Cliffhanger - L'ultima sfida

Sylvestor Stallone (Rocky,Rambo) teams up with Renny Harlin (Die Hard 2) for the well-casted film Cliffhanger. Original, realistic, and just plain entertaining. There is a little something for everyone in this film, including a bit of humor.

***/***** Stars

Gabe Walker (Sylvester Stallone) is an expert climber, but after a tragic incident leaves a girl dead, he leaves the mountains to get his head together. After his self imposed break he returns in the hope of rekindling a relationship with Jessie (Janine Turner). Whilst at the rescue centre he is called to help a group who are stranded in the mountains, he agrees to help out this one last time, unaware that the group in the mountains are heavily armed murderous thieves and they need help of another kind...

Directed by Renny Harlin, this is one of those films that shows that Stallone once had box office clout as big as his bodily frame. It's a delightful no brain action film that delivers royally to those with a bent for the action genre. What really lifts Clifhanger above average is the wonderful use of suspenseful situations. The film opens with a quite breath taking sequence and then kicks on to literally have us hanging on by our fingernails. The bad guys are deliciously over the top, none more so than the bullishly nasty John Lithgow as Eric Qualen, whilst Sly gets beefcake support from the ever reliable Michael Rooker. Cinematography by Alex Thomson is gorgeous as he brings to life the Cortina d'Ampezzo area of the Dolomites in Italy. Score is by Trevor Jones, who keeps it orchestral as he lifts from his own work for Last of the Mohicans, which in turn is mixed with what sounds like the lead theme of Alan Silvestri's work on Predator.

Slam bang action, tense fraught moments, and a script written with knowing tongue in cheek persuasion, Cliffhanger literally does ROCK. 7.5/10

Cliffhanger is a decent action crime adventure with some flaws from director Renny Harlin whose admirable in making this movie about an expert climber who finds himself taken hostage with a fellow friend by a gang of dangerous criminals on the search for suit cases full of stolen cash in the Rocky Mountains. Sylvester Stallone is impressive as Gabe Walker the expert climber especially in the action/fight sequences but some of them definitely border on the line of unrealistic. For the sake of the film though I willing to suspend my disbelief. The rest of the cast including John Lithgow, Michael Rooker, Janine Turner, Rex Linn, Caroline Goodall, and Leon are respectable as the supporting characters in the movie. The action/fight sequences are well executed but as mentioned before some aren't very realistic no matter how tough you are. The climbing sequences however are very well done because instead of doing the whole film in a studio somewhere the locations they chose felt very real and the Ariel views of the mountain ranges are marvelous adding a touch of reality to the movie. The deaths are inventive while others are sort of predictable. The villains are solid but it would've been better if they had focused on a more central one instead of having many of them. The pacing of the movie was a little slow but the good outweighs the bad in this one. If you're a big fan of Harlins or Stallone's than chances are you'll enjoy this one too. Overall Cliffhanger has character development with enough action, drama, some suspense, excitement, thrills, and good performances by the cast who make this movie worth the time to watch.

When Hal Tucker's girlfriend dies in a botched mountain rescue, Gabe blames himself and leaves. Years later he returns for his own girlfriend. Meanwhile a cash transfer by plane gets hijacked and the cases are lost in the mountains. The hijackers use Tucker and Gabe to recover the mountain however Gabe escapes and must get the cases before the criminals to in order to bargain for Hal's life.

Stallone's sort of semi-come back film, Cliffhanger is yet another `Die Hard in a……' type film. However that doesn't mean it's bad – on the contrary it's quite good. The opening 10 minutes sets out the stall well – heights, good visuals and real fear. However this doesn't hold and soon we are back in standard thriller mode with Stallone picking off the gang one by one in a Die Hard fashion. This is all still fun if formulaic and the director uses the vertigo inducing locations well.

All the Die Hard trademarks are there – the one liners, the multinational villains, big shoot outs etc. Most of it is really good and while it never gets to the heights of Die Hard in terms of action or tension, it is solid entertainment none the less.

The cast is a strange mix. Stallone is OK as the hero – he can do this tough, wisecracking stuff in his sleep (and seems to occasionally). Lithgow is actually quite good, isn't the way that the bad guys have the best parts! `You want to kill me don't you?' he asks at one point `well, take a number and get in line'. Corny tough guy lines but hammy enough to be good. The rest are weird – Turner (from Northern Exposure) is ok but then we have Craig Fairbrass from Eastenders!

Overall it's not as good as Die Hard and it's open setting prevents real tension or claustrophobia but it's still very enjoyable. Solid enjoyment without too much flash – although it is a downside that the best bit is over in the first 10 minutes.

Watching Cliffhanger makes me nostalgic for the early '90s, a time when virtually every new action movie could be described as "Die Hard in a /on a." Cliffhanger is "Die Hard on a mountain," and pretty good, for what it is.

