Tentazioni d'amore

The picture is a romance story between three friends, a Catholic priest Brian(Edward Norton), a rabbi Jake(Ben Stiller) and a gorgeous girl(Jenna Elfman),she is an old childhood friend and now she returns to New York city and the friendship is re-established. The two male friends fall in love with the enticing executive, creating themselves a loving triangle. Jake is in a traditional congregation that want him married with a good Jewish woman but is the fact which his mother(Anne Bancroft) disapproved to his brother for marrying with a non Jewish .Jake is a little worried about his future and he's out step,out of place and desperately looking for a fiancée with numerous suitors(Rena Sofer) The problems are when Brian cannot break his vow of celibacy and Jake cannot marry but isn't Jewish . We never met a pair as liking as Stiller and Norton.They along with Jenna Elfman are agreeable,enticing and enjoyable.The film has great load of amusement,fun,giggles,chuckles and is very entertained.Besides there are a brief exploration about Jewish way of life, making a slight exposition of the rites ,ceremonies ,habits, religion and the Tora .Although the screenplay sounds some ridiculous and absurd ,the plot is well developed and has surprises and its good moments here and there. Nice and cheerful music score by the classic Elmer Berstein(Seven magnificent,Age of innocence).Direction by Edward Norton captures the special excitement or mood protagonists and scenarios. The flick will like to romantic comedy enthusiastic. Rating: Nice and Well worth watching.

Norton, Stiller, and Elfman are an absolute delight! Edward Norton does a bang-up job of a debut film, keeping things light, entertaining, and very, very funny-- and it's great to see him lighten up after such fare as "Fight Club." A uniformly great cast, a witty, literate script, three scintillating lead performances, and a talented young director add easily up to the best romantic comedy since Woody Allen's "Everyone Says I Love You". Take your friends, take a date, take your grandma-- this is one everybody will enjoy, and you'll definitely come out smiling.

This is a pretty good film and I think it hits perfectly the things we all want in life. Great friends and significant others. It is just a beautiful film which I must say (for a comedy) and a Ben Stiller film is pretty jokeless. Good acting, good directing a good story and good everything. There was one thing that was great though. The way Edward Norton used Faith in this film. Never have I seen so much depictions of Faith in a film and actually enjoyed it. I don't believe in church and stuff, but these two clergymen are way beyond cool, they ROCK!

7 out of 10

Note: this review has been amended to remove some sexist comments I included at the time. Apologies for any offence caused. I was young and stupid at the time, thinking I was being 'cool'.

"Keeping the Faith" is just hip enough to breathe some fresh air into a stagnating genre without sacrificing the requisite "feel good" moments in the process. The film's 2+ hour run time is a bit long for it's simple plot, but it manages to stay focused and dish up enough creativity to make it time well spent. A very enjoyable fun flick.

KEEPING THE FAITH (2000) *** Ben Stiller, Edward Norton, Jenna Elfman, Eli Wallach, Anne Bancroft, Ron Rifkin, Rena Sofer, Lisa Edelstein, Milos Forman. (Dir: Edward Norton)

So did you hear the one about the priest and the rabbi and the `business woman'? Well if that sounds familiar don't let that dissuade you from this frequently hilarious romantic comedy of the unlikeliest of menage a trois in cinema history.

Childhood chums, Jake Schram, Brian Finn and Anna Reilly - The Three Muskateers of the 8th Grade of Manhattan - are reunited nearly 2 decades later with a lot of catching up to do when Anna comes back east for a short stint as a high powered brokerage businesswoman (portrayed in full giddy sexy appeal by Elfman of tv's kooky couple `Dharma & Greg') who has her hands full when she finds her best buddies, Jake (Stiller in fine leading man/comedy mode) and Brian (Norton, equally riotous in his directorial debut) are, respectively, a rabbi and priest.

Seems the best friends only bonded stronger when their female compatriot moved out of the neighborhood pre-adolescently and shared more than their uncommon friendship: their devotion to their separate faiths. To make matters more difficult in Anna's sudden return into their lives is the fact that both buddies are in love with her but it is Jake who winds up making the first move as the frustrated young rabbi who is constantly being set up on disastrous blind dates by his meddlesome congregation (`the kosher-nostra'). After the initial awkwardness is overcome the two friends become a casual sex relationship that only gets further complicated when Jake cannot handle the fact Anna's non-Judea background must be taken into effect if he is to become a full-fledged rabbi at his synagogue. Brian, meanwhile, has found his libido at its leash when Anna begins to subsist in his dreams leading to a comical revelation by the film's conclusion.

The threesome have chemistry to spare and banter so witty and blunt by Stuart Blumberg's script that the pedestrian storyline (will Jake realize just what a good thing Anna really is and will Anna realize Brian really wants the best for her) is a no-brainer (and I have to admit the climax of Stiller addressing his followers with a mea culpea seemed to miss its mark since there was no real sense of him `betraying' his people), the film chugs along merrily and makes light of the religious overtones (one truly funny moment is the depiction of the young Jake sorting through his Jewish rabbi hero trading cards the way one would relish finding a Mickey Mantle rookie card) with a contemporary spin. Edelstein is memorable as well as the sinfully sensual Sofer as, respectively, date from hell and date from heaven for Jake. Bancroft and Wallach also lend veteran character actor shtick with all the nourishment of a nosh at the Carnegie Deli.

Elfman has proven to be a lovely comedienne and has always reminded me of Jamie Lee Curtis with her buoyant performances and adds just the right bounce as the tomboy all grown up. Stiller continues his stance as the hardest working man in comedy with another deft, dry turn as the befuddled rabbi and Norton display the tricky balance of skilled actor of his generation (his choirboy persona is perfectly advanced for his good-hearted priest and his knack for perfect imitations - i.e. Dustin Hoffman's `Rain Man' )- is only matched by his straight ahead approach to filmmaking; trimming the fat but keeping the high calorie comedy quota intact.

He even gets his former director Milos Forman (who put Norton through the paces on `The People vs. Larry Flynt') for a small cameo as an elder clergyman to get one of the film's biggest laughs (interrupted by a middle-of-the-night phone call for Norton he says he was `dreaming of his mother's sausages').

Believe in love and laughter is to appreciate a wonderful romantic comedy that has both in spades.