Cercasi Susan disperatamente

It's been almost 20 years and there hasn't been another film like Desperately Seeking Susan. At times, the movie feels like French New Wave with its characters and storyline. Even the setting of the crude but artistic background of New York City, the movie lets off an emotion of fantasy. The cast which includes Rosanna Arquette, Aidan Quinn, John Turturro and Madonna create a story like no other. Madonna is both the eye candy and the punch lines as Arquette gives her best leading lady qualities. It's hard to believe that this movie cost less than 5 million dollars to make. A true coming of age drama with moments of comedy and struggle, Desperately Seeking Susan falls under many genres of film. The independent style and its outrageous subject matter makes this an interesting and timeless film. Even though it is full of 80's moments with the clothing and music, the movie is one of Madonna's and Arquette's best.

"Desperately Seeking Susan" isn't so much a homage to the screwball comedy as it is a homage to the screwball situation. It doesn't try to be riotous or anything remotely Ernst Lubitsch — instead, it flutters by with half-smile as it discombobulates the at-first congenial attitude of the atmosphere. Never did I find myself laughing hysterically, but here, that's not the point. It wants to be an amuser in the same mindset as "Pretty in Pink", no knee- slappers to be found but charm spread aplenty. Because that's exactly what "Desperately Seeking Susan" is: a charming comedy of errors that likes to get its characters into as much trouble as possible for satisfactory diversion.

Rosanna Arquette portrays Roberta Glass, a bored housewife who spends her afternoons watching cooking shows and living vicariously through the lonely hearts in the classified ads. Most interesting to her is the recurring 'Desperately Seeking Susan' ad, which follows the romance between Jim (Robert Joy) and his sexy girlfriend, Susan (Madonna), both of whom are young, bohemian, and fiercely independent. As she twiddles her thumbs for the umpteenth time one afternoon, Roberta decides to act as onlooker, tracking the twosome down and watching their public encounter from afar. She becomes infatuated with the street stylish Susan and, after a series of complicated events I won't bother to explain, she bumps her head, gets amnesia, and falls under the impression that, she is, in fact, Susan.

Most housewives would want to be like the free-spirited woman, but Susan, as it so happens, is in a lot of trouble. Her boyfriend has just stolen valuable Egyptian jewelry, jewelry she enjoys wearing, and a gaggle of thugs are thirsty to get their paws on the collection. So as Roberta wanders around the city bearing Susan's name and wearing her clothes, the criminals begin to chase her, while the real Susan causes a ruckus elsewhere — eventually leading to Roberta's confused husband (Mark Blum).

"Desperately Seeking Susan" is the best kind of amusing: pleasant but not so much so that we become immersed in the fact that things aren't as zany as they could be. The film is smartly amusing, after all, with the comic scenario bettering as it grows increasingly convoluted. The screenplay sizzles in its ability to entice us into Susan's world of bohemian style, and the actors are all winning: Arquette, in particular, carries the movie with her sincerely warm characterization. But the best thing about "Desperately Seeking Susan" is Susan Seidelman's great eye for street life: I've never been one to figure a movie is better simply because of the decade it sits in, but Seidelman, intentional or not, finds all the best things about the 1980s and seems to cram them into one excitingly snazzy picture. The ghettos are effectively hip, the suburbs slightly tongue-in-cheek, like "Wild At Heart" if it wasn't crazy. Seidelman's vision is best reflected in Madonna, in her earliest incarnation and her most kitschily well-dressed.

"Desperately Seeking Susan" is slight when it comes to comedy but hugely successful when it comes to pure enjoyment. A product of the times, it has aged gloriously as a nostalgic piece snug in all the right places. And nothing's better than the boho sensuous Madonna (providing the soundtrack with guilty pleasure "Into the Groove") before she got all blond ambitious and stopped looking like the chic spunk who stole records as a pastime.

Desperately Seeking Susan (1985 Dir. Susan Seidelman) "Chicks" love this movie for the feminist, take charge of your life point of view, while guys enjoy this movie cuz there are plenty of bra shots. Madonna in her first starring (supporting really) role as a street-smart hustler being chased by some small time hoods. Rosanna Arquette gets mistaken for the Madonna character and therein lies the plot of this oh so '80s comedy.

Set in summer in Manhattan, the movie preserves like a time capsule so much of the decade: the hair, the clothes, the music. And of course there's Madonna clanking her balls from start to finish. Ms. Arquette (in the supposed starring role) had the movie not merely stolen, but ripped out of her hands by the unstoppable force of the 80s: Madonna!

Desperately Seeking Susan (Susan Seidelman, 1985) is an appealing, unconventional film about a shy, put-upon young married woman (Rosanna Arquette) who swaps places with a free-spirited man-eater (Madonna) after a bump on the head. A dated dramatic device, perhaps, but it's such a sweet, sassy and otherwise well-plotted affair we'll let it slide. The film inhabits a similar universe - and employs the same neon aesthetic - as Scorsese's ever-underrated comedy After Hours, but this is an altogether gentler affair. Sure it plunges its heroine into a seedy world dominated by shady, peroxide hit men and amorous conjurors, but it's in many ways preferable to the yuppie nightmare she's been living with all-time idiot-hole Mark Blum. At least here she's got love on her side, courtesy of kind-hearted Aidan Quinn (the psychotic drug-addled baddie in the Richard Dreyfuss-Emilio Estevez buddy movie Stakeout). Arquette, who played the lead in the classic John Sayles romcom Baby, It's You, is perfect as the doormat desperately seeking excitement, and while Madonna isn't a great actress, she's both hugely charismatic and ideally cast as the manipulative, posing, sex-obsessed Susan. Also look out for John Turturro in an early role as a nightclub compere. A little gem from out of left-field, this one, with an engaging storyline, memorable characters and a disarmingly peculiar sense of humour.

Trivia note: The new Madonna song on the soundtrack is Into the Groove. Not one of her best singles of the period, but still pretty damn decent.

As silly as the plot of this film is, it's gotten slightly better with age, containing as it does a little time capsule of the 1980's. There is Madonna's fashion sense and her song Into the Groove of course, but also little things, like how sushi was a new thing in America at the time, or a cameo from the triplets who were all the rage (see the documentary, Three Identical Strangers (2018)). As much as I loved seeing John Turturro and Laurie Metcalf in very early roles for them, I loved seeing comedian Steven Wright even more. He always cracked me up, though he isn't given a lot to work with here. Madonna was on top of the world at this time and is alluring as expected here, and there are feminist messages in both her character's strength and the bored housewife's (Rosanna Arquette) emerging understanding of just how disappointed she is in her husband's inattentiveness. There are massive plot contrivances, like the bonks on the head that conveniently produce amnesia and then later "no amnesia," but it's fun, light-hearted fare.