Un gruppo di scienziati ha sviluppato il "Resonator", una macchina che consente a chiunque si trovi nel raggio d'azione di vedere oltre la normale realtà percepibile. Qualcosa non va e l'esp... Leggi tuttoUn gruppo di scienziati ha sviluppato il "Resonator", una macchina che consente a chiunque si trovi nel raggio d'azione di vedere oltre la normale realtà percepibile. Qualcosa non va e l'esperimento apre la porta a terribili forme di vita.Un gruppo di scienziati ha sviluppato il "Resonator", una macchina che consente a chiunque si trovi nel raggio d'azione di vedere oltre la normale realtà percepibile. Qualcosa non va e l'esperimento apre la porta a terribili forme di vita.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 4 candidature totali
- Patient - Strait Jacket
- (as Andy Miller)
- Drunk
- (non citato nei titoli originali)
- Asylum Orderly
- (non citato nei titoli originali)
Recensioni in evidenza
I first saw this film a few years ago (maybe 2009) at a film festival in Chicago, but it apparently did not stick with me well. I neither wrote a review at the time (which is a rarity) nor did I remember much beyond the very skeleton of a plot when I revisited it again (2013). Perhaps because, sadly, it is not among the better films out there.
This is the sort of movie a horror fan wants to love: based on Lovecraft, directed by Stuart Gordon, starring Jeffrey Combs, Barbara Crampton and Ken Foree. Even the producers are noteworthy -- Brian Yuzna and the Band family when they were till in their prime. The opening credits are a veritable horror hall of fame. And seeing Combs interact with Foree is timeless fun and entertainment.
John Carl Buechler's effects need to be praised. They have been compared to Rob Bottin's "The Thing", which I think is fair. But Buechler often gets the short shrift, perhaps considered inferior to Bottin, Robert Hall, John Vulich, KNB and others... look at these effects and tell me he is not among the greatest effects artists out there. Ted Sorel, not typically associated with horror, did extremely well, too, and should be recognized -- horror fans can also check him out in "Basket Case 2".
But the film leaves something to be desired. While the concept of opening another dimension is very cool (and classic Lovecraft), and the focus on the pineal gland is a good way to address that (as one character remarks, the gland has been a metaphysical mystery at least since the days of Descartes), it seems like screenwriter Dennis Paoli did not adequately find the right way to adapt a seven-page story into an 85-minute film.
The film remains strong for the first half, but after that the audience (or at least me) grows weary, wondering how many times the group can return to the attic, or how many times a machine can be destroyed and still work. And then the story spirals off in a very strange direction, as if it suddenly picked up another script to get directions from. If this could have been condensed to 60 minutes, it probably would be a masterpiece, but instead it sort of lingers as Stuart Gordon's red-headed stepchild.
So, in short, die-hard horror fans are going to love (or at least enjoy) this film, seeing their favorite stars on screen (sort of a sequel to "Re-Animator" -- with three cast members, a director, producers, writers and even Miskatonic University returning). For the rest of the viewing public, this is not going to be a top pick...
Rated R; Nudity, Graphic Violence and Profanity.
From Beyond is a really well put together movie that literally has all the elements this genre of films should have.
The effects, particularly for the age, are fantastic, a little silly yes, but really well done, they have to put a smile on your face when you watch them.
All the cast throw themselves into the story, they know its silly but they are committed to putting on a believable show. You have to invest with them.
No member of the cast is wasted all providing moments to revel in.
Overall From Beyond was just a lot of fun to watch, its not scary unless your'e a little kid, but it is grat fun.
Check it out :)
The film works best when it sticks close to Lovecraft's original tale, and the opening scenes in which Jeffrey Combs sees the mysterious eel-like things floating around in the air invoke thrills and fear at the same time. Unfortunately, as the plot progresses it rapidly unfolds and moves to a hospital, which is where the film is at a low point. However the climax - a predictably slimy and visceral conclusion - is well worth waiting for, if only to watch the special effects.
The acting is definitely tongue-in-cheek and in this respect is effective all round. Jeffrey Combs can do no wrong, even in the worst of bad films, and he's once again on hand to deliver the chuckles and chills with his particular brand of over-acting. Combs' transformation into a monster is rightly disturbing to watch. Barbara Crampton makes for a good heroine and looks very fetching in a black leather outfit, something you probably won't see anywhere else. As well as the two leads, DAWN OF THE DEAD's very own Ken Foree has a comic relief role as a policeman caught up in the horrific events. Watching Foree prance around in underpants made me think just how much I like this great actor, it's a shame he hasn't been in more films since Romero's classic gave him a certain cult status.
The special effects are the real stars of FROM BEYOND, and they range from the typical (brain eating, eyeball gouging) to the superb (big slimy monster things). The effects are used a lot and all are totally brilliant in conception, being wonderfully weird and odd, especially the slime creature and the monster in the basement. With a spine-tingling soundtrack and collaboration from three notable names in horror - Charles Band (a cheapie producer who now owns Full Moon Entertainment), Brian Yuzna (a delightfully sick individual) and finally Stuart Gordon, there is no way this film could miss the mark really. Overall, FROM BEYOND is a delightfully entertaining film which thankfully never takes itself too seriously and can be watched over and over again.
Lo sapevi?
- QuizBarbara Crampton sold the leather dominatrix outfit she wore in this film at a yard sale.
- BlooperIn the opening scene the windows of the first floor in Dr. Pretorious' house are shattered. A little later in the movie, when the team arrives again at the "crime scene", it is clearly visible, that the window classes are still unbroken.
- Citazioni
Crawford Tillinghast: It ate him... bit off his head... like a gingerbread man!
- Versioni alternativeThe original UK cinema version was uncut by the BBFC (though the print submitted was the MPAA-edited R-rated version). The UK Vestron video releases were cut by 10 secs by the BBFC and edited a scene where Katherine's breasts are molested by the transformed Pretorius.
- ConnessioniFeatured in Stephen King's World of Horror (1986)
I più visti
Dettagli
Botteghino
- Budget
- 4.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.261.000 USD
- Fine settimana di apertura Stati Uniti e Canada
- 514.417 USD
- 26 ott 1986
- Lordo in tutto il mondo
- 1.261.000 USD
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1