Recensioni in evidenza
This movie is one of my all time favorite movies and is what made me a lifelong Nicolas Cage fan. Back in the mid-80's I taped this movie (when VCR's were impossible to do this with!!) and would watch it over and over. Nicolas Cage is just brilliant here. And, he looks wonderful and has no affecting "acting-isms" (see "Peggy Sue Got Married" to know what I mean about that!!). I measure all his performances against this one. He was so perfectly cast as the cool punk guy with the edgy friends. The music was GREAT. The Plimsouls! The Psychodelic Furs! Modern English! Men At Work! Whenever I hear "Melt With You" I am taken back to the finale of this movie.
What ever happened to his cute costar, Deborah Foreman? And his hysterical friend, Cameron Dye? Certainly took a different turn than Nicolas! Interestingly, the slutty friend (Elizabeth Daily) ended up being the voice of Tommy from the Rugrats (she is billed as E.G. Daily for that horrid show)! Bizarre!
IF you want to take a great trip back to the 80's, watch this movie. It is definitely a classic. Like Totally!
What ever happened to his cute costar, Deborah Foreman? And his hysterical friend, Cameron Dye? Certainly took a different turn than Nicolas! Interestingly, the slutty friend (Elizabeth Daily) ended up being the voice of Tommy from the Rugrats (she is billed as E.G. Daily for that horrid show)! Bizarre!
IF you want to take a great trip back to the 80's, watch this movie. It is definitely a classic. Like Totally!
The first time I saw Valley Girl, I was bedridden and as sick as a dog, out of junior high school for two weeks with a nasty illness. I watched it on a tiny black and white set with the volume turned down to a whisper so my parents wouldn't hear and make me shut it off. I was mesmerized. It was a revelation. Martha Coolidge's milking of the Romeo and Juliet premise (with Nicolas Cage and Deborah Foreman filling in as star-crossed lovers in the San Fernando Valley) was smart and convincing. I was amazed by the hot "Val" chicks. I was thrilled by the interesting vocabulary words. I wanted to be like Cage's tough Randy and fall in love with a beautiful girl like Foreman's Julie to the sounds of Eddie Grant, Modern English, and The Plimsouls.
The teen movie of my generation is *not* "Valley Girl"-- it's "Clueless". I can hardly recall Bush's presidency much less Reagan's. My earliest recollection of fashion magazines does not include sun-tanned celebrities with feathered hair but rather pale, flannel-wrapped grunge girls. However, I do know enough about the valley girl phenomenon: the talk, the style of dress, the malls and gallerias, the hippy parentage, the wholesomeness, the pastels..you know what I mean. So I wasn't completely detached when I saw the movie.
So now to what I thought of it: I really really liked this movie. I even bought the video.
I think growing up surrounded by the GenX mumbo jumbo made me appreciate this light-hearted flick. It's a nice love story, kind of like a watered down Romeo and Juliet. The acting may not have been good enough for Shakespeare, but it's a movie, so it's perfectly fine that these people are "actors" and not melodramatic "thespians". Also the script was just right; it wasn't too phony, it had a sense of humor.. Examples would be Randy and his friend's visit to the valley party. The bathroom scene was ticklish.
Randy's depression and Julie's frustration and heart-to-heart with her dad were parts of the movie that didn't disappoint. In other movies of this kind the actors are often unable to carry their characters from one emotional situation to the next, and they end up making themselves unpleasantly flat. Randy and Julie have appropriate sincerity--remember, they're playing two young kids in love. The dreamy, whimsical quality of the movie fits just right.
In conclusion, this is a wonderful, timeless movie. Though the time in which it is set plays a major role in the movie, the essential love story is timeless. The great thing about this movie is that it uses a *very* common theme but still comes out fresh and affective. Even for younger viewers like me, who didn't grow up in the 80s, the movie can be just as endearing as it was to its first audiences.
So now to what I thought of it: I really really liked this movie. I even bought the video.
