Un milionario morente trasferisce la sua anima in una donna più giovane. Tuttavia, qualcosa va storto, e lei si ritrova nel corpo del suo avvocato - insieme all'avvocato.Un milionario morente trasferisce la sua anima in una donna più giovane. Tuttavia, qualcosa va storto, e lei si ritrova nel corpo del suo avvocato - insieme all'avvocato.Un milionario morente trasferisce la sua anima in una donna più giovane. Tuttavia, qualcosa va storto, e lei si ritrova nel corpo del suo avvocato - insieme all'avvocato.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 3 candidature totali
- Peggy Schuyler
- (as Madolyn Smith)
Recensioni in evidenza
This is a great movie, & was made when Steve Martin was still funny (remember "The Man with Two Brains"? In that sort of vein of comedy, not the abortive attempts of LA Story, Sgt Bilko, etc, etc, etc).
Great performances from Steve Martin, Lily Tomlinson is absolutely fantastic & Victoria Tennent as the pretty but evil conniving bitch is great fun to watch.
Not the best comedy of all time, but one of Steve Martin's best movies! Check it out just for the court room scene!!!
With Edwina controlling one half of Roger's body, the silver haired comedian is given ample opportunity to showcase his wacky style of comedy and does so with gusto; the result is a memorable central performance from Martin in a consistently funny film that also sees co-star Tomlin on fine form as the lonely rich woman who, in death, learns to enjoy life and who finally makes a friend.
Breezy direction from Reiner ensures a lively pace, the action accompanied by a suitably jazzy score, with comedy highlights including Roger visiting the men's room with a little help from Edwina (tap tap), a hilarious courtroom scene wherein Edwina takes control while Roger sleeps, and a wonderfully silly bedroom scene where Roger attempts to have sex with Terry while Edwina is taking a nap.
To watch Martin twist, writhe and convulse as he has to house Tomlin's spirit in his body is hilarious enough but to see one start a sentence and another finish it or verbally spar against each other is a pure delight.
Though Tomlin has little to do, she is more of a verbal comedienne while Martin was always more physical and spastic. Their pairing is genius, as this movie proves time and again.
Funny as it is, you'll get caught up in the story, too. Everyone is treated as an individual and gets to contribute thoughts, personalities and at least one good line and/or scene. Libertini is especially funny as a Hindu mystic ("BIG DOPE!").
Catch "All of Me" as soon as possible. You'll love all of it.
Ten stars.
Title (Brazil): "Um Espírito Baixou em Mim" ("One Spirit Possessed Me")
Lo sapevi?
- QuizTeddy Edwards: The tenor saxophonist legend in the funeral scene as a band leader on bass drum leading the Dixieland Band.
- BlooperAfter Edwina enters Roger's body and they use the bathroom for the first time, there are stalls behind Edwina. Behind Roger there is a wall. The same thing should be seen since he's looking into a mirror.
- Citazioni
Edwina Cutwater: What is so important about sex?
Roger Cobb: What's so important about sex? That's like "What's important about laughing?" Or," "Duke Ellington" or the "World Series"? It's one of those things that makes you feel like you're really - living, Iike you're glad to be alive!
Edwina Cutwater: I am already glad to be alive. I don't need to play 'tonsil hockey' with some English tart to feel good. I already feel good. I feel wonderful In fact, I feel - quite tingly!
Roger Cobb: Yeah, that's right. Those are my tingles you're feeling.
Edwina Cutwater: What do you mean?
Roger Cobb: It's called "sexual - excitement".
Edwina Cutwater: It is?
Roger Cobb: Yes. If you think this feels good, wait'll you feel what hot, passionate boffing feels like.
Edwina Cutwater: And what happens? Bigger tingles?
Roger Cobb: Oh! Major tingles.
Edwina Cutwater: But, will she still respect us tomorrow?
Roger Cobb: She doesn't respect us now!
Edwina Cutwater: Let's boff.
- Versioni alternativeABC edited 3 minutes from this film for its 1987 network television premiere.
- Colonne sonoreAll of Me
Written by Seymour Simons and Gerald Marks
Performed by Joe Williams
Arranged by Billy May
Courtesy of Bourne Company
Played in closing credits
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Botteghino
- Lordo Stati Uniti e Canada
- 36.403.064 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.803.848 USD
- 23 set 1984
- Lordo in tutto il mondo
- 36.403.064 USD