Presagio di morte

In this 1992 film, Jeff Goldblum and Rory Cochrane star as a father and son who, despite having a somewhat strained relationship, are bought together by a strange and dangerous ordeal. Directed by Paul Mones, the film takes place in a Jersey beach town where most people seem to live normal, ordinary lives. Right from the start, Max and Ed are very intuitive. They're both in touch with their feelings and the world around them. But its the eerie presence of a mysterious shore killer with an uncanny appearance that causes them to feel on edge and drift into an imaginary world. As the killer encounters Max and Ed at different times, they begin to have moments of ESP. The killer seems drawn to Max and Ed in a way that's creepy and unsettling. He appears out of nowhere and always manages to be in the same place at the same time. When Eddie is attacked in the end, its Max's sudden intuition that saves his life.

The dialogue between the characters is good. In addition, the dialogue that was read from the book "Cats & Dogs" was very intriguing. The author of the book whose name is Isaac is someone not heard of by any of the characters, although its possible that the author might be the killer himself. As several of the characters recite passages from the book, it becomes clear that what they're reading is having a dynamic effect on them. The art of communicating without speaking and "joining a universal community" are themes from the book. Its great to see the characters particularly Ed develop a deeper understanding of what these ideas are about even though the intentions of the author are ominous and insincere.

The relationship between Max and Ed is good to watch Both of them are connected in such a way that is deep and profound. Its wonderful how Max's sudden intuition bought them closer together in the end. Jeff Goldblum is great as the loving father trying to establish a closer bond with his son. Rory Cochrane gives a decent performance as the distant and somewhat rebellious teenage son.

Through solid directing, Paul Mones does a fantastic job in demonstrating the mental and emotional similarities between Max and Ed. In addition, he not only shows how meaningful any relationship can be but he also shows how tragedy can bring a family closer together, forcing them to love and appreciate each other a lot more.

One of the best movies I've ever seen. A perfect example of an overlooked film that is too complex and beautiful for American cinema goers. In fact I thought it was made by a European.

I cannot believe how some critics or people want to rate this movie bad or think they can judge it poorly in their ignorant understanding of it. Are people today just scared or turned off by any kind of real or tender feelings or understanding of depth in life and emotion? It seems those that did not think good about this movie does. This was one of the very best movies I have ever seen, right up there with all my other favorites. The feeling and atmosphere was awesome and touching and the acting by Jeff was the very best he has ever done and everyone that saw the movie with me thought so as well. Many will never understand this movie and I feel very sorry for you that you do not. This is a classic that is underrated. I have seen it MANY times and can totally relate. Do not think you understand something when you do not because you have no place or business even thinking you do and giving it a false negative rating. I bought this digital video disc as soon as it was released. It was much better than most of the critically acclaimed movies and the music soundtrack was very good, which helped the movie a lot. Kudos to the director who took the risk to tell it like it is. Thank you.

Where I am there are several cable TV channels showing 24 hours of movies; the majority of the movies shown are total rubbish, which to the torture of prospective viewers are repeated ad nauseam. This movie is high up on the rubbish list. The opening scene is a dorky son talking to himself and then the dorkier father doing the same.And talking nonsense at that. After half an hour of complex plots and sub-plots,going no-where except into confusion, plus a half-hearted and artificial 'make it up as I go along' bunch of ham actors, a script that has hardly any semblance of reality, I switched this garbage off. Who on earth in their right mind would finance drivel like this???!!!! 1 out of 10.

Made prior to Goldblum's recent biggies, Fathers & Sons is one that the actors would probably rather forget. At it's heart is the evaluation of the relationship between a father and his son as they both attempt to master their own personal demons. But it is the annoying 'mysterious stranger' and other red herrings that had me grabbing for the fast forward button. At 45 minutes too long, I'd recommend Goldblums classic 'Into the Night' any day.