Mr. sabato sera

As previously noted in other comments, this is the story of the rise and fall of a very Jewish stand-up comic named Buddy Young Jr. (Crystal). More importantly, its the story of Young's relationship with his brother/agent.

The movie was billed as a comedy, but it's actually a heavy drama with nuggets of comedy thrown in - mainly during the flashbacks to the early days of Young's career. I agree with the other negative reviewers that the drama side of the movie is pretty lousy - almost painfully over-the-top. But the fact is that the little nuggets of comedy scattered throughout the film really are funny. Laugh out loud funny. But is it worth watching two hours of really bad drama to catch about 20 mins of good comedy? I'd have to say no.

By the end of the flick, the funniest thing about this movie is the farce of watching Crystal trying to be all serious and dramatic while wearing horribly bad make-up which makes him look more like a Star Trek alien than a senior citizen.

I was surprised to see such a low rating on IMDB for this film, which I feel is Crystal's masterpiece. While watching it, it becomes clear quickly that making this movie is a real labour of love for Crystal. He really displays his entire range in this surprising drama about a rather complex Vaudeville-esque comedian (whose character Buddy Young Jr. was introduced years before during Crystal's unforgettable stint on the 1984-5 Saturday Night Live season). Perhaps I was just in the mood for a sentimental film while I was watching it, but I was really compelled by the film, which also featured an unbelievable performance by David Paymer as Crystal's brother. The flashback sequences were fabulous-- I just can't say enough good about this film. Just don't set your expectations for a comedy, remember this is a rather long, sentimental (yet never sappy) drama with comic elements and enjoy! (rating 9/10)

Buddy Young, Jr. (Billy Crystal) is a talented comedian after forty years of struggling to reach the top. But Buddy can be unsympathetic man towards his comedy, his family and especially his long suffering brother/manager (David Paymer). Now Buddy has to make a choice between pushing forward to his dying career or making piece with the family, he's hurting.

Directed by Billy Crystal (Forget Paris, Have a Nice Day, 61) made his directorial debut with this sometimes flawed but an genuinely touching and bittersweet comedy. Crystal is good in the lead role, since it's based on his comedy character routine but when Crystal plays the older version of his character. He's hardly convincing as the older Buddy, especially with the heavy make-up role. Which he looks like Carl Reiner than himself. Paymer and Julie Warner as Buddy's wife plays the older version of their characters more convincingly. Paymer received an Oscar Nomination for his terrific supporting performance.

DVD has an good anamorphic Widescreen (1.85:1) transfer and an fine-Dolby 2.0 Surround Sound. DVD has an interesting commentary track by Crystal, which Paymer joins him during the last fifty minutes of the movie. DVD also has three new featurettes with Crystal and Paymer, deleted scenes with introduction by the director, gag reel and the original theatrical trailer. This dramatic comedy has good supporting roles for Oscar-Winner:Helen Hunt and Ron Silver. Some amusing cameos by Jerry Orbach, Jerry Lewis and an young Adam Goldberg. This is one of the few underrated films of Billy Crystal, which he appears in. Written by Crystal, Lowell Ganz and Babaloo Mandel. Which Ganz and Mandel wrote comedies like "City Slickers 1 & 2", "EDTV" and "Greedy". (****/*****).

Billy Crystal's directorial debut was not a big success mainly due to the fact that people had no idea how multi-faceted he had the ability to be. This is not a comedy. This is a very moving drama about a comedian and his life, both public and private. There are several highly insightful moments and some real movie magic present. I assume Crystal had help with his directing, as there are a few crafty camera shots. I personally don't mind that most critics overlooked this movie, but I am very glad that the Academy recognized David Paymer, as Crystal's watching-from-the-wings brother, with a Best Supporting Actor nomination. He and Crystal play off each other wonderfully. They act so much like brothers throughout the years of the film, Paymer's last name might actually be Crystal.

Helen Hunt, Ron Silver, and Jerry Orbach have good roles, albeit fairly small. There are also several cameos, including Lowell Ganz and Babaloo Mandel. They co-wrote the movie with Crystal, and this duo have their names on Happy Days episodes, as well as a slew of films. This information is helpful to the humor when they appear as a couple of goofy young writers.

This fine film is not without a couple of drawbacks. The make-up job on Crystal and Paymer in their old age is far from realistic. This aspect of the film needed Rick Baker. The other item that detracts this from being a truly great film is that it is essentially a biography of a fictional person who isn't a very nice guy. The movie has a few moments where it wants the viewer to feel sorry for him for ruining his own life. To me, however, it is great storytelling and wonderful acting. It is sad, poignant, and, upon first viewing in 1992, nothing I expected from the mind of Billy Crystal.

If you've never seen this picture because you have heard too many negative things, please give it a viewing. You could very well be surprised.

Billy Crystal co-wrote, produced, directed and stars in this sentiment-laden Neil Simon knock-off about a Jewish comedian in the late 1950s who becomes a television staple in the '60s, and an aged grouch in the present day. David Paymer tries hard in the doormat role of Crystal's put-upon older brother, but he and Crystal spend too much time in hokey old age make-up, bickering back and forth like in a road company version of "The Sunshine Boys". The movie looks good, with fine Don Peterman cinematography, but it attempts to combine nostalgia with stereotypical Jewish humor and half-hearted pathos--never cutting back on the insults and quips--for a static, unremarkable result. *1/2 from ****