VALUTAZIONE IMDb
2,4/10
2235
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA highly unlikely band of heroes traverses a post-apocalyptic wasteland to rescue a scientist from the tyrannical Dark One and his army of robots.A highly unlikely band of heroes traverses a post-apocalyptic wasteland to rescue a scientist from the tyrannical Dark One and his army of robots.A highly unlikely band of heroes traverses a post-apocalyptic wasteland to rescue a scientist from the tyrannical Dark One and his army of robots.
Nadine Hartstein
- Deeja
- (as Nadine Hart)
J. Buzz Von Ornsteiner
- Klyton
- (as Joel Von Ornsteiner)
George Grey
- Bray
- (as George Gray)
Edward R. Mallia
- Airslave Fighter
- (as Edward Mallia)
Recensioni in evidenza
Angelika Jager, eh? What a woman! Alas, the sad fact is young Angelika is the only reason this film is worth even half-watching – and even then only if you're a heterosexual male – because everything else about this film is total trash.
Angelika plays Valaria, the sidekick of the Dark One, a deep disembodied voice who issues veiled – and not so veiled – threats to his lovely assistant as the cartoon power station in which he resides is visited by a young hero called Neo who is – well, to be honest I can't quite recall why he's there. Wants to free humankind from the Dark One's tyrannical grip, I think; something like that, anyway. The fact is, the rank amateurishness of all aspects of this film quickly had me sinking into a kind of stupor, from which I would only emerge when the lovely Angelika was on screen.
Now I can't claim that the lovely Angelika is exactly an actress of quality – in fact the truth is she could easily be out-acted by a toothpick – but she possesses the kind of luminous beauty that makes such matters irrelevant. Anyway, it would be impossible to possess such beauty and acting talent – it just wouldn't be fair. Angelika has a sulky, sensuous mouth and a sexy French accent identical to Valerie Kaprisky's in Jim McBride's 1983 remake of Breathless and, although she can't act for toffee, there's something Bergmanesque (Ingrid, not Ingmar) about her that is quite enchanting.
Not that her lack of acting talent singles her out for criticism in this cast of nobodies. Everybody looks as if they're envisaging in their mind the words as they appeared in their script, and very carefully repeating each one, completely forgetting to add any kind of emotion into their lines. The guy who plays the heroine's father has only one expression throughout, regardless of whether he's watching two gladiators scrapping, describing his boffo invention, facing the terror of coming face to face with The Dark One, or being slowly absorbed by the aforementioned Dark One – who actually looks like a slimy green egg – so that only his living head remains. That expression is one of expressionless boredom – an image that will probably be mirrored by anyone who sits through this rubbish.
This gets one mark for Angelika's sultry looks and no other reason
Angelika plays Valaria, the sidekick of the Dark One, a deep disembodied voice who issues veiled – and not so veiled – threats to his lovely assistant as the cartoon power station in which he resides is visited by a young hero called Neo who is – well, to be honest I can't quite recall why he's there. Wants to free humankind from the Dark One's tyrannical grip, I think; something like that, anyway. The fact is, the rank amateurishness of all aspects of this film quickly had me sinking into a kind of stupor, from which I would only emerge when the lovely Angelika was on screen.
Now I can't claim that the lovely Angelika is exactly an actress of quality – in fact the truth is she could easily be out-acted by a toothpick – but she possesses the kind of luminous beauty that makes such matters irrelevant. Anyway, it would be impossible to possess such beauty and acting talent – it just wouldn't be fair. Angelika has a sulky, sensuous mouth and a sexy French accent identical to Valerie Kaprisky's in Jim McBride's 1983 remake of Breathless and, although she can't act for toffee, there's something Bergmanesque (Ingrid, not Ingmar) about her that is quite enchanting.
