VALUTAZIONE IMDb
5,5/10
2250
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA free-spirited young woman (Deborah Foreman) upsets the status quo at a stuffy Brentwood limousine service.A free-spirited young woman (Deborah Foreman) upsets the status quo at a stuffy Brentwood limousine service.A free-spirited young woman (Deborah Foreman) upsets the status quo at a stuffy Brentwood limousine service.
- Regia
- Sceneggiatura
- Star
Sam J. Jones
- Battle
- (as Sam Jones)
Vance Colvig Jr.
- Doolittle
- (as Vance Colvig)
Recensioni in evidenza
One of several 80s comedies that reminds me of the old screwball classics of the 30s and 40s updated to the modern day with nudity and swearing. Deborah Foreman is a likable lead who gets good support from vets like Sean McClory, E.G. Marshall, and Howard Hesseman. Penn and Teller are less obnoxious than usual in their film debuts. Sam Jones plays arguably the most divisive character for modern viewers. I won't say why; you'll figure it out. Perhaps the most memorable part of the movie for many is the crazy rocker Catfight, played by Leland Crooke. He has the movie's most memorable line ("I want them panties!"). He was actually the one part of this I remembered in the thirty plus years or so gap between viewings. Nice soundtrack of songs by the band The Wigs. Never heard of them before but they did good work here. There's also a lovely violin piece that's used frequently. It almost seems out of place for a comedy but it really elevates the film.
I saw this movie as a kid many times on VHS. Then it seemed to vanish from my mind for decades until I rediscovered it. This is a real hidden gem for people of my generation and the younger set that still has a sense of humor. It's a fun movie that would probably be considered offensive to today's audience. But then again what isn't?
I saw this movie as a kid many times on VHS. Then it seemed to vanish from my mind for decades until I rediscovered it. This is a real hidden gem for people of my generation and the younger set that still has a sense of humor. It's a fun movie that would probably be considered offensive to today's audience. But then again what isn't?
The lovely lady was one of the brightest stars of the 1980s, bringing an irresistible presence to such other favourites as "Valley Girl", "April Fool's Day", and "Waxwork". Here she shines as Casey Meadows, a kooky free spirit hired by a limousine company. Unfortunately, she's not welcomed with open arms as the place is staffed almost exclusively by miserable, stuffy chauvinists. They do everything that they can to discourage her, including giving her the problem clients, such as an outrageous rock star. However, Casey finds that her most problematic client will be Battle (Sam Jones of the 1980 "Flash Gordon" movie), whose identity is going to come as a surprise to her. "My Chauffeur" is certainly very likable stuff. It goes far on the charms of Foreman, and while it gets very silly at times, it's nice that writer / director David Beaird gives it such a screwy quality, while toning down the kind of raunchiness to be found in many other comedies of the period. (That said, it's still an utter riot to see a drunken Jones run around nearly naked!) Among the memorable sequences are the extended episode with Penn & Teller (making their feature film debut) as Teller plays a sheik and Penn a fast talking con man, and the episode where the nutty rock singer Catfight (Leland Crooke) robs a "blue lady" (Diana Bellamy) of her panties as part of an ongoing game with his background singers. And Casey and Battle bicker a lot on their way to falling in love. The movie is very much of its time, with a catchy pop soundtrack as accompaniment. The supporting cast is very solid, with Howard Hesseman, Julius Harris, Laurie Main, and John O'Leary as some of the sour old chauvinist pigs; veterans Sean McClory, as O'Brien, and E.G. Marshall, as Witherspoon, are particularly endearing and effective. The pacing drags in places, but overall this is a very hard movie not to like, creating some good vibes for a pleasant enough 98 minutes. Seven out of 10.
This is a light-hearted, cute movie about a girl whose father works in a snobby, stuffy chauffeur company. Things quickly change as she joins, turns the company inside out, and falls in love with one of the customers.
Okay, so it's not THE best movie, but most people should like it. I give it a B+. It's got some good jokes, one-liners and a reasonable plot.
Okay, so it's not THE best movie, but most people should like it. I give it a B+. It's got some good jokes, one-liners and a reasonable plot.
This movie is almost impossible to watch. Even my old lady who picked it out wanted to turn it off after the first ten minutes, but we persevered for the full 90 minutes of occipital torture.
