Lush Life

One of the best movies about jazz musicians out there. And jazz musicians make a movie so good. Whitaker is a particular talent. The bromance was real fine. The relationship between the three of them was fine too. Bringing in real musicians toward the end made it live and breathe.

Problem: Can't get hold of the movie. Got a video tape after much searching. Where did you guys access it?

Here is another movie that will never turn a profit. The reason is quite apparent. There are no sex scenes, no nude scenes, no foul language to speak of, no explosions or idiotic car chases. Also, there really isn't much of a story line. But on the other hand,,,,,,,for those of us who have lived through that era of small sleazy night clubs (and big ones too), supper clubs, piano bars, and many other neighborhood "show" bars, and thrived on the music and excitement of small jazz groups, this modest little movie was an epiphany. It was a throw back to the times when, if you had the right contacts, you were invited to stay in an "after hours" joint and listen to some great talent "jam' until dawn for no other reason than the thrill of the music that those musicians loved to play.

We know the plot of the movie because we lived it, if only vicariously. I call it a "bomb" because that is what it takes to keep me awake throughout a movie, without looking at my watch. It was in fact, a serendipity. I give it an unqualified "10." Thank goodness some movie producers send us a crumb, now and then, that we can much on,,,without getting indigestion.

This is a real modern jazz movie; there are precious few of those, notwithstanding the efforts of those who have gone before or since. The "buddy" aspect, ala "Brian's Song" is well done, but for me, the energy is in the music, which is given as much rein as a drama from Hollywood permits.This music is mainstream hard bop, superbly performed by Chuck Findlay (trumpet) among others.I believed in the musicians' love of the music for its own sake.

I think it very strange that in the entire history of "modern" jazz, which for most musicologists occupies the period 1942-present, only "Round Midnight" and "Bird" and (maybe)"Giant Steps" address the music in a meaningful way on a par with this film, documentaries and concert films excluded.

One sees clearly that "Lush Life" is a labor born of love, destined to be a largely overlooked made for TV film.

I really enjoyed this movie. You could call this a "slice-of-life" movie, the kind of movie that I usually hate, so why did this one work?

Reason one: Great stars. The three leads, Jeff Goldblum, Forest Whitaker, and Kathy Baker are three of my favorites. I've seen Jeff and Forest mis-cast in some bad movies, so it does my heart good to see them in roles where they seem to slip into their characters so easily. Forest's earlier experience in Clint Eastwood's Bird (a movie I did not enjoy) may have been useful here. The shots of Goldblum playing the sax made it look like he was really playing it. Kathy Baker can do it all. Her natural sweetness comes through in every performance. The script was probably written with younger actors in mind, and would have worked better, but Goldblum here at 41 and Baker at 43, manage to convince us they are a thirty-something Bohemian couple still working out their life plan.

Reason two: Great supporting cast. Don Cheadle and Lois Chiles head a supporting cast where all the performances are spot-on.

Reason three: Great music.

Reason four: good dialog.

This is a low-key, warm and fuzzy movie you don't have to think too hard about.

"Lush Life" is a film that shows the world of jazz musicians with accuracy, something other films have tried, but failed to do. Thanks to director Michael Elias we are presented a realistic film with some of the best music heard in this type of movies. Mr. Elias must know this milieu well, judging what one sees in the picture.

The three principals, Jeff Goldblum, Kathy Baker and Forest Whitaker do good work together. Best of all, the characters they are playing appear to be real. We watch as these musicians struggle to make a living going from gig to gig in order to make ends meet. Their world is all about music and the pleasure they get from playing together. The surprise was Kathy Baker singing a jazz standard with great style and voice.

The story of Buddy's illness is not exploited to make the viewer feel sorry for the man. In fact, Buddy doesn't want anyone's pity as he faces a horrible end.

The supporting cast is excellent in conveying the atmosphere of the world of jazz in New York.