Quando due maldestri dipendenti di un magazzino di forniture mediche rilasciano accidentalmente un gas mortale nell'aria, i vapori fanno risorgere i morti come zombie.Quando due maldestri dipendenti di un magazzino di forniture mediche rilasciano accidentalmente un gas mortale nell'aria, i vapori fanno risorgere i morti come zombie.Quando due maldestri dipendenti di un magazzino di forniture mediche rilasciano accidentalmente un gas mortale nell'aria, i vapori fanno risorgere i morti come zombie.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature totali
Miguel A. Núñez Jr.
- Spider
- (as Miguel Nunez)
Riepilogo
Reviewers say 'The Return of the Living Dead' is celebrated for its innovative horror-comedy fusion, featuring witty, brain-hungry zombies. The film is lauded for its memorable dialogue, iconic soundtrack, and high-quality special effects. Performances by Clu Gulager and Linnea Quigley are often praised for their depth and charm. Despite some critiques on pacing and character portrayals, it is widely considered a cult classic that has significantly impacted the zombie genre.
Recensioni in evidenza
"Return of the Living Dead" is an often hilarious, often frightening, often disgusting, and always entertaining horror comedy. The cast is great, the dialogue is snappy and very quotable, and the special effects still hold up very well, nearly 20 years after the film's release. Fans of the horror genre, 1980s buffs, or just folks who enjoy something different occasionally will most likely get a kick out of it.
10/10
10/10
I love this film to living death ... Every actor got the right part, and they all got the part right. High camp, higher parody, positively hilarious scenes so well set up that a mere facial gesture delivers the punchline, sometimes only a few beats of music delivers. In the midst of all this ripping off of Romero's "Night of the Living Dead", it borders on worship of its inspiration. Pathos holds hands with hilarity, genuinely creepy scenes bleed into high gear humor. I haven't found a misstep. There is a high quotient of "Oh s**t" scenes and they all work. The undraped Quigley is neither gratuitous or prurient; just imagine the movie without her character; loses much. This is a delicious, feverish living dead romp that plays out to one crackerjack musical score. Everything meshes, everything works. How do you fault a film that gets it all right? This title will survive a long long time.
I saw this film when I was around 9 or 10, and I remember loving it back then. Unfortunately, time has not been kind to most of the movies I enjoyed during my youth. Imagine my surprise when I realized that not only was Return of the Living Dead every bit as much fun as when I first saw it, its actually improved!!
First off, this is NOT a serious horror film. It is meant to be viewed as a comedy. Period. Once this perspective is taken, the horror elements are subtly introduced until, towards the end, we almost begin to feel a sense of disgust with ourselves for laughing at these people. I say ALMOST because a few silly decisions here and there (it would have been nice if the movie hadn't ended with recycled footage) turn what could have been the finest, and most disturbing, horror-comedy EVER MADE into a merely excellent one.
Honestly, I challenge anyone to find a "horror-comedy" that delivers laughs, gore, some genuine scares, and combines it with what can only be called the finest acting I've ever seen in a horror-comedy (much less one from the 80's!).
James Karen, Clu Gulager, and Don Calfa absolutely STEAL this movie with their sidesplitting hysterics. Listen to the lines, note the deliveries. These guys are pros! Anyone who could THINK to call their acting "wooden" clearly knows nothing about the traps horror-comedies often fall into. Personally, I was thinking of the OD scene from Pulp Fiction the entire time. The absurdity mixed with tension was eerily similar. Tarantino (an admitted zombie-movie fan) must SURELY have seen this movie upon its initial release. Gulager in particular is just plain brilliant here, he's like a burned out shop teacher fighting zombies!!
This film is a hidden treasure in a genre all too often plagued by mediocrity.
First off, this is NOT a serious horror film. It is meant to be viewed as a comedy. Period. Once this perspective is taken, the horror elements are subtly introduced until, towards the end, we almost begin to feel a sense of disgust with ourselves for laughing at these people. I say ALMOST because a few silly decisions here and there (it would have been nice if the movie hadn't ended with recycled footage) turn what could have been the finest, and most disturbing, horror-comedy EVER MADE into a merely excellent one.
Honestly, I challenge anyone to find a "horror-comedy" that delivers laughs, gore, some genuine scares, and combines it with what can only be called the finest acting I've ever seen in a horror-comedy (much less one from the 80's!).
James Karen, Clu Gulager, and Don Calfa absolutely STEAL this movie with their sidesplitting hysterics. Listen to the lines, note the deliveries. These guys are pros! Anyone who could THINK to call their acting "wooden" clearly knows nothing about the traps horror-comedies often fall into. Personally, I was thinking of the OD scene from Pulp Fiction the entire time. The absurdity mixed with tension was eerily similar. Tarantino (an admitted zombie-movie fan) must SURELY have seen this movie upon its initial release. Gulager in particular is just plain brilliant here, he's like a burned out shop teacher fighting zombies!!
This film is a hidden treasure in a genre all too often plagued by mediocrity.
ROTLD is one of the rare cases where horror meets comedy to good effect. With some classic lines like "you gotta hit the brain" and "watch your mouth kid if you like this job", this film works because it doesn't rely solely on gore or stupidity; the script is very well written.
