VALUTAZIONE IMDb
6,2/10
13.625
LA TUA VALUTAZIONE
Tre racconti nel genere horror: il primo su un serial killer, il secondo su un trapianto di capelli andato storto e il terzo su un giocatore di baseball.Tre racconti nel genere horror: il primo su un serial killer, il secondo su un trapianto di capelli andato storto e il terzo su un giocatore di baseball.Tre racconti nel genere horror: il primo su un serial killer, il secondo su un trapianto di capelli andato storto e il terzo su un giocatore di baseball.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature totali
George 'Buck' Flower
- Stranger (segment "The Gas Station")
- (as Buck Flower)
Lucy Boryer
- Peggy (segment "The Gas Station")
- (as Lucy Boyrer)
Recensioni in evidenza
This was a pilot episode for a possible series on Showtime. Showtime wanted to spend less money on it, so the idea was aborted and John Carpenter continued to make feature films. All three episodes are packed with guest appearances and cameos by many great actors and horror directors. Performances in all of them are excellent and each episode has a different tone and style. The first is somewhat of a slasher. The second is a bizarre comedy with sci fi elements. Both of those were directed by John Carpenter. The third is the darkest and is directed by Tobe Hooper. Body Bags has a lot of actors that are very talented, but very underrated that normally don't get to do this type of stuff like Robert Carradine and Mark Hamill. Stacy Keach is always excellent as well and does great here. As far as I am concerned the Tales From The Crypt series on HBO is the best anthology horror there is. Body Bags would have made a good series and could have been able to compete with it if it could maintain this sort of quality. John Carpenter is the host of this show and has the right delivery and the right hair to keep up with The Cryptkeeper.
The first segment "The Gas Station" is the only frightening story in this trilogy. Set at night, apparently in the middle of nowhere, it has a plausibilty that the others lack (similarly to Hitchcock's "Psycho", it is scary because it's not completely beyond the realms of possibility). Plenty of atmosphere, a little gore and enough sudden shocks and suspense to make it worthwhile. The second segment is at times funny, but not at all scary. The third is an improvement on the second, but more fantastical than the first and therefore not as frightening.
The scenes with the man in the morgue, between the segments, are pretty weird. Lots of jokes about corpses. Fine, if you like that sort of thing.
The scenes with the man in the morgue, between the segments, are pretty weird. Lots of jokes about corpses. Fine, if you like that sort of thing.
Director John Carpenter narrates three stories as a walking corpse that must have been a real bad stand-up comic in life. The humour is generally very sophomoric(one scene depicts a rather bosomy lady corpse having troubles being slid in and out of the dead body drawer), but Carpenter actually handles the material very well. Carpenter also directs two of the stories, and Tobe Hooper(The Texas Chainsaw Massacre) directs the third(as well as has a small role as a mortician). The stories each are very different in style, mood, and tone, and each has something to offer in terms of entertainment. The first is probably the most derivative in terms of plot, but also for me was the most frightening. Sexy(very sexy) Alex Datcher plays a woman taking a new job at a 24hr open gas station in a town where many women/people have been killed in serial fashion. Carpenter holds no punches as he tries to make us jump from our seats. Although this story is predictable, it has a lot of suspense. The second story was a funny tale about a balding man that goes to a weird place for hair implants only to discover that he is being used in some horrifying way. Pure laughs with this one as Stacy Keach plays the hair-obsessed man with comic aplomb. David Warner also does a great job playing the Hair Doctor. Sexy Sheena Easton and Debbie Harry also help(they are quite good at teasing hair I'm sure!. The third story is the best-written and directed one as it tells the story of Mark Hamil, a baseball player that loses his eye in an auto accident and has it replaced with the eye of a serial killer. Naturally the eye takes over the rest of the body(shades of The Hands of Orlac here). A very eerie, taught piece of storytelling. All three stories are populated with the greats of the horror genre like John Agar, Roger Corman, Wes Craven, Sam Raimi, and a host of other recognizable faces. Great to see Twiggy again! Body Bags is just plain fun fare. There is no statement trying to be made, no overall theme, just some honest laughs mixed with some honest scares amidst the backdrop of a little sex and lots of guts.
In this early-90s, Tales From The Crypt-style, made-for-TV anthology from masters of horror John Carpenter and Tobe Hooper, creepy morgue attendee The Coroner (played by Carpenter, whose acting is nowhere near as good as his directing) unzips three tales of the macabre
Tale number one, The Gas Station, is directed by Carpenter, and stars Alex Datcher as Anne, whose first night as a gas station attendant doesn't go quite as planned when she is targeted by a serial killer. Operating well within his comfort zone, Carpenter returns to the same bag of tricks he used years earlier for his seminal blockbuster Halloween, delivering a tense, atmospheric piece that, while not exactly groundbreaking thematically or visually (one shot, in particular, is lifted directly from Halloween), still proves to be a lot of fun. Datcher makes for a likable scream queen, there's quite a bit of enjoyment to be had from guessing which of the station's patrons might be the killer, and we get a few welcome cameos from some well-known horror luminaries.