The chick from Valley Girl is cute but one cute girl and a lame Penn and Teller bit do not make a movie great. Why does this chick want to be a limo driver so bad. What's with the lame 80's soundtrack? Couldn't they have sprung a little extra for some tunes that people have heard on the radio? Sam Jones fan since Flash but come on man, his character is even more one dimensional than Flash. Penn and Teller, great I dig them, what will they do? Well dear friends, they will do a tired, hack, unfunny bit that would have stunk as a one minute bit, but stretch it into a 15 minute borefest. I really had to put my full weight down on my lady to keep her on the sofa during the miserable Penn and Teller portion of the film.
Finally, what really upset me most was Sam Jones' unexplained super quick face turn. I mean he is the heel all movie long. Valley Girl and Sam walk in the woods, he is still heel. Then they find a cabin and bam immediate face turn, asking Valley Girl to marry him. Just 30 seconds before he wanted her fired and showed no emotion towards her. What happened? Did the editor have to trim 20 minutes of the film where it showed Valley Girl warming Flash's heart? Avoid at all costs, even free on basic cable or Netflix. I dig Sam Jones, the Valley Girl broad, EG Marshall, and that one handed villain from Live and Let Die with the alligators but come on man, let this movie rest in piece.
The chick from Valley Girl is cute but one cute girl and a lame Penn and Teller bit do not make a movie great. Why does this chick want to be a limo driver so bad. What's with the lame 80's soundtrack? Couldn't they have sprung a little extra for some tunes that people have heard on the radio? Sam Jones fan since Flash but come on man, his character is even more one dimensional than Flash. Penn and Teller, great I dig them, what will they do? Well dear friends, they will do a tired, hack, unfunny bit that would have stunk as a one minute bit, but stretch it into a 15 minute borefest. I really had to put my full weight down on my lady to keep her on the sofa during the miserable Penn and Teller portion of the film.
Finally, what really upset me most was Sam Jones' unexplained super quick face turn. I mean he is the heel all movie long. Valley Girl and Sam walk in the woods, he is still heel. Then they find a cabin and bam immediate face turn, asking Valley Girl to marry him. Just 30 seconds before he wanted her fired and showed no emotion towards her. What happened? Did the editor have to trim 20 minutes of the film where it showed Valley Girl warming Flash's heart? Avoid at all costs, even free on basic cable or Netflix. I dig Sam Jones, the Valley Girl broad, EG Marshall, and that one handed villain from Live and Let Die with the alligators but come on man, let this movie rest in piece.
Free-spirit, fast-talking Casey Meadows (Deborah Foreman) works as a lowly dishwasher. She receives a letter from wealthy benefactor Witherspoon (E.G. Marshall) hiring her as a new driver for Brentwood Limousine. Supervisor McBride (Howard Hesseman) is horrified by the change in the stuffy all-male operation. Ruthless business Battle (Sam J. Jones) is one of her clients and he gets dumped by his girlfriend.
This is a fun 80's flick. Deborah Foreman was an 80's IT girl. She is adorable doing this wide-eyed, open-hearted character. Penn and Teller do a memorable hustler and Arab sheikh combo. The drawback is mainly Sam Jones. He's not a good enough actor to dig deeper into his character but he's mostly fine. He needs to be a romantic lead but he's more of a linebacker or a villain henchman. The writing is passable for an 80's comedy. The material is elevated whenever Foreman gets to deliver a fun line.
This is a fun 80's flick. Deborah Foreman was an 80's IT girl. She is adorable doing this wide-eyed, open-hearted character. Penn and Teller do a memorable hustler and Arab sheikh combo. The drawback is mainly Sam Jones. He's not a good enough actor to dig deeper into his character but he's mostly fine. He needs to be a romantic lead but he's more of a linebacker or a villain henchman. The writing is passable for an 80's comedy. The material is elevated whenever Foreman gets to deliver a fun line.
Lo sapevi?
- QuizDeborah Foreman has stated that this is her favorite of the films in which she's appeared, and the most fun she's ever had.
- BlooperWhen Casey stops the car so Cat Fight can get the panties from the "blue woman with the blue dog" it's broad daylight, even when Cat Fight and his girls get back in the car. When they drive away, it's completely dark.
- ConnessioniFeatured in The Crown Jewels: America's Oldest Indie Film Company (2016)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- È il mio chauffeur... e io la sposo
- Luoghi delle riprese
- Venice, California, Stati Uniti(additional location)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 4.781.448 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.613.652 USD
- 26 gen 1986
- Lordo in tutto il mondo
- 4.781.448 USD
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