Ragazze vincenti

An ex-baseball player reminisces on her time playing.

This is an enjoyable tearjerker and comedy with strong character moments.

'A League Of Their Own' has a good, albeit fictionalised, character-driven story about the formation of the All America Girls Professional Baseball League. The plot is driven by the friction between siblings Dottie and Kit, the humorous arc of manager Jimmy Dugan, and the struggle to sell female baseball to a wartime audience.

Geena Davis leads it well as Dottie and is plausible as a dutiful old-fashioned wife who is slightly conflicted because she's the best player in the league.

Lori Petty portrays Kit's inferiority complex so well she crosses the line to become annoying in some scenes, however it is an effective character arc.

Tom Hanks has the best material and makes the most of it with a hilarious portrayal of a cynical, aggressive, alcoholic manager, with enough humanity to get away with behaviour that most men could never.

All the support cast are great, particularly Jon Lovitz, David Strathairn, Rosie O'Donnell, Bitty Schram, and Tracy Reiner. I never believe for a second that Madonna is anyone other than Madonna in a baseball movie, but she is entertaining.

There are a number of emotional moments and you need a heart of stone not to appreciate some of them. The ones that connect with me involves a character leaving her father for the first time and another receiving the dreaded wartime telegram. By the end of the film though it feels to me like the writers overdo the sentimentality.

Technically it is as good as it can be when using actors to portray professional athletes. The cinematography and visual storytelling are strong throughout. The baseball scenes are very well edited. There are several decent montages that are expected in sports movies.

For me its a 7.5 but I round upwards.

Like most Englishmen, I know about as much about baseball as the average American knows about cricket. I am also not a great fan of sporting films in general, although there are a number of exceptions. Despite this, however, I generally love baseball films, of which there were a number of good examples in the late eighties and early nineties. ('Eight Men Out', 'Field of Dreams' and 'The Natural' all spring to mind). There is something about the sport that seems to lend itself to the cinema; perhaps British filmmakers should consider making a film about cricket, as the two sports have a lot in common.

During the Second World War many of America's male baseball stars were drafted into the forces, and it appeared that the nation might be deprived of its favourite sport. An entrepreneur therefore had the idea of creating an all-female baseball league. 'A League of their Own' tells the story of some of the women who played in that league.

At the centre of the drama is the rivalry between two sisters, Dottie and Kit, who sign for the same team, the Rockford Peaches. The sisters have contrasting characters. Dottie is the more talented player, but Kit is more aggressive and determined to succeed. Kit's aggression and the sibling rivalry between her and Dottie lead to dissension in the team's dressing room, and Kit is traded to a rival team, the Racine Belles. The climax of the film comes when Rockford and Racine meet in the finals of the league championship, with Kit and Dottie on opposite teams.

The film has some interesting observations about the social values of the era in which it is set. During this period there was a conflict between traditional views of femininity and the need, caused by wartime conditions, for women to take on what had historically been masculine roles. Before the war, there had been only very limited opportunities for women in professional sport; most sports, such as tennis and athletics, in which women were permitted to compete were strictly amateur. During the war, they were allowed to take part, but were still expected to conform to the ideal of being 'ladylike'. In the film, players are selected as much for their sex appeal as for their talent (Ernie Capadino, the cynical, sexist talent scout, wants to leave one player out of the team because he considers her insufficiently glamorous) and they are required to attend a 'charm school' and to conform to a strict code of sexual morality. Dottie and Kit can be seen as representing the two sides of this conflict. For all her talent, Dottie's heart is not really in professional baseball, and her real wish is to return to her old life as a housewife as soon as her husband returns from the war. Kit, on the other hand, is single, and sees the game as a way of escaping from her previously dull existence.

Although Geena Davis was quite good as Dottie, the two best performances came from two actors I had not previously heard of, Jon Lovitz in the cameo role of Ernie Capadino, and Lori Petty as Kit, who brought out the fierce determination and will to win of her character. I am surprised that she has not gone on to become a bigger star than she has. It was interesting to see Madonna (normally found in starring roles) in a supporting role as Mae, one of the Peaches who rebels against the strict moral code.

Tom Hanks stars as Jimmy Dugan, the coach of the Rockford Peaches, in a role created largely because the filmmakers felt that they needed a big male star. Dugan was himself a famous baseball player in his time, but his career was wrecked by his heavy drinking. At the beginning of the film, Dugan is played as a figure of fun, making blunders such as urinating in front of the women, but being too drunk to notice or to care. Later on, Dugan sobers up and develops into a mixture of inspirational coach and dispenser of homespun philosophy along the lines of 'There's no crying in baseball'. At neither stage, however, does the film bring out the genuinely tragic aspects of Dugan's fall from grace as a great, or potentially great, athlete ruined by alcoholism. (One can think of modern parallels such as George Best or Diego Maradona). The actor may be at fault here; during the early part of his career Hanks always seemed a limited actor, convincing in 'Mr Nice Guy' roles but unable to portray more unsympathetic characters. ('Bonfire of the Vanities' being another example).

