Best Seller

Best Seller is directed by John Flynn and written by Larry Cohen. It stars James Woods, Brian Dennehy and Victoria Tennant. Music is by Jay Ferguson and cinematography by Fred Murphy.

Cop Dennis Meechum (Dennehy) survives being shot during a robbery at the police evidence storage and writes a well received book about the events. Years later he's widowed, raising his daughter on his own and suffering from writers block as he tries to write another novel. Into his life comes Cleve (Woods), a mysterious man who saves Meechum's life and announces that he is a paid assassin and wishes Meechum to write a book about his work for a top name in industry......

Only in America Dennis.

It's a lovely hook is this, a cop and a killer paired together, their relationship explored via an uneasy buddy buddy formula, where the fruits of their partnership will bring very differing rewards. Along with the crackerjack turns from Dennehy (lovable burn-out) and Woods (cold-blooded calm), it's the smart screenplay from Cohen that makes Best Seller worthy of a rental at least. How it is going to pan out always keeps one interested in the tale, while there's clearly some snarky observations on America's lust for capital gain. Violence flits in and out to add some bloody pulp to proceedings, but ultimately it's the dialogue, the suspicious mood crafted by Flynn and characterisations that give the film its vitality.

Released in the same year as Lethal Weapon, it appears that Best Seller got lost in the slip-stream of that higher octane fuelled picture (in fact Dennehy gets to say the same "too old for this" line that Glover trademarked in Lethal Weapon). It's not on a par with Donner's movie, and it's far from perfect; the ending is a bit tamer than we would perhaps like and Paul Shenar's villain is a standard suit job, but there's good craft here on the page and on both sides of the camera. 7/10

What looks like a b-grade buddy film (there were plenty around this time and usually looking to be humorous), is far from it. Director John Flynn's 'Best Seller', which was written by Larry Cohen (who makes a crackerjack combination), is actually a stark, stinging and darkly witty and violent crime caper with an out-the-shadow concept. Novel writing (mainly the sharp exchanges and character inserts) and its zesty tempo couldn't be faulted. Even with its talky core, Flynn keeps it gustily hard-boiled and rancorous with its occasional action sequences and lean suspense. Knowing that it heavily relies on the performances to be successful, Flynn sets-up the film around the pairing of James Woods and Brian Denneby. Woods effortlessly vivid and unbalanced performance frighteningly commands attention and Denneby is sensationally rock-steady. The two worked off each other impeccably and build a sympathetic, but also conflicting edge that never feels forced. Cohen's biting script illustrates and develops quite a stimulating, random and unusual relationship between the two. While his usual social commentary (quite a familiar one) and plot devices playing second fiddle to the complex arrangement. The rest of the support cast don't quite have the same impression, but Paul Shenar and Victoria Tennant are good in their roles. The weak points would have to be that of Jay Ferguson's ugly sounding synthesiser score and a mishandled conclusion. A solidly rewarding crime thriller drilled home by two tremendous lead performances.

James Woods plays a hit man named Cleve, who contacts a successful true crime author & former cop Dennis Meechum(played by Brian Dennehy) who got his start after he was the sole survivor of a deadly holdup at the police evidence department years earlier. Cleve wants Dennis to write his life story, which he feels is most interesting, and as a way to get back at his former employer, a powerful corporation he helped build. Meechum is intrigued but also skeptical, so Cleve takes him on a tour of his past, both with his parents and also his "assignments". Dennis learns that Cleve has a deeper connection to him than he realizes, and that some powerful forces don't want this proposed book published...

Little-seen thriller is quite well done, with fine acting by the leads, and efficient direction and story. Almost goes wrong toward the end with the expected violent finale, but is still exciting enough to compensate, with the well-plotted story unfolding most effectively.

Worth catching on DVD.

This is a thoroughly enjoyable B movie that came and went quickly from the big screen back in the late 80's. I happened to catch it then--and now own it in my movie collection.

Woods plays Cleve, a brilliant and perhaps psychotic former hit-man, who wants Dennis, a cop turned author (Brian Dennehy), to write his story. He also wants to expose his former employers. Cleve ensures Dennis that the book will be a "Best Seller" and begins taking Dennis on a lurid tour of his former hits.

Like most films, this doesn't transfer quite as well onto the small screen, but it is still well worth the viewing; (plus you get to hear James Woods warble a tune in French). Actually, Woods is way cool in this film, and delivers some of his most compelling work ever. Brian Dennehy pulls off the tough task of making the writer character equally interesting and compelling. An unlikely buddy film that has plenty of action, makes you care, and quite simply--works.

"Best Seller" is essentially a two character movie. On one hand there is Brian Dennehy as a veteran cop who also writes crime novels based on real events. On the other hand there is James Woods as a professional killer who has been spurned by his former employer (Paul Shenar). He seeks out Dennehy to try to convince him to write his story of how a now rich and powerful magnate rose to the top over the bodies of others.

The first part of the movie involves Woods trying to convince Dennehy that his story is on the level. The second part of the story covers Shenar's attempts to intimidate Woods and Dennehy and prevent the publication of Dennehy's book.

Woods and Dennehy play off of each other marvelously. Woods is cold and calculating as the hit man and Dennehy is torn between his sworn duty as a cop and his desire to get to the truth.

"Best Seller" is not for the faint of heart. There are scenes of graphic violence, which I feel are necessary within the context of the story. The film is worth a look if for nothing else than to watch two veteran performers at their best.