ROTLD pays homage to George Romero's "Night of the Living Dead" but veers away from the slow lumbering zombies of the '68 classic, and instead gives us "the original" super zombies (ie before 28 days later or Dawn of the Dead remake) that are not so easily dealt with! This proves to be an interesting problem for the script to resolve which I think it does with style by the end of the movie.
The characters are a little predictable and one dimensional except for the lead pair who are introduced at the start of the movie, but that's perhaps the only flaw. What I really like about this movie is that, whilst not entirely a gorefest, it still manages to kick-ass because of the flawless plot. By this I mean that there a few scenarios where you find yourself saying "that's just dumb" or "they'd never do that" etc, which is very rare nowadays in the horror/sci-fi genre. Dramas & thrillers etc get an easy job of it because all they have to do is convince us that their reality is real-life. Horror on the other hand needs to convince that the unreality it portrays is what is real-life, and that's not always an easy task.
ROTLD is funny, sick, clever and above all entertaining if you can stomache some pretty twisted content. Personally, I love it.
ROTLD pays homage to George Romero's "Night of the Living Dead" but veers away from the slow lumbering zombies of the '68 classic, and instead gives us "the original" super zombies (ie before 28 days later or Dawn of the Dead remake) that are not so easily dealt with! This proves to be an interesting problem for the script to resolve which I think it does with style by the end of the movie.
The characters are a little predictable and one dimensional except for the lead pair who are introduced at the start of the movie, but that's perhaps the only flaw. What I really like about this movie is that, whilst not entirely a gorefest, it still manages to kick-ass because of the flawless plot. By this I mean that there a few scenarios where you find yourself saying "that's just dumb" or "they'd never do that" etc, which is very rare nowadays in the horror/sci-fi genre. Dramas & thrillers etc get an easy job of it because all they have to do is convince us that their reality is real-life. Horror on the other hand needs to convince that the unreality it portrays is what is real-life, and that's not always an easy task.
ROTLD is funny, sick, clever and above all entertaining if you can stomache some pretty twisted content. Personally, I love it.
To this day, I can't believe Dan O'Bannon got away with using "The Living Dead" in his title. George Romero should have sued, and probably did. Nevertheless, this is a classic horror comedy straight out of the 1980s, with gruesome brain-devouring zombies running riot in a small town. Actually, due to the movie's modest budget, the zombies run around a small number series of sets, consisting of a warehouse, both inside and outside, a bridge and a mortuary, inside and outside. There also are a couple of shots dealing with Army personnel. An Abbott and Costello-type pair unleashes a government-developed gas that revives the dead. Even dead parts. A warehouse exec, a mortuary owner and several daffy young people end up in a fight for their lives, while a series of EMTs and police arriving on the scene are quickly dispatched by the ravenous zombies. The hammy acting is strictly from hunger, the dialog largely improvised, and the clumsy blocking and static photography (mostly medium shots) are like something from a 1932 talkie. But the zombie attacks are ferocious and go way beyond anything Romero attempted in "Night." Also, zombies getting on the ambulance and police radios to order up more help in their sepulchral voices is beyond hilarious. You also have the ravishing Scream Queen of her day, Leanna Quigley, spending most of screen time nekkid. It also is a riot to see familiar grocery store hawker James Karen in a prominent role here. Plus, much has been said over the years about the individual hired to play the rotting basement zombie, and he is indeed absolutely marvelous. Good for a laugh, and great for trotting out every Halloween.
Lo sapevi?
- QuizThe filmmakers had to get approval from Lysol to have Frank spray away the stench of death with their product. "They liked the idea that Lysol would kill any conceivable odor."
- BlooperWhen Frank is explaining how the original Night of the Living Dead is based on a true story, he states that the true story occurred in 1969. However La notte dei morti viventi (1968) was released in 1968, a year before the incident happened. In the original script Frank said the event happened in 1966, but Dan O'Bannon changed the line because he felt it would be better if the character was unreliable.
- Curiosità sui creditiThe following phony disclaimer precedes the movie: "The events portrayed in this film are all true. The names are real names of real people and real organizations."
- Versioni alternativeThe MGM 2002 DVD releases (UK and US) has had some changes in the audio compared to the original version:
- The Damned song Dead Beat Dance has been replaced with another song
- The Tar Man's voice has been re-recorded. However, the original Tar Man voice can be heard briefly during the closing credit sequence.
- The line "send more cops" has also been re-recorded
- The song "Take a walk" has been removed, now you only hear it for a few seconds with no vocals.
- The song "Burn the flames" has also been shortened.
- ConnessioniEdited into Cent une tueries de zombies (2012)
- Colonne sonoreThe Trioxin Theme
(Main Title)
Performed by Francis Haines
Composed by Francis Haines
Produced by Simon Heyworth
Plays during the opening credits and at other points throughout the film.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- El regreso de los muertos vivientes
- Luoghi delle riprese
- Louisville, Kentucky, Stati Uniti(one exterior shot only)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 14.237.880 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.403.169 USD
- 18 ago 1985
- Lordo in tutto il mondo
- 14.240.656 USD
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What was the official certification given to Il ritorno dei morti viventi (1985) in Japan?
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