Il castello nel cielo

Have you ever wished that you could escape your dull and stressful life at school or work and go on a magical adventure of your own, with one of your closest friends at your side, facing all sorts of dangers and villains, and unraveling the mystery of a lost civilization that's just waiting for someone to discover all its secrets? Even if you're not quite that much of a fantasy-lover, have you ever wished you could simply experience what it's like to be a kid again, and not have a care in the world, for just a couple of hours?

This is exactly what Miyazaki's "Castle in the Sky" is all about. Pazu, a young but very brave and ambitious engineer, lives a rustic life in a mining town until one day, a girl named Sheeta falls down from the sky like an angel and takes him on a journey to a place far beyond the clouds, while all the while they have pirates and military units hot on their trail. Simply put, it is just the incredible adventure that every kid dreams of at one point or another, and I can't help but feel my worries melt away every time I see it.

As it is one of Miyazaki's older works and takes much place in the everyday world, the film is not as visually spectacular or deep in its storyline as Spirited Away, Howl's Moving Castle, or even Princess Mononoke. Still, I find it difficult to say that any of these films are superior over the other, because all three of those films are, at some point or another, mystical to the point of being enigmatic, if not perplexing, especially for the youngest of viewers.

"Castle in the Sky", on the other hand, doesn't try so much to be an allegory of any kind, and it's not a coming-of-age story either; it is instead quite possibly one of the best depictions of the inside of a child's mind I've ever seen. Not only is the artwork beautiful, but the use of perspective from the kids' eyes is just amazing; whether it's the panning up of the "camera" to see the enormous trees or clouds overhead, or the incredible sense of height from looking down at the ground or ocean while hundreds of feet in the air, I just can't help but FEEL like I'm there with Pazu and Sheeta, just a kid in another world, far far away from reality.

Even the kids themselves don't have a complex relationship that suggests a need for hope like Ashitaka/San or Chihiro/Haku; Sheeta is Pazu's angel, having literally fallen into his life from the sky one day, the absolutely perfect person for him right from the very start. As the film progresses, more and more of their true adventurous childhood spirit comes out through their kind words and beautifully realistic facial expressions. Not only are they an adorable reminder of who I used to be, but their endearing friendship never lets up throughout the whole film, only growing stronger all the way to the last frame. For that reason, I've fallen in love with the two of them more than I have with any other Miyazaki couple.

At the same time, "Castle in the Sky" is such an easily accessible film because no matter what kind of casual moviegoer you may be, you'll be sure to find your fix here. Mystery, action, drama, comedy, suspense, sci-fi, romance, even some western...it's all here, just about everything people go to the movies for (except maybe horror). This why I can easily recommend it as a first Miyazaki film; it's perfect for those who have no expectations from having already seen the incredible otherworldliness of some of his more recent works.

Even the ending song of the film, when translated into English, conveys the sense of longing for the discovery of some kind of lost civilization, and some kind of soul-mate, that could not be found in our mundane lives. "The reason I long for the many lights is that you are there in one of them...The earth spins, carrying you, carrying us both who'll surely meet." Miyazaki has always provided poetic lyrics to make ending songs out of Joe Hiasashi's gorgeous scores, but this is the only one I've seen that's both a touching love song and an inspirational dream. I have found myself near tears just listening to it.

"Castle in the Sky" may not be Miyazaki's most developed, spectacular, or meaningful work, but it's absolutely perfect for what it really was meant to be: a true vision of childhood fantasy, and a wonderful escape from reality for any adults who wish they could have the same wonderful sense of imagination they had when they were just carefree little kids. Sit back, relax, and love it for what it is.

I first saw this film when I was about 8 years old on TV in the UK (where it was called "Laupta: The Flying Island"). I absolutely loved it, and was heartbroken when it was repeated a while later and I missed it. I was enchanted by the story and characters, but most of all by the haunting and beautiful music. It would have been the original English dubbed version which I saw - sometimes erroneously referred to as the "Streamline Dub" (the dub was actually by Ghibli themselves and only distributed by Streamline) which is sadly unavailable except as part of a ridiculously expensive laser disc box-set.