Hair, Carpenter's second offering, also sees the director visiting familiar territory: a They Live-style story of aliens operating undercover on Earth, it sees desperate, balding, middle-aged man Richard Coberts (Stacy Keach) visiting an experimental hair clinic that guarantees overnight results. Unfortunately for Richard, his new lustrous locks are actually minute parasitic extraterrestrials that intend to feed on his brain!!! With such a patently silly concept, Carpenter has no option but to play this one for laughs, and amazingly, it works, with the balding Keach proving that he has quite the sense of humour. Hair also features decent turns from David Warner as sinister Dr. Lock, Debbie Harry as his kooky nurse, and Sheena Easton as Cobert's sexy girlfriend Megan.
In contrast to the light-hearted nature of Hair, the third and final segment, Eye, is a much darker affair. Directed by Tobe Hooper, it tells of up and coming baseball player Brent Matthews (Mark Hamill), whose career looks to be over when he crashes his car, losing his right eye as a result (a shard of glass piercing the organ). However, thanks to a revolutionary eye-transplant procedure, he regains full vision, but at a cost: his new eyeball causes him to have horrific visions and gradually alters his personality. Yet another scary story to borrow heavily from horror classic The Hands of Orlac, this is extremely derivative stuff, but thanks to solid direction from Hooper, some cool gore, a surprisingly strong central performance from Hamill, and a neat downbeat ending, Eye proves to be a delightfully twisted and thoroughly enjoyable way to wrap up this fun little flick.
Tale number one, The Gas Station, is directed by Carpenter, and stars Alex Datcher as Anne, whose first night as a gas station attendant doesn't go quite as planned when she is targeted by a serial killer. Operating well within his comfort zone, Carpenter returns to the same bag of tricks he used years earlier for his seminal blockbuster Halloween, delivering a tense, atmospheric piece that, while not exactly groundbreaking thematically or visually (one shot, in particular, is lifted directly from Halloween), still proves to be a lot of fun. Datcher makes for a likable scream queen, there's quite a bit of enjoyment to be had from guessing which of the station's patrons might be the killer, and we get a few welcome cameos from some well-known horror luminaries.
Hair, Carpenter's second offering, also sees the director visiting familiar territory: a They Live-style story of aliens operating undercover on Earth, it sees desperate, balding, middle-aged man Richard Coberts (Stacy Keach) visiting an experimental hair clinic that guarantees overnight results. Unfortunately for Richard, his new lustrous locks are actually minute parasitic extraterrestrials that intend to feed on his brain!!! With such a patently silly concept, Carpenter has no option but to play this one for laughs, and amazingly, it works, with the balding Keach proving that he has quite the sense of humour. Hair also features decent turns from David Warner as sinister Dr. Lock, Debbie Harry as his kooky nurse, and Sheena Easton as Cobert's sexy girlfriend Megan.
In contrast to the light-hearted nature of Hair, the third and final segment, Eye, is a much darker affair. Directed by Tobe Hooper, it tells of up and coming baseball player Brent Matthews (Mark Hamill), whose career looks to be over when he crashes his car, losing his right eye as a result (a shard of glass piercing the organ). However, thanks to a revolutionary eye-transplant procedure, he regains full vision, but at a cost: his new eyeball causes him to have horrific visions and gradually alters his personality. Yet another scary story to borrow heavily from horror classic The Hands of Orlac, this is extremely derivative stuff, but thanks to solid direction from Hooper, some cool gore, a surprisingly strong central performance from Hamill, and a neat downbeat ending, Eye proves to be a delightfully twisted and thoroughly enjoyable way to wrap up this fun little flick.
Body Bags is a horror anthology film that was intended as a pilot for a Tales from the Crypt knock-off TV series. Thankfully, that series never came to pass. Now it serves as a curiosity for fans of the two big directors attached, John Carpenter and Tobe Hooper. Both Carpenter and Hooper were past their primes by the time this film aired, though Carpenter had substantially more gas left in the tank than Hooper. Body Bags provides further proof of this fact. It features three stories; the first two directed by Carpenter, the last directed by Hooper.
Right from the start, the obvious attempt to mimic Tales from the Crypt is evident as we are greeted by a ghoulish-looking coroner who presents the film's stories. The coroner is played by John Carpenter himself, who tries his cackling best to emulate the Cryptkeeper from Tales. Carpenter's acting here is atrocious and it would come as no surprise to me if the TV execs who watched this pilot turned it off within minutes due to this opening.
