Once Upon a Time in China II

Two of the finest martial artists still working in action cinema (Jackie Chan in my opinion lost skill in favor of gimmick in the late 1980's) the always incredible Jet Li and the fantastic Donnie Yen (New Big Boss, Iron Monkey, New Dragon Inn) combine with the director who almost single handedly re-invented the genre Tsui Hark and arguably the greatest action choreographer of all time Yuen Woo Ping (crouching tiger, iron monkey, the matrix)to create a powerhouse of a martial arts movie. What it lacks overall in action it more than makes up for in the fight sequences that do take place. Jet and Donnie is a mouth watering prospect and they do not dissapoint. I dont care if wires were used, it takes someone extremely special to perform like these two guys do and you can do little but watch in awe.

The plot is pretty thin so I wont waste time going into it. I will merely say, see this movie, just to experience and appreciate what Jet Li can really do, before hollywood softens him up even more. The fight with the leader of the White Lotus Cult is almost forgotten between the two showdowns with donnie, but wow, just incredible

What this movie lacks in volume it makes up for in weight. The fights scenes aren't as plenty as Tai Chi Master or Iron Monkey, but they rank with and above them. This movie tell the story of Wong Fei Hung dealing with the racist White Lotus cult who wish to drive the foreigners from China. Things are complicating by the arrival of Commander Lan (Donnie Yen) who is trying to crush a rebellion led by Dr. Sun Yat Sen. The movie drags in the middle but picks up with 3 fights that are among Jet Li's best. Donnie proves a worthy opponent in his two duels with Jet. A must see.

When we last saw Wong Fei Hung (Jet Li), he emerged as a hero to his people in fighting against the invading foreign forces that were wreaking havoc in his hometown. By part 1's conclusion, he has also come to realize that his country is going through inevitable changes and that acceptance to western cultures is the best possible answer to the dilemmas.

Like Wong's change in view, part II shifts from its predecessor's themes of nationalism and self-strengthening to an exploration of cultural and ideological tolerance. With all that said, Once upon a time in China II is one of those rare sequels that manages to cast a shadow over its original and brings the franchise to a new height.

Li once again delivers a towering performance reprising his role as Wong. Although there's very little development to the character since the last time we met him, we are immediately won over the second he raises his first kick to the sound of the beautifully familiar score. Accompanied by Aunt 13 (Rosamund Kwan) and his mischievous student Leung Foon (Max Mok replacing Yuen Biu of the original), the trio travels to Canton only to find a town ravaged by chaos and violence. Instead of foreigners being the chief baddie this time, the White Lotus Sect and its zealous leader priest Kung (played wonderfully by Xiong Xin Xin) takes over as the story's primary antagonists. First introduced by a breathtaking prologue, they are portrayed as a fanatical cult bent on eradicating all foreigners and those that follow foreign ways, even going as far as murdering little children.

One of the film's most refreshing features, however, was the inclusion of a complex villain in the form of Donnie Yen's Charismatic Manchu military commander/imperial guard General Lan. Despite being pitted against our heroes, he is a man that is hard for the audience to despise when he's telling his men not to hurt civilians or having a brief heart to heart with Wong on their country's chaotic state.

Once upon a Time in China II is without a doubt the pinnacle of the series and quite possibly the career peak of everyone involved especially for one Tsui Hark. After this, it is the slow decline for the former new wave auteur who would attempt to dip his hands into mainstream Hollywood (only to stink up his CV with Double Team and Knock Off) before taking a stab at the recent trend of big budget wuxia epic only to come up with the woeful Seven Swords. If any of you were unfortunate enough to have seen those movies I've just mentioned, I can guarantee that Once upon a Time in China 2 is the perfect antidote for you.

Another excellent entry into the series dealing with China coming to terms with foreign influence and an uncertain future, infused with romance, humour and some outstanding choreography. The well-drawn cast includes Dr Sun Yat-Sen which brings some historical credibility, but adds irony as well, since Dr Sun's idealism may have been misplaced. Oh yeah, its got some great fighting in it too...

I find previous accusations implying racism in this film to be misguided and deeply ignorant. The Wong Fei-Hung series highlights the historical turmoil felt in China from external trade interest and internal political pressure. Foreign characters are shown as both villainous and sympathetic (just like the Chinese characters). OUATIC II portrays the xenophobia of the White Lotus Cult as a Very Bad Thing, and the confusion at western objects and inventions varies from the hilarious train sequence to the superstitious fear of the camera. It's self-mockery, but it's bittersweet. If anything, Tsui Hark is implying a loss of innocence.

If the foreign powers are portrayed in a negative light, it's because our presence in China was motivated by greed and imperialism. Hardly the most noble of motives. But then nobody's perfect, and China's human rights record is less than great before and after the revolution.

I'm staggered that anyone could be so utterly stupid as to ascribe Nazi overtones to a film which goes so far to portray nobility, humanism and honour. Anyway, great film.

This is arguably the best of the 'Once Upon a Time in China' series (which now runs to 6). It stars Jet Li as martial arts master & doctor Wong Fei-Hong, a historical figure/legend popular in Hong Kong period pieces, much like Robin Hood or King Arthur in Western culture. It features some of the most exquisitely choreographed and executed fight scenes in any movie I've ever seen, utilizing two truly excellent martial artists/actors, Jet Li and Donnie Yen. And, almost as importantly, the level of absurdness and ridiculousness, so high in many HK movies, in the fights, humor, and story are kept to a reasonable level so western viewers won't be totally put off. In general, production quality is high, story is good/tolerable, and the fights are truly incredible showcases of the actors' abilities. It would be an excellent choice for the western movie-watcher trying to find more Jet Li films after seeing Lethal Weapon 4. It is also an excellent example of how in 20 years the 70's kung-fu chop-socky has evolved after it and Bruce Lee disappeared from the west.

--ken