Unfortunately I feel that the release has been partly spoiled by Disney. The voice acting is OK but the dialogue doesn't have the same raw energy that the "streamline" dub or the original Japanese had, and I think James Van Der Beek sounds too old to play the lead. They have made some pointless alterations, such as changing the main character's name from "Pazu" to "Patzu", and added some dialogue. But worst of all I feel that they have ruined many scenes with intrusive music - the opening scene of the airships for example was originally silent but has been spoiled thanks to Disney's moronic requirement that there be music playing whenever anyone is not speaking, which I find annoying in many Disney films.

This film still blows away most recent animated films, and I cannot recommend it highly enough. The plot is simple yet captivating and the film shows a flair which is sadly missing from most modern mass-market, homogenized animation.

When the airship she is on is attacked, Sheeta tries to escape from her would-be captors but falls to her death through the clouds. Fortunately the enchanted and mysterious crystal she is wearing round her neck saves her and floats her to the ground where she is found by young Pazu, who is rushing to get back to his boss in the mine with food. Pazu takes her in and they become friends but quickly learn that the pirates after Sheeta have not given up their chase. Not only do the pair have to deal with the pirates but also the government, led by sinister agent Muska, have their own dark reasons for getting hold of Sheeta. Escaping Pazu's town together is only the start of their adventure together.

Hard to believe that this film is twenty years old and yet looks as fresh and is as engaging as anything else you will see today. The sheer visual style and imagination is quite breath-taking and I could not quite believe that this was made by Miyazaki only 7 years after the vastly inferior (but still OK) Rupan sansei: Kariosutoro no shiro (or The Castle of Cagliostro as it was in the UK). As writer he has also done well to craft a story that is engaging and enjoyable. It struggles at times with the weight of coincidence needed to make the film move forward but the manner of delivery covers up these little problems by producing regular action and fun characters. The pace of the film is perfectly pitched and things move forward really well and I can't imagine an audience of children or adults will be bothered by the running time. The characters bring out nice relationships as well which adds value to the story but unfortunately points made late in the film about the environment and such are heavily made and clunky.

The voice cast in the English dub are mostly very good. Sadly the weakest link is Paquin, she sounds unnatural and a little wooden too often. She probably isn't that weak but she is shown up by an engagingly fresh and natural delivery from Van Der Beek – not something I expected to be saying when I learnt he was doing the voice of Pazu. Just as good is Leachman's Dola – blessed with a good character in the first place, her voice is spot on despite sounding a little like Mrs Skinner on the Simpsons. Hamill takes the bad guy role well and shows his experience at animation even if he is a little hammy at the odd point. Everyone works well together and they deliver their characters well to support the narrative and they match the impressive visuals well.

Overall this may not have the emotional depth of Spirited Away but it has strong characters and good relationships. These are grown within a engaging story told with pace and a good rate of action. Of course if none of this interests you then it is still worth seeing for Miyazaki's imagination and style, which is impressive and hard to believe that it is 20 years old this year.

Bewitching wizardry and imagination that marauds through the sky to conjure an elegant and endearing testament of the great and the good that people can possess, while also demonstrating their more suspect characteristics, those that deserve to be banished to a citadel and fortressed far below ground. Another genuinely awe inspiring and prophetic piece of work from Hayao Miyazaki.

I first saw this film when I was about seven years old and was completely enchanted by it then but for years was unable to find out what the film was called. now i am twenty one and stumbled upon the film by accident about two weeks ago and bought a copy. although my memory of the film was a little hazy I was in no way disappointed by what I saw. the animation in this film is superb conjuring up an entire world that is so believable and so well animated that you are drawn in to the film by that alone. But this film also has a plot that will enchant and entertain adults and children alike. with a floating island, a mad general, a friendly pirate granny and a well constructed love story this film will not let you down I would recommend this film to any one.