FX - Effetto mortale

F/X is a movie I had been hearing about for years, so I finally buckled down and rented it, and I was pretty surprised. It's a good, suspenseful movie with nice effects, a decent story, and some good performances (except for the girl who plays the effects assistant, though she's not on-screen a lot). Bryan Brown plays Roland Tyler, a freelance special effects artist who seeks revenge after some shady Justice Department guys set him up to be the fall guy in a staged execution they had hired him to pull off. Brian Dennehy doesn't enter the film until nearly forty minutes into the picture, but once he does, he's as good as always, even if his character just sort of moves from place to place and effortlessly picks up clues along the way. I would have liked to seen the two stars have more scenes together, but they never even meet up until the final scene of the movie. Cliff DeYoung does his usual weasel villain, though he mysteriously vanishes from the film without explanation, and Jerry Orbach is good in a supporting role as the mobster whose execution is staged. The effects used by Tyler aren't as spectacular as I had thought they would be (disguises to avoid police, smoke bombs, fake blood, etc.), but they're used effectively. F/X is an entertaining little movie with a fair amount of suspense and some good action. Oh, and what I wouldn't give to have that home security system Tyler has inside his front door. The sequel's not bad either.

This is very much an 80's action flick. It's got the tough cop who doesn't play by the rules. The unexpected hero. Car chasing, shoot-outs, and a theme song concocted to perfectly match with the movie it's for running over the end credits. Not every last one of those are good, though they tend to be entertaining. Fortunately, this one is both. And quite original and creative, too. Brown stars as Rollie Tyler, a special effects genius who is hired to help fake the death of a mobster, Orbach, who's going into a witness protection program. However, something goes wrong, and our lead now believes that he accidentally did kill him. The plot holds several surprises and twists, and it's carefully written enough to keep you guessing, without being pretentious or overly difficult to follow, and the pieces of the puzzle fit together nicely after you've seen them all. This has great pacing, it never slows down or is in a hurry. The suspense is quite excellent, and you may find yourself on the edge of your seat numerous times. This is 100 minutes of pure fun, and it never fails to deliver. The humor almost invariably works. Acting ranges. This has incredibly memorable moments, and dialog you can quote. The DVD only holds a theatrical trailer. I recommend this to any fan of this type of film, and/or anyone involved in making it. 7/10

"F/X: Murder by Illusion" is a well-written, intriguing film from the pens of Gregory Fleeman and Robert T. Megginson. Their sharp narrative constantly keeps you guessing throughout the 109 minute running time. Special effects (F/X) are always entertaining, as is the cast including Bryan Brown and Brian Dennehy, who are always believable, in a clever, quick-witted movie.

Robert Mandell never lets anything get out of hand, which he very easily could have given the nature of the film. Original music by "Rocky" composer Bill Conti is also very effective. I am looking forward to seeing the sequel.

Wednesday, June 26, 1991 - Video

"F/X" beats most Hollywood action films. It stands out with a slick basic idea developed to a proper script that offers twists and surprises all the way to the end, but luckily not as much as "Mission: Impossible" did.

Bryan Brown is just the right man for the part of Rollie. He and Brian Dennehy make a great pair, although they don't appear together until the end of the film.

Refreshingly original and highly recommendable.

I missed this movie when it was originally issued, and after all I read and heard about "Cocktail" (in which Bryan Brown starred a couple of years later) I had no desire to seek it out. But upon just surfing to cable's AMC channel one weekend morning, and finding it having just begun - I watched for a couple of minutes and found myself absorbed in it. After looking at some of the previously-posted comments in this section of IMDb, during commercials, I was even more interested.

First, my regard for Brown is heightened. Anyone married to Rachel Ward, for 23 years, has to have a lot going for him - even beyond what you see on-screen. And actors with British/Australian accents all provide effective "men-on-the-run, harried, danger-beset" characterizations. The acting here is all good. The late Trey Wilson, as Denehy's unctuous NYPD colleague evokes memories of his small-but-key, scene-stealing roles in "Twins" and "Raising Arizona." Cliff De Young, as the even more unctuous pursuer/would-be killer of the endangered Brown, could (from this and prior roles) be Hollywood's solution to replace Dabney Coleman as the quintessential, smarmy, "horse's ass," now that Dabney is getting well-along in years. As with all his roles, Mason Adams gives a good performance - but I can never watch him without expecting that any moment he is going to take a Smucker's jar from his pocket and begin a spiel.

Brian Dennehy is always fun to watch, and his "gruff-but-still-likable" persona was never better-suited to a role than here - he's the only one (except for one assistant) who has a clue, literally and figuratively, of the shenanigans occurring and besetting poor Rollie (Brown). Give this film a solid "8." Enjoyed the final minutes and the ending. I'm looking forward to getting a copy of the sequel.