Not that her lack of acting talent singles her out for criticism in this cast of nobodies. Everybody looks as if they're envisaging in their mind the words as they appeared in their script, and very carefully repeating each one, completely forgetting to add any kind of emotion into their lines. The guy who plays the heroine's father has only one expression throughout, regardless of whether he's watching two gladiators scrapping, describing his boffo invention, facing the terror of coming face to face with The Dark One, or being slowly absorbed by the aforementioned Dark One – who actually looks like a slimy green egg – so that only his living head remains. That expression is one of expressionless boredom – an image that will probably be mirrored by anyone who sits through this rubbish.
This gets one mark for Angelika's sultry looks and no other reason
This movie is bad, it goes without saying. But, I have seen comedies that weren't this funny. Really? Sewer socks? A female villain that is a cross between Barbarella and Freddie Mercury? The only reason that it wasn't longer is that Kai had to be back at Chippendales by 6:00. The whole thing looked like it was filmed at William McKinley Jr. High with the art room making construction paper props. The grand total of three robots that comprise the mega population of robotum. Finally, the pasty white legs and tighty whities of the slaves used to feed the dark one. The whole thing looks like a Jazzercise class gone bad. Other than that, it was fantastic.
Director Tim Kincaid made other entertaining and campy films in NYC during the 80s like BREEDERS and BAD GIRLS DORMITORY (a favorite) but neither of those contain a performance as memorably bad as Angelika Jager. Speaking English with a heavy (French?) accent and trying to be menacing while wearing a long feather boa in her hair, Jager gives a performance of transcendant awfulness that should be treasured by bad cinema addicts the world over. Just try to keep a straight face as Jager tries to actually act while trying to remember her lines as us in the audience try to even understand the nonsensical dialogue through her heavy accent. Amazing!
This movie made me cringe - and afterwords it left me feeling violated and empty inside. The script could have been made by a group of 11-yearolds, the acting was horrible. The FX were , on the other hand, very entertaining , but not in the intended way - the wall of sock-puppet "sewer worms" and the Spider leg made us burst out in laughter.
This movie is hard to watch even for die-hard fans of b-movies, and although I am glad that I made it though this piece of oozing garbage I will make damn sure never to do it again.
Favourite character: Garth the macho Conan-type barbarian :D
This movie is hard to watch even for die-hard fans of b-movies, and although I am glad that I made it though this piece of oozing garbage I will make damn sure never to do it again.
Favourite character: Garth the macho Conan-type barbarian :D
What a despairing film. Dress actors in furry rags, place in suburban wasteland, set cameras rolling and hope for the best. One can only imagine e the thanks the cast gave when their characters were killed off by sockpuppets, thus sparing them further humiliation in this dullfest. This rivals Monster a go-go as the best cure for insomnia ever made. Oh God - how can I fill up 10 lines explaining how overwhelmingly bored everybody looks in this movie? Whiney crappy plastic bungling robot who annoys everybody both on and off screen, Giant spider reduced to a single giant hairy leg pulled by string, actors desperately trying not to look at the camera while mumbling off dialogs...
Lo sapevi?
- QuizThe music used in this film was lifted from other Charles Band films, notably L'uomo laser (1978).
- BlooperThe Manhattan skyline can be seen in the background of several scenes supposedly taking place in an deadly, irradiated wasteland.
- Versioni alternativeDifferences between US and Italian versions: There was no narration in the Italian version except for the beginning. In the US version, there is narration throughout the whole movie. A topless man and woman appear outside the Pleasure Machine, holding up the inevitable static electricity globe in one scene. (For some reason, the makers of these things persist in believing that they look 'futuristic.') Meanwhile, a bare-breasted Valaria sticks her arms out between the bars and caresses it. This scene was cut from most US prints.
- ConnessioniFeatured in Mystery Science Theater 3000: Robot Holocaust (1990)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
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- Robot Holocaust
- Luoghi delle riprese
- Aziende produttrici
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- Tempo di esecuzione1 ora 19 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was I robot conquistano il mondo (1987) officially released in India in English?
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