But unlike Passenger 57 and Under Siege, which are decent Die Hard clones on their own terms, Cliffhanger dispenses with the enclosed feeling of many action movies and embraces breathtaking landscapes that, in their immensity, threaten to overwhelm and trivialize the conflicts of the people fighting and dying among the peaks.

Years before other movies like A Simple Plan and Fargo dramatized crime and murder on snowbound locations, Cliffhanger director Renny Harlin recognized the visual impact of juxtaposing brutal violence and grim struggles to survive against cold and indifferent natural surroundings.

The opening sequence has already received substantial praise, all of which it deserves: its intensity allows us to forget the artifice of the camera and the actors and simply believe that what we are seeing is actually happening. Not even Harlin's shot of the falling stuffed animal, which is powerfully effective but still threatens to become too much of a joke (and which he repeated in Deep Blue Sea), or the ridiculous expression on Ralph Waite's face, can dim the sequence's power.

The next impressive set-piece is the gunfight and heist aboard the jet. As written by Stallone and Michael France and directed by Harlin, the audience is plunged into the action by not initially knowing which agents are involved in the theft and which are not: the bloody double-crosses are completely unexpected. As Roger Ebert has observed, the stuntman who made the mid-air transfer between the planes deserves some special recognition.

Later, during the avalanche sequence, one of the terrorists/thieves appears to be actually falling as the wall of snow carries him down the mountain. So far as I know, no one was killed in the making of this movie (a small miracle, considering the extreme nature of some of the stunts), so obviously a dummy was used for the shot. But the shot itself remains impressive because we're left wondering how Harlin (or more likely one of the second-unit directors) knew exactly where to place the camera.

I'll take Sly Stallone as my action hero any day of the week, because he's one of the few movie stars I've ever seen who's completely convincing as someone who can withstand a lot of physical and emotional pain, and at the same time actually feels that pain. The role of Gabe Walker really complements Stallone's acting strengths: he plays an older, more vulnerable kind of action hero, giving an impressively low-key performance as a mountain rescuer who must redeem himself.

In contrast to many of today's post-Matrix, comic book-inspired action heroes, Stallone's Walker is an ordinary man who becomes a hero without any paranormal or computer-enhanced abilities. In Cliffhanger, the hero almost freezes to death, and his clothes start to show big tears as he barely escapes one dangerous situation after another. He winces when he's hit and bleeds when he's cut, particularly in the cavern sequence when he takes a Rocky-style pummeling from one of the mad-dog villains.

It should be noted that the utterly despicable villains really contribute to the movie's effectiveness: when I first saw this movie as a teenager, I was rooting for the good guys every step of the way and anticipating when another bad guy would bite the dust (or rather, the ice); at one point I actually cheered as one of the most cold-blooded characters in the movie deservedly suffered a violent demise.

Lithgow's British accent is as unconvincing as the movie's occasional model plane or model helicopter, but he's fundamentally a good actor, and one of the few who can perfectly recite silly dialogue: in one scene, looking at his hostages Stallone and Rooker, trying to decide which tasks to give them, he actually says "You, stay! You, fetch!" Even a better actor, such as Anthony Hopkins, might have had trouble with that line.

Even if Cliffhanger occasionally tosses credibility aside, it does so only for the sake of a more entertaining show.

Early in the movie, for example, Lithgow openly says to one of his men "Retire [Stallone] when he comes down." No real criminal mastermind would have made this mistake even unconsciously: his carelessness allows Rooker to shout a warning up to Sly on the rock face, and this precipitates a gripping tug-of-war between Stallone and the bad guys trying to pull him down by the rope tied to his leg.

Lithgow could have given his order by a more subtle means, but the sequence might not have been as much fun to watch if it hadn't given Rooker an opportunity to openly defy the arrogance of his captor.

Done very much in the style of a Saturday matinee serial or (at times) a Western, Cliffhanger is built on such a solid foundation that it survives some weak elements that would have undermined a lesser film.

Besides the painfully obvious aircraft models mentioned before, the weak moments include a couple of scenes shot on cheap indoor sets with REALLY fake snow, as well as two other scenes involving bats and wolves that seem unnecessary in an already action-packed narrative. Finally, Harlin's decision to film some of the death scenes in slow motion seems pointless, since the technique contributes nothing to the scenes.

It's a shame that Stallone is now too old for action movies, because his character in this movie seems so credible that inevitably I wonder what he would be like years later. But perhaps it's best that Cliffhanger stands on its own for all time, without a sequel: there are enough tired and obsolete movie franchises already. There was an unofficial sequel that called itself Vertical Limit: compared to that clinker, Cliffhanger belongs on the IMDb's Top 250 list.

Rating: 8 (Very good, especially considering most of Stallone's other movies.)