"The Gas Station" is about a new attendant (Alex Datcher) on the night shift at a gas station who is stalked by a escaped killer. The second story, "Hair," is about a man (Stacy Keach) obsessed with his thinning hair. So obsessed he is willing to try an experimental treatment. It works too well, however, as his hair won't stop growing. The last story is called "Eye." It's about a baseball player (Mark Hamill) who loses his eye in a car accident. He's given a new eye in an experimental surgery and, you guessed it, the eye belonged to a murderer. And what's this? Now the killer's spirit is taking over his whole body and making him want to kill! This was such an original story....in the 1920s or '30s. The film ends but not before Carpenter does some more schtick as the coroner character, including a bad twist.
The first story is easily the best and has touches of classic Carpenter. The second story is passable despite the lame twist ending that is telegraphed early on. The third story is another derivative Hands of Orlac story. It was done many times before 1993 and at least a few times since. Hooper seems more concerned with shock scenes and gore than building any kind of suspense. Truly a mess. The movie's only merits are in the Carpenter segments. Good score, tense direction, fun cameos from the likes of Wes Craven. The best I can say about the Hooper segment is that Mark Hamill did a decent job. Overall, it's a mixed bag film that gets worse as it goes along.
Right from the start, the obvious attempt to mimic Tales from the Crypt is evident as we are greeted by a ghoulish-looking coroner who presents the film's stories. The coroner is played by John Carpenter himself, who tries his cackling best to emulate the Cryptkeeper from Tales. Carpenter's acting here is atrocious and it would come as no surprise to me if the TV execs who watched this pilot turned it off within minutes due to this opening.
"The Gas Station" is about a new attendant (Alex Datcher) on the night shift at a gas station who is stalked by a escaped killer. The second story, "Hair," is about a man (Stacy Keach) obsessed with his thinning hair. So obsessed he is willing to try an experimental treatment. It works too well, however, as his hair won't stop growing. The last story is called "Eye." It's about a baseball player (Mark Hamill) who loses his eye in a car accident. He's given a new eye in an experimental surgery and, you guessed it, the eye belonged to a murderer. And what's this? Now the killer's spirit is taking over his whole body and making him want to kill! This was such an original story....in the 1920s or '30s. The film ends but not before Carpenter does some more schtick as the coroner character, including a bad twist.
The first story is easily the best and has touches of classic Carpenter. The second story is passable despite the lame twist ending that is telegraphed early on. The third story is another derivative Hands of Orlac story. It was done many times before 1993 and at least a few times since. Hooper seems more concerned with shock scenes and gore than building any kind of suspense. Truly a mess. The movie's only merits are in the Carpenter segments. Good score, tense direction, fun cameos from the likes of Wes Craven. The best I can say about the Hooper segment is that Mark Hamill did a decent job. Overall, it's a mixed bag film that gets worse as it goes along.
Lo sapevi?
- QuizThis film features many great horror directors who act and/or direct. John Carpenter, director of Halloween - La notte delle streghe (1978), plays "The Coroner" who introduces each segment, as well as directs two of the stories, "The Gas Station" and "Hair." Tobe Hooper, director of Non aprite quella porta (1974), plays "Man #2" (Morgue Worker) and directs the last segment, "Eye." Wes Craven, director of Nightmare - Dal profondo della notte (1984), plays "Pasty-Faced Man" at "The Gas Station." Sam Raimi, director of La casa (1981), plays "Dead Bill" in "The Gas Station." Roger Corman plays Dr. Bregman in the segment "Eye."
- Blooper(at around 22 mins) In "The Gas Station" when "Bill" falls to the floor after being struck by Anne, you can briefly see his prop machete fold as it hits the ground.
- Citazioni
The Coroner: [looking at bodies] Natural causes... Natural causes... Natural causes... I hate natural causes! Give me a big stab wound to poke at and then I'm happy.
- Versioni alternativeThe DVD version is a severely cut version of the original Pay TV release, eliminating a lot of the more violent and gory images.
- ConnessioniFeatured in Unzipping Body Bags (2013)
- Colonne sonoreAlmost Cut My Hair
Written by David Crosby
Performed by Crosby Stills Nash & Young (as Crosby, Stills, Nash & Young)
Published by Stay Straight Music (BMI)
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Special Products
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Body Bags
- Luoghi delle riprese
- 13030 Pearblossom Hwy, Pearblossom, California, Stati Uniti(gas station, segment "The Gas Station")
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Body Bags - Corpi estranei (1993) officially released in Canada in English?
Rispondi