I think growing up surrounded by the GenX mumbo jumbo made me appreciate this light-hearted flick. It's a nice love story, kind of like a watered down Romeo and Juliet. The acting may not have been good enough for Shakespeare, but it's a movie, so it's perfectly fine that these people are "actors" and not melodramatic "thespians". Also the script was just right; it wasn't too phony, it had a sense of humor.. Examples would be Randy and his friend's visit to the valley party. The bathroom scene was ticklish.
Randy's depression and Julie's frustration and heart-to-heart with her dad were parts of the movie that didn't disappoint. In other movies of this kind the actors are often unable to carry their characters from one emotional situation to the next, and they end up making themselves unpleasantly flat. Randy and Julie have appropriate sincerity--remember, they're playing two young kids in love. The dreamy, whimsical quality of the movie fits just right.
In conclusion, this is a wonderful, timeless movie. Though the time in which it is set plays a major role in the movie, the essential love story is timeless. The great thing about this movie is that it uses a *very* common theme but still comes out fresh and affective. Even for younger viewers like me, who didn't grow up in the 80s, the movie can be just as endearing as it was to its first audiences.
I'm glad Cage changed his name from Coppolla and got this part on his own. Light-hearted, no deep thought needed, but a cute piece about opposites attracting- though her parents are still hippies.... Captures the voice of the early 80's- the whine of the valley and the funk of the other side. One can see the beginning of Cage's talent.
In the tradition of "Romeo and Juliet," a punker named Randy (Nicholas Cage) begins a relationship with shallow teenage girl named Julie (Deborah Foreman), but peer pressure from her equally shallow friends forces her to break up and go back to her ex-boyfriend (Michael Bowen). Randy refuses to take this lying down and tries to get Julie back. Will he succeed?
Fine performances by Cage, Foreman, Frederick Forrest and Colleen Camp (as Julie's hippie parents), sensitive directing by Martha Coolidge, and totally tubular soundtrack by Modern English, The Plimsouls, and Men at Work (to name a few) makes this fun sleeper one of the best 80's teen comedies (fer shure).
My evaluation: *** out of ****
Fine performances by Cage, Foreman, Frederick Forrest and Colleen Camp (as Julie's hippie parents), sensitive directing by Martha Coolidge, and totally tubular soundtrack by Modern English, The Plimsouls, and Men at Work (to name a few) makes this fun sleeper one of the best 80's teen comedies (fer shure).
My evaluation: *** out of ****
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage on the Roles That Changed His Life
Nicolas Cage breaks down his transcendent performances in Valley Girl, Vampire's Kiss, and Face/Off to reveal how they changed both his career and his life.
Lo sapevi?
- QuizThe club scenes where Randy takes Julie were filmed in a Sunset Strip club originally named Filthy McNasty's in the 1960s and '70s. In the '80s it was called 'The Central,' which was later purchased by Johnny Depp and is now known as The Viper Room, where River Phoenix infamously died on Halloween, 1993.
- BlooperTommy's rented limousine is a mid-1980's Chrysler K-car. When Julie and Randy make their escape from the Valley High prom, the limousine had changed into a Lincoln Town Car.
- Versioni alternativeOriginally, Men at Work's "Who Can It Be Now?" was played during the scene where Randy climbs into the upstairs bathroom through the window and hides in the shower, hoping that Julie will eventually come into the bathroom. In the Special Edition DVD, "Shelley's Boyfriend" by Bonnie Hayes and the Wild Combo continues playing from the previous scene, replacing the Men at Work tune. However, in the release of the Blu-Ray edition of the movie on October 30, 2018, the replaced song was restored to match the director's final theatrical release cut.
- ConnessioniEdited into La ragazza di San Diego (2020)
- Colonne sonoreEverywhere At Once
Performed by The Plimsouls
Written by Peter Case
© 1983 Baby Oh Yeah Music BMI
Courtesy of The David Geffen Co.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- La chica del valle
- Luoghi delle riprese
- 3907 Dixie Canyon Avenue, Sherman Oaks, Los Angeles, California, Stati Uniti(home of Julie Richman)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 350.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.343.596 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.856.780 USD
- 1 mag 1983
- Lordo in tutto il mondo
- 17.344.144 USD
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What is the French language plot outline for La ragazza di San Diego (1983)?
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