There were one or two other things about the film that I did not like. I felt we should have seen more of Kit between her transfer to Racine and her reappearance in the finals. The opening and closing scenes, showing a reunion of the surviving players more than forty years later, did not add much to the story. (They did, however, correct the misleading impression given in the rest of the film that women's professional baseball came to an end with the war; in fact, it survived until 1954). Overall, however, this was an entertaining film, well worth watching. 7/10.

I love this film! Seeing Geena Davis, Lori Petty, Rosie O'Donnell and Madonna in one film is fantastic. Having it directed by Penny Marshall makes it all the better. After I watched it, for some strange reason I felt I'd watched an extended episode of "Laverne & Shirley" but this is great for the comedy!

Tom Hanks was magnificent with all the comic touches that endear him to so many of us.

The older version of Dottie at the beginning and ending of the story is NOT Geena Davis made up to look older - neither are any of the other ladies! An excellent casting decision was made to have older actresses play these parts - Lynn Cartright was chosen to play Dottie (Geena Davis) in her late 60's and she was a dead-ringer for Geena!

Watch for Tea Leoni (as Racine Belles 1st-base player), Eddie Mekka (Carmine on "Laverne & Shirley" - he dances with Madonna!) and David L. Lander (Squiggy from "L & S" - radio announcer.)

Brings a tear to my eye no matter how many times I watch it - right up there with FIELD OF DREAMS!

Despite the fact of this movie was exhibited on screens in 1992 or 93, I've just saw it on TV in my country only a few days ago. In fact, it isn't the first time it is exhibited, but for one reason or other I've never had seen it. And I've to say that "A League Of Their Own" really touched me. In my country, unlike other Latinamerican like Venezuela, Puerto Rico and -- if I'm not wrong -- Cuba, baseball isn't a popular game, like soccer or tennis. It's played only in some clubs by American citizens or Chilean who lived in the U.S. and learned to play and love it. However, for me the ignorance of the baseball rules is not important, but the fact of that the subjects treated in this movie are universal: fight for a dream and achieve it, solidarity (how beautiful the scene when one of the players teaches to read the one who doesn't know, using a "little hot" short-novel), friendship, hope, dignity and the spirit of trying to be always better. From now on, this movie has become one of my favorites, with some other like "Steel Magnolias" and "Fried Green Tomatoes". Beautiful ones, inspiring, with no-violence and giving a positive message good for our spirits, no matter the zone of the world where you live because, like I've already said, its message is universal: the hope on reaching your dreams and be a better person. And I think that it's marvelous in a world like the present, that sometimes turns so hard to live in. I believe also that it isn't necessary to be American or have had friends or relatives involved in a terrible conflict like the 2nd W.W. to understand this movie. Finally, I'm sorry for my not good English and, if possible, I beg from someone who had had the patience to read this lines up to this point, some additional information about the female baseball league of the United States. I will appreciate it, really. And friendly greetings from Chile, proudly the world's southernmost country!!. (and very friendly with foreigners, too. Visit us, we're waiting for you!!)

Like many others, I didn't know anything about a wartime female baseball league so the story was fascinating to me. The film is beautifully told and is very touching and funny. The plot follows the women who made up a professional girls' baseball league during the second world war when the guys went fightin'. And then of course the war is over, and the guys come back - then what happens to the women with their glimpse of independence and a life outside the kitchen?

There are lots of good character arcs, particularly the two sisters, Dottie (Geena Davis) and Kit (Lori Petty), and the washed up has-been, Jimmy Dugan, played by Tom Hanks with about 2 stone extra on him for the role.

The flashback structure works so well you can't imagine doing it any other way. All the actors do a great job, but for me, Lori Petty as Kit, Dottie's kid sister, steals the show. She is brilliant.

Watch out for occasional glimpses of Tea Leoni as a Racine hitter.

Apparently all the injuries seen were sustained by the actors themselves. You can believe it too - they really look like ball players. First-rate editing makes it genuinely exciting sport.

The film could have been a stinker - there are many cliches and it's pretty predictable, but it's handled with great sympathy and sentiment without treacle by Penny Marshall. Twists and subplots would have been out of place - this is a classic feelgood and entertains without dragging on.

I give this 7 out of 10. On a rainy afternoon it's great entertainment.