L'implacabile

The Running Man is a cult classic, a film that didn't do so well when it was originally release, but more popular now. The Running Man has a premise that was later used by Battle Royale and The Hunger Games and easily stands along other dystopias from films of the era like Escape From New York and Robocop. It was violent, cheesy and had lots of Arnie one-liners. The Running Man was meant to be a satire about game shows but it's satire is more prescient now with the world of reality TV, 24 hour TV, and deep fakes.

I hadn't seen "The Running Man" since it was released on VHS more than twenty-five years ago, and I decided to give it another look when I found it in my local library's DVD collection. Seeing it again, it struck me how dated it had become. Now, there are still a few good things about the movie. It's never boring, there are a few funny one- liners and gags, and there is a great performance by Richard Dawson. However, more than twenty-five years later it's surprising how much the movie resembles a 1990s direct-to-video futuristic actioner. There are precious few "wide" shots, with the camera more often than not crammed close to the actors. That's probably because much of the movie was filmed on vacant lots and abandoned warehouses with little redressing, and the few sets that were built look incredibly cheap and cheesy. And the movie is quite jokey in tone, maybe in an attempt to get the audience to laugh with (instead of at) the various going-ons. Still, I have to admit that I often have a fondness for direct-to-video movies, so all this stuff didn't concern me that much, and I found the movie entertaining. Your opinion of the movie will depend on if you find cinematic cheesiness tasty or not. If you don't, look for another movie.

If the film were remade today, it would have a little more resonance for a modern audience, especially with the amount of reality based television that is so prolific today.

A straight adaptation from Stephen King's original novel (under the pen name Richard Bachman) would have been much more suitable, especially with the rise of shows like Cops and World's Scariest Police Chases. Placing the entire game within an actual arena isn't quite like how the future turned out. However, they may have to modify the ending (the ending of a novel involves a large airplane crashing into a building).

Considering all the remakes and sequels that have been made as of late, it's surprising that they haven't remade this one, even though it's a bit more relevant to today's audience than it was back in 1987. Shoot the whole thing on digital video (a la "Series 7: The Contenders") and throw in a lot more dark comedy, and you'd have yourself a nice little independent flick and a cult classic in the making. No need for something with an overbloated budget.

Like other reviews already said, The Running Man hits many very actual notes - especially in the '20s we're living in. The use of deep fakes, the reality tv formats, the manipulation that was predicted for 2019 is all there nowadays. But what if this novel by the brilliant Stephen King would've been adapted again? So no blockbuster entertainment but how it was intended by King? That means no Schwarzenegger as the main character was a weak loser type. No 'game arena' but running in the actual world. Formats like this are already there, a new movie adaptation would be awesome right? This film shows the potentional and needs to be told again. But then true to the original idea. I'd love to see that.

Of all Arnold's mid-'80s movies who would have thought that most relevant today would be The Running Man. A chilling and surprisingly realistic tale of reality TV gone mad. It may have been far-fetched back then but not so now. Not when you think about it. Currently, Reality TV shows are either scraping the bottom of the barrel or desperate to raise the bar. If the next one isn't more controversial as the last, it's a dud. How long will it be before we really do see shows like The Running Man? How long before we have 'court-appointed theatrical attorneys' or the entertainment division of the Justice Department? There is so much satire and intelligence in this movie that may have been missed back in 1987 that is desperate to be seen again considering the current state of TV shows.

The biggest message of all is 'You are being lied to'. It's no secret that the Government and the media work in cahoots. And the masses believe what the media tells them to believe. It's a very scary state of affairs and unless more accurate representations of the truth emerge we may easily accept a brutal show like the Running Man in the near future. It's no secret that Reality TV is not very realistic. It's edited and reshaped before being aired and it's only what the networks want you to see. Usually it's far from the real truth.

Although rather different than Stephen King's book (the ending is completely changed) the script does conform to the typical Arnie formula. Yes, he does have numerous and very corny one-liners and he does say 'I'll be back' (which he never REALLY said that often anyway, when you think about it) in the most ironic situation yet but he's still a zillion times better in the role then Christopher Reeve or Dolph Lundgren would have been (these two were considered BEFORE Arnie believe it or not).

The director is none other than Dave Starsky himself (Paul Michael Glaser). It may not be artistic but it is still strong enough to generate excitement and his use of neon and flourescent colors gives each individual set a pretty cool look. Andrew Davis (not a director I particularly like) was attached before Glaser, though no matter who directs, the film is still marred by a very heavy 80's feel.

First of all, Harold Faltermeyer's score (remember him?) is incredibly dated and robs the action scenes of any timeless integrity. And the fashion sense of the movie is far too excessive to be convincingly set in the future. Apart from the dated feel, the only other thing that bugs me is the poorly staged shoot-out that passes as the climax.

This new DVD is a zillion times better than the original release. Gone is the horrid letterbox picture. In its place is a brand new hi-definition 1.85:1 anamorphic transfer. The colors sparkle and literally pop from the screen. The new Dolby 5.1 EX and DTS ES soundtrack are also amazing. There constant use of the surround channels to great effect and the bass is strong and powerful. Definitely one of the best re-masters I've seen so far. Two intriguing documentaries, a trailer and a 'Meet the Stalkers' gimmick are included in this 2-disc set that comes in a rather neat slip case.