L'agenda nascosta

"Hidden Agenda" - another in a long list of films about the conflict in Northern Ireland - focuses on the investigation by British detective Kerrigan (Cox) of the assassination of an American civil liberties investigator. The film gets down to business quickly as it shows the pervasive and deeply rooted divisive sentiments of Ireland with a straight forward, no frills approach and a whodunnit type plot. A well made location shoot with no frills, "HA" will most likely be appreciated by those with some understanding of the Irish conflict.

Not top-drawer Ken Loach; the "thriller" elements are well-done, but the warmth and depth Loach brings to his working-class stories has no place here. There's a structural flaw in the script, too--it presents itself as a film about Northern Ireland but then jumps headlong into something equally involving but quite different.

It is, all the same, a well-crafted, atmospheric film that never lacks excitement and raises some substantial issues. More importantly, the entire film is sadly prescient. The opening torture narratives could have been translated from accounts of Abu Ghraib prison. Change a couple of proper names and the scenery, and this would be the best film around on the U.S. occupation of Iraq. Even the second half of the story (no spoiler warning, so I give no details) rings truer and truer as time goes by.

Richly deserves reissue.

Whooaa! Slow down, sol1218 from Brooklyn NY.

The political scene in the U.K. looked like this: Edward Heath, bachelor leader of the Conservatives, won the election in 1970. He took Britain into the then Common Market in 1973, but called an election in February 1974 when the miners forced him to declare a three-day week.

The Tory slogan for the election was: Who governs Britain? The result was confused, but the message was fairly clear: Not you, matey. Labour under Harold Wilson took office with a slim majority. Wilson called a second election in October, which he won narrowly, increasing his majority slightly.

He held a referendum on the Common Market in 1975, which he won by sidelining the extremists of both Left and Right. He ruled until 1976 when he resigned from politics, for reasons which were obscure at the time, but probably because he had been diagnosed with Parkinson's. It is certainly true that the Right plotted endlessly against him.

Jim Callaghan, who had been Chancellor, Home Secretary and Foreign Secretary, took over as P.M. and called an election after his full five-year term. (In the U.K. governments normally call elections after four years.) In fact Callaghan was forced to do so because of a move by the Scottish Nationalists. Had he called the election just a year earlier, he stood a good chance of winning, say many pundits.

Meanwhile, the Conservatives had deposed Edward Heath who had lost them two elections, and Maggie Thatcher replaced him as leader. She swept to power in 1979, and as we all know, won the next two elections.

Economic chaos was the watchword of the day and there were many strikes. The situation in Northern Ireland, which had started simmering with the Civil Rights movement of 1968, gradually deteriorated. The assassinated politician of the film whose name is Nevin, may well represent Airey Neave, a war hero who had escaped from the high-security Colditz Castle, a German-speaking lawyer who had attended the Nuremberg Trials and a hardline Conservative with military and security connections, who was a close adviser of Thatcher. He was blown up outside the House of Commons on March 30, 1979, by the INLA a few weeks before the election.

Ken Loach has never made any secret of his sympathies for the Irish cause. His powerful film "Wind that shakes the barley", which apparently did not make much money in the U.K., had Conservative politicians fulminating about treason and lack of patriotism because of his portrayal of the brutal Black and Tans. The name was given to the ex-British army personnel and (inaccurately) also to the auxiliaries who were sent to Ireland between 1920 and 1921 to crush the IRA and Sinn Fein, but who also attacked and killed civilians. Historians agree, however, that Loach was pretty accurate in his historical recreation. The film also shows the ruthlessness of Irish-on-Irish killings in the Civil War afterwards.

"Hidden Agenda" was an enjoyable political thriller. The story was a somewhat typical Irish against the bloody English set in the late 1980's. The strength of the movie was in the fine acting by Frances McDormand, as usual, Brian Cox and many others. The ending some may find unsatisfactory. It tends to be open ended. I thought it provided much speculation on what Frances McDormand would do. I also thought it to be true to life.

The distinctly pedestrian and realist style to this little caper was quite refreshing as it avoided most clichés of the thriller genre like sexy protagonists and high energy gun battles etc etc to give something a little like a racy cigarette smoