Un gruppo di scienziati ha sviluppato il "Resonator", una macchina che consente a chiunque si trovi nel raggio d'azione di vedere oltre la normale realtà percepibile. Qualcosa non va e l'esp... Leggi tuttoUn gruppo di scienziati ha sviluppato il "Resonator", una macchina che consente a chiunque si trovi nel raggio d'azione di vedere oltre la normale realtà percepibile. Qualcosa non va e l'esperimento apre la porta a terribili forme di vita.Un gruppo di scienziati ha sviluppato il "Resonator", una macchina che consente a chiunque si trovi nel raggio d'azione di vedere oltre la normale realtà percepibile. Qualcosa non va e l'esperimento apre la porta a terribili forme di vita.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 4 candidature totali
- Patient - Strait Jacket
- (as Andy Miller)
- Drunk
- (non citato nei titoli originali)
- Asylum Orderly
- (non citato nei titoli originali)
Recensioni in evidenza
The film works best when it sticks close to Lovecraft's original tale, and the opening scenes in which Jeffrey Combs sees the mysterious eel-like things floating around in the air invoke thrills and fear at the same time. Unfortunately, as the plot progresses it rapidly unfolds and moves to a hospital, which is where the film is at a low point. However the climax - a predictably slimy and visceral conclusion - is well worth waiting for, if only to watch the special effects.
The acting is definitely tongue-in-cheek and in this respect is effective all round. Jeffrey Combs can do no wrong, even in the worst of bad films, and he's once again on hand to deliver the chuckles and chills with his particular brand of over-acting. Combs' transformation into a monster is rightly disturbing to watch. Barbara Crampton makes for a good heroine and looks very fetching in a black leather outfit, something you probably won't see anywhere else. As well as the two leads, DAWN OF THE DEAD's very own Ken Foree has a comic relief role as a policeman caught up in the horrific events. Watching Foree prance around in underpants made me think just how much I like this great actor, it's a shame he hasn't been in more films since Romero's classic gave him a certain cult status.
The special effects are the real stars of FROM BEYOND, and they range from the typical (brain eating, eyeball gouging) to the superb (big slimy monster things). The effects are used a lot and all are totally brilliant in conception, being wonderfully weird and odd, especially the slime creature and the monster in the basement. With a spine-tingling soundtrack and collaboration from three notable names in horror - Charles Band (a cheapie producer who now owns Full Moon Entertainment), Brian Yuzna (a delightfully sick individual) and finally Stuart Gordon, there is no way this film could miss the mark really. Overall, FROM BEYOND is a delightfully entertaining film which thankfully never takes itself too seriously and can be watched over and over again.
Rated R; Nudity, Graphic Violence and Profanity.
Like Re-Animator, From Beyond is based on a story by the fantastic horror writer H.P. Lovecraft. The acting here comes courtesy of two of Re-Animator's best actors; Jeffrey Combs, a man that is well known in the world of B-Movie, and Barbara Crampton; the scream queen that we all remember from the infamous 'head' sequence in Re-Animator. There is also a role in this movie for Ken Foree, whom horror fans will instantly recognize from the classic film, Dawn of the Dead. I didn't know he was in this movie, so it was a nice surprise for me. From Beyond is also brought to the screen by the same team that brought Re-Animator to the screen; Stuart Gordon in the director's chair and Brian Yuzna producing. With a group of people as accomplished in the horror genre as this fine bunch, what could possibly go wrong?
The plot of this movie is good because it very much plunges into the unknown, and as well all know; it is that which makes horror frightening. This movie is also made good by the fact that once the horror starts, it doesn't stop and that's always a good thing for a horror movie as nobody likes waiting for the next horror sequence to turn up. The team of Gordon and Yuzna obviously knows that relentlessness makes a good horror movie as it is evident in all horror movies that they have worked on, together or separately. The idea behind it is also an original one, as ever with H.P. Lovecraft and it leaves a lot open for creativity, which is capitalized upon very well by Stuart Gordon with his interesting and effective creatures that are brought into the film as a result of the scientist's foray into 'the beyond'. The story, it could be said, is unrealistic, which is true of most horror films. However, the way it is brought to life seems realistic and as there is some explanation to the point of the machine and that which it does, so the audience can somewhat believe it; much to the film's credit.
In the 80's, horror reached a new point; gone was the creativity of the 60's and 70's, and a new area of over the top and extremely gory horror was opened up. From Beyond very much capitalizes on this 'new wave', but unlike a lot of the 80's films that did, From Beyond manages to pull it off so it is both interesting and creative and therefore it is a cut above the majority of other 80's films of the same ilk. From Beyond is not a masterpiece, but it is very good and fans of the horror genre will certainly find something to like about it. Recommended.
Lo sapevi?
- QuizBarbara Crampton sold the leather dominatrix outfit she wore in this film at a yard sale.
- BlooperIn the opening scene the windows of the first floor in Dr. Pretorious' house are shattered. A little later in the movie, when the team arrives again at the "crime scene", it is clearly visible, that the window classes are still unbroken.
- Citazioni
Crawford Tillinghast: It ate him... bit off his head... like a gingerbread man!
- Versioni alternativeThe original UK cinema version was uncut by the BBFC (though the print submitted was the MPAA-edited R-rated version). The UK Vestron video releases were cut by 10 secs by the BBFC and edited a scene where Katherine's breasts are molested by the transformed Pretorius.
- ConnessioniFeatured in Stephen King's World of Horror (1986)
I più visti
Dettagli
Botteghino
- Budget
- 4.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.261.000 USD
- Fine settimana di apertura Stati Uniti e Canada
- 514.417 USD
- 26 ott 1986
- Lordo in tutto il mondo
- 1.261.000 USD
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1