Roxanne

I have to admit that this was a nice and sweet version of Martin's interpretation of Cyrano de Bergerac. It was nice to see a little comedy into the story. I know of the story, but have seen none of the movies. So, this is pretty much as close as I will get to the story even though my mom has the old version of Cyrano de Bergerac, it doesn't look that entertaining.

Steve plays Charlie, a kind and funny fireman with one little... well... actually huge thing on his face, a very long and big nose. But he ends up meeting Roxanne, a very beautiful woman who is a rocket scientist and just wants be romanced, she meets another man, Chris, very handsome, but doesn't exactly have a way with words. Charlie has a huge crush on Roxanne, but she's attracted to Chris, Chris also has a thing for Roxanne, so through the hardest times, Chralie helps Chris try to woe Roxanne with his words going through Chris's mouth.

It's a very sweet and romantic movie with some good little laughs here and there. I think this is an under rated Steve Martin movie that I think everyone could give a chance too. Because, let's face it, we all have that little imperfection that can always be seen as unique and beautiful in the eyes of other's.

7/10

If you don't like Steve Martin, watch this movie and you will. This movie so perfectly showcases his talents, both physical and verbal. The supporting cast is good too. The first scene with Daryl Hannah is great, as was the 20 better insults scene, but the highlight of the movie, at least for me, was Chris's first date with Roxanne. The whole thing where he's at her house is so hilarious. This movie is very funny, yet it never sacrifices the characters for humor. An underrated classic, sure to brighten your day.

Steve Martin (The man with two brains) stars as fire chief Charlie Bales, a man with a big nose. This unusual feature makes him believe he will be able to be with a girl he has just met, the beautiful Roxanne.

Martin gives a good performance as the insecure but happy fire chief. His best moment is the famous bar scene where he is challenged to think of 20 insults regarding his big nose, which is the most interesting point of the film.

The over sized nose is the big talking point of the town and the use of it was quite interesting as it brought out a touching subject regarding appearance and what other people though of it. As the film is a comedy it is the focus on pretty much all of the jokes and uses it well, with Martin's comedy experience proving vital to make the nose jokes work. His reactions are excellent, the bar scene and the opening sequence with the two men. The fact Martin did all of his own stunts was a fact I couldn't believe because there are some very difficult manoeuvres that he has to do but all are executed brilliantly.

The plot is consistent, with many good jokes and a sweet storyline regarding the fire chief and the woman he has fallen for. Sadly it follows up the conventional romantic story line. Don't get me wrong I love romantic films but a bit of variety every now and again wouldn't hurt.

Rossovich and Hannah are good enough in their roles but are completely outshone by Martin. They had pretty conventional roles and always seemed to give the film predictability rather than spontaneity. Though that is also down to some cheesy and poor dialogue.

Martin's performance however is enough to carry the film from start to finish and had the film been longer or varied from the usual romantic conventions, then this would be the perfect romantic comedy.

Steve Martin's genius as a comic actor has never been in doubt. But once in a while even a genius does something astounding. For Martin it is "Roxanne". Possibly THE funniest movie that I have ever seen, not to mention passionately romantic, it also does something that so few movies are able to do today... it stays intelligent despite the humor. In today's Hollywood so many comedies fall into the trap of deplorable slapstick and gratuitous cussing, "Roxanne" succeeds in entertaining us through colorful characters, enchanting surprises, and witty intelligent dialogue. Where have movies like this gone to? Where were they to begin with? A rare jewel in the sands of Hollywood, see this movie like your life depends on it (tip to the wise: take a date). Pay special attention to the character of Andy, he is a special treat throughout the film. Also look for a VERY young Damon Wayans. The treats abound.

Roxanne is probably going to go down as the pinnacle of Steve Martin's career as both an actor and a writer. Granted, he's made better movies (L.A. Story, The Man With Two Brains), but this is the one movie that seems to have grabbed the public's attention and keeps bringing them back. And that's because it's deceptively simple, the story of the underdog falling for the girl who has it all. It's peripherally based on Cyrano de Bergerac, but most people haven't read it (or even seen a movie adaptation), so much of the intricacies will be lost. But everyone can identify with the main character, C.D. Bales, and the story of his doomed love.

The movie is a romantic comedy, but that's too simplistic. It's full of incredible situational and verbal humor. Whether he's playing a slapstick routine trying to leave Roxanne's apartment or trying to think up the (more than) twenty insults that would be better than `Big Nose,' Martin's pen rarely falters. He can do drama, as evidenced by the scene on the roof with the overweight kid. And he writes compelling poetry: when C.D. speaks from his heart under Roxanne's window it threatens to turn hokey at any moment, but never does. The power of the movie is in the screenplay, and Martin's written a doozy.

Of course, it also doesn't hurt that C.D. is such a sympathetic character. Actually, sympathetic is probably the wrong word. He's such a strong and dynamic character that every man would want to be him and every woman would want to have him…if it weren't for that stupid nose of his. Think about it: he's athletic, charming, well-read, witty, and handsome. And that's what makes it even worse for the viewer: knowing all these wonderful things are stuck inside this man and people can't see past his nose, pun not intended. Martin totally inhabits C.D. Bales: he knows him so well that it's second nature. He looks like he's having a blast with it, too, which helps the audience quite a bit.

It's not all Steve Martin, though (although it seems like it at times). The supporting cast does well with their roles and goes far beyond what I would have thought possible. Example: Daryl Hannah, an actress with a hit-and-miss record that's mostly miss, is surprisingly convincing as an astronomy student who knows about sub-nuclear particles and comet trajectories. Or Michael J. Pollard, who takes a role that's pretty much a series of one-liners and makes me remember him above all the other firefighters by the pure glee that he takes with every line.

It's certainly not perfect, nor is it Martin's best offering, but that's beside the point. The point is that it's the kind of movie people really enjoy but can't put their finger on just why. Well, the movie is smart, and that's why people find it refreshing. It's not simply a cookie-cutter romance with the typical leading man and the regular lines: it's got a heart and humanity that most romantic comedies disregard as unnecessary. 8/10