Caccia mortale

I bumped casually to this movie a couple years ago. It was on a hot summer night and I had problems in falling asleep. So I turned on the TV and I found this movie when it hadn't begun yet. And it was surprised at how much I liked it since it has a score of 5,7 on IMDB.

Wellman Santee (Dolph Lundgren) plays a former race car driver who has turned to a life of crime and one day he is assigned to transport exotic stolen cars with his buddy Eddie. However during the trip they find some policemen and there is a shootout. Eddie is killed and Santee is taken in prison. After a while Santee manages to escape and takes hostage Rita Marrick, without knowing that she is an undercover policewoman. After escaping in the desert and even making a visit to the wife of the police lieutenant that arrested him (George Segal) he'll have the final stand with Lt. Severance and Rita will manage to prove his innocence.

I had previously liked Dolph Lundgren in some of his movies (like the EXPENDABLES franchise) and I was surprised at how much he was good in this movie. He has also a slew of one liners and makes quite a good pair with Kristian Alfonso. George Segal as the villain is very effective and I was surprised since he usually plays comedic characters. There are some very good shots throughout the movie of the Sierra Nevada desert and of the South West of California. The soundtrack is good and it reflects a lot the period the movie was filmed (beginning of the 1990s).

Don't expect a masterpiece or an Academy Award nominated movie if you bump in this one. Just expect one of those ''Turn off your brain and enjoy'' movies perfect for one lazy afternoon.

Adventure / thriller movies are always big on action. At some point through the running time, decisions have to be made whether to accept fate or try and change the oncoming outcome. This kind of balance needs to be checked because if not monitored, either the viewer will end up being stuck in an explosive marathon in nothing but action after action without any story, or too much exposition and no action at all. No matter what the extreme, either or will bore its viewer. Unfortunately, that is the case for this action flick and surprisingly, it suffers from both extremes believe it or not. After being framed for murder of a police officer, Santee (Dolph Lundgren) is sent to a penitentiary only to almost be killed by the man who framed him. After escaping, Santee takes one off-duty cop named Rita Marek (Kristian Alfonso) hostage while having Lt. Franklin L. Severence (George Segal) on his tale close behind.

Directed by usual stunt coordinator veteran Vic Armstrong (his directorial debut) and written by Steven Pressfield (Above the Law (1988)), this action thriller is very low on the entertainment and high tension meter. There's only a few good areas to point out. Its strongest element are its cinematography captured by Daniel L. Turrett. Although this is Turrett's ONLY cinematography credit to date, it is decent. The rest of Turrett's work is credited as camera operator and although that is a totally different task, Turrett did what he could. The entirety of this movie is set in the desert and Turrett shot as much footage as he could get to include wide landscape and long running mountain ranges. It sure is nice to look at. The second best aspect to this movie are most of its cast and how they act. Sadly, the cast that is respectable are not on screen as much as the actual main cast.

For Lundgren himself, there is no complaint. He has all the best lines and works well with that alone for this particular film. Aside from him though, George Segal as the Lt. Severence is wholesomely uninteresting because of his sniveling voice. Even the young Kristian Alfonso is remarkably banal in her performance. Yet, audiences will have supporting cast performances from the underrated Geoffrey Lewis as the local Sheriff helping Lt. Severence. Backing up Lewis is a younger Nick Chinlund as a Deputy. He's easy to pick out. Then there's the cameos (not really, but because they show up for all of about 5 minutes. Ken Foree (known from George A. Romero's Dawn of the Living Dead (1978) and Texas Chain Saw Massacre III: Leatherface (1990)) plays Eddie, Santee's partner. Along with Foree is another young Khandi Alexander playing Eddie's wife. Too bad they didn't have longer roles. Finally, the last part that works here is the action (partially). What is meant by partially is that the shootouts are well staged and set up. Those are fun.

But now we hit the bad territory. The bad side to the action are the car chases and fist fight scenes. For sequences you'd think would move quickly and get your attention, does not happen here. This is the movie's biggest problem; pacing. When the sequences occur, it gets old really fast. So quickly, in fact it feels like its drawn out just for padding purposes. Then there's the scenes that involve exposition, which don't even get told correctly. This is said because Lundgren's character says nothing about what's going on the whole time. The only way viewers will understand what's going on is by listening to Alfonso's character - why? Because she asks all the questions that don't get answered and she figures them out on her own. The thing is, the information to understanding this plot is held back for such a prolonged amount of time, there comes a point in the movie where the viewer just may not care anymore and wish for the film to end because they won't understand why things are being done without any reason.

Pressfield's writing is very mediocre here. Another thing that is eye- roll inducing is how cliché the execution is. You have the protagonist (a muscular dude) out fighting the way he wants to and doesn't care if he dies and runs across this hot young chick. There's no guessing to what'll happen between them because it has been seen time and time again in these kinds of action/adventure thrillers. Of course they're going to hookup, why wouldn't they? There's also a subplot that sort of explains Santee's relationship with an old man played by Bert Remsen but it has no effect on the plot so why it was included was beyond understanding. Lastly, bringing the list of bad components to a close is composer Joel Goldsmith's musical score, son of legendary composer Jerry Goldmsith. Here, Joel Goldsmith's score hardly warrants any recognition even with a couple of repeating themes for certain scenes. Much of the score uses the cheap 1 or 2 instruments that would be required for a Richard Band production and its more disengaging than anything else. Thankfully it hasn't been released to the public.

The title correctly portrays what it says and that's Dolph Lundgren mowing down bad guys without getting a scratch. But this doesn't happen that often. Besides good looking cinematography and a few actor cameos that tease the audience more than anything else, this cat and mouse chase is boring half the time with bad pacing, clichéd writing, and poor sounding music.

Dolph Lundgren as Santee does not do much talking but makes up for it with action. Santee is a convicted cop killer who was framed by Det. Severence played by George Segal. Santee manages to escape during transport and kidnaps Rita Marrick who unknown to Santee is an off-duty cop herself. Now the action begins as Santee sets out to get revenge against Severence while at the same time is being hunted by Severence and the whole states police force. Who will get Santee first, Severence & company or Marrick the off-duty cop.

Army of One is a very awesome action movie. Dolph Lundgren is a very good actor and this is one of my favorite movies. I highly recommend it to any action fan on the planet. The movie has good actors and actresses, and has great plot to it. Any action fan who turns it down without watching it first is CRAZY!

This undoubtedly, is the best Dolph Lundgren film I've ever seen. You'll have to take into consideration that I'm not a big fan of Mr. Lundgren. This movie had great action scenes. You can tell that John Woo had a strong influence on the producers and directors because one special shootout looked very reminiscent of John Woo's type of filmmaking. This movie also has to feature, I think, one of the best car chases in a straight to home video film ever. It's sad that movies like these don't get highly promoted or promoted at all, therefore they become lost in the film world, where nobody discovers them for the true action movies that they really are. Watch this movie, you will not be dissapointed.