Shanghai Surprise

Penn is miscast and Madonna has a straight, subdued, do-gooder role that's a big conceptual mistake - it saps her of energy and fun. Excruciatingly dull and dreary - even the location shooting in Hong Kong cannot save it. * out of 4.

The thought struck me recently that this movie was unfavorably received by critics and audiences alike at the time of its release (1986) because of the celebrity status of the two leading stars - Madonna and Sean Penn. But, if you watch the movie today, some twenty five years later, and if you are able to put the hype and the celebrity status of those two stars out of your mind, then, the movie doesn't seem so bad. In fact, it's actually a pretty good escapist adventure romp along the lines of an Indiana Jones movie.

I watched this movie for the first time just recently, as I was scared away from viewing it all those many years prior, simply because of all the negative hype surrounding it - the hype that said it was a real stinker. But I actually found it to be a pretty engrossing story, with a nicely done cinematography that oozed a colorful, exotic, sometimes even enchanting Oriental atmosphere that was hard to dismiss. Some of the shots, as filmed, were... beautiful! So don't let 1980's critics scare you away: this movie is worth a shot, and if you can mentally distill the two leads down to just being a guy and a girl from 1930's America thrust into an adventure escapade set in a faraway exotic locale, then you just might enjoy this movie for what it was meant to be: pure escapist entertainment.

Not perfect, but then again, NOT the stinker it has been made out to be.

I can't think of a single thing to recommend about this turgid load of old codswallop.

I can't even imagine who they thought this would appeal to.

Madonna can't act the film has zero intrigue, suspense, or involvement. Not a single character is engaging. The entire film can only be compared to a mild migraine that you can't wait to be over.

Back in the 1980s, "Shanghai Surprise" was a notorious stinker...a film EVERYONE seemed to hate. And, with a score of 3.1, it's obvious that even today many people hated the film....and with good reason.

The story is a confusing mess. A missionary girl (??) (Madonna) seeks the help of a ne'er do well (Sean Penn) to locate some jewels or opium (they never seem sure WHICH they are seeking) in China in 1937. All sorts of bad people try to kill them and along the way they take time to have sex (which is quite strange for a missionary who just met this guy).

So why did I hate the film? There were many reasons and the most obvious is Madonna. Her performance mostly consists of her shrieking and whining...to the point where you wonder who, if anyone, would find her character anything other than 100% annoying and hateful. It was much like her poor performance in "Swept Away"...but even worse and more grating. Second, the script was inept....with lots of story elements that simply didn't fit together...such as the missionary girl who boinks the hero AND spends much of the film trying to find opium. What sort of religious mission is this she's running? Our Lady of Perpetual Whining, perhaps?! Third, having the ultimate treasure being opium suggests the 'heroes' want to get rich by selling horribly dangerous drugs...which seems anything other than heroic....and so it's hard to like or care about them. Fourth, the direction was poor and many re-shoots SHOULD have been made (such as any time Madonna opened her mouth). Overall, a painful vanity project with several songs by, of all people, George Harrison! Odd and not enjoyable....just grating.

In 1938 China, a pretty but prim missionary needs to find a hidden stash of smuggled opium (for medicinal purposes!) and attempts to recruit the help of a ratty-looking con-man; his latest get-rich-quick scheme is glow-in-the-dark ties! After an OK opening (without Sean Penn and Madonna), this falls completely apart, weighed down by lethargic attempts at screwball comedy and no chemistry whatsoever between the leads (then a married couple). Based on Tony Kenrick's novel "Faraday's Flowers" (a better title), this failure from George Harrison's HandMade Films must have been a devastating blow to the ex-Beatle, who also executive produced, co-wrote the score and wrote and performed the songs (which are heavy on the camp-Asian allure). Just getting through the picture is a chore, and everything about it seems eternally misjudged. NO STARS from ****