only be described as a `wonderfully wicked movie' for its tantalizing content, smart dialog and toothsome violence.

Put the kiddies to bed, be prepared for rough language, adult themes and graphic violence and enjoy a `not for the faint of heart' masterpiece.

True Romance has everything necessary to create art on celluloid. From the writing expertise of Quentin Tarantino to Tony Scott's brilliant directing to its cast of gifted actors, the movie is all that one would hope for.

Beginning in Detroit and ending in Mexico, a loner that never really made his mark on the world meets a call girl who falls as deeply in love with him as he does with her. Filled with drugs, gangsters, Hollywood and of course romance, the movie's story becomes only stronger as the movie goes on.

With exceptional performances by Dennis Hopper and Christopher Walken (the scene they share is without equal), Gary Oldman and Christian Slater, the action and violence only help to develop the plot and accentuate it's intricacies. Its superb ending has since been imitated - by Tony Scott's own Enemy of the State for one - but never as cleverly.

A must see for any movie lover.

Sometimes there are classics that one missed, even when almost everyone at the time watched them. This is one of them for me. How I didn't see this movie in the cinemas in the early 90s when I was going to the movies every week is a mystery to me, even moreso that I never saw it on VHS or TV, when it's a very famous film with some big names on both sides of the camera. Fortunately, I could rectify this mistake watching it last week in its new 4K HDR restored version projected on a big screen, and oh, boy! What a movie this one is! The 90s were the decade most obsessed with coolness since the 30s and few films lived up to be really cool then and even less now, but this early script by Tarantino and Avary (the wonderful couple) with the stylist direction of the superb Tony Scott, the brilliant soundtrack by Hans Zimmer and an unbelievable cast that throws big names without stop, not only in the leads but in every little role (including a young and powerful James Gandolfini), is one of the coolest movies of the decade and a truly deserving classic.

Cynical, seen-it-all-before smart ass that I am, I can't but help love 'True Romance'! On paper it looks like a sure fire recipe for disaster. A typically hip pop-culture saturated Quentin Tarantino script directed by schlockmeister Tony Scott, the man responsible for rancid Simpson/Bruckheimer "blockbusters" like 'Top Gun' and 'Days Of Thunder'. But some how it really works! The movie is especially helped by a dynamite cast, one of the most impressive in many years. Possibly only Julian Schnabel's underrated biopic 'Basquiat' can rival its mixture of star power and cult faves. Slater, Arquette, Walken, Hopper, Oldman, Kilmer, Penn, Sizemore, Jackson, Rapaport, Gandolfini, Argo, Corrigan, etc.etc. These are many of the finest actors working today. Add them to an electric story of love on the run, jam packed with amusing, highly quotable dialogue and plenty of action and laughs, and you have yourself a genuinely entertaining update of a classic 70s drive-in movie. 'True Romance' is a wild ride not to be missed!

This film is about a guy who falls in love with a hooker and marries her. What a lovely story, taking this poor miscreant off the streets and showing her that he is willing to take care of her. Of course, you know everything is going to go without a hitch. Not really, from a crazed white pimp who thinks he is black to mob types to undercover cops this couple is going to have a really hard time getting to the honeymoon. The film has lots of violence, some sex, and inexplicably Bronson Pinchot who at the time was still most known as the lovable Balki from the television show "Perfect Strangers". Well here he plays a guy who gets caught by the cops with some white powder on his nose and it is not from a doughnut. The film's best sequence to me though was the Christopher Walken and Dennis Hopper one. Great scene, I love how Hopper's character basically realizes what is going to happen to him so he does his best to insult Walken's character as a parting shot. Just wish both of them were in the movie a bit more, especially Walken who disappears from the film after this scene. I could have done without the Elvis ghost scenes, but aside from that I have a rather positive image of this movie despite the fact it is not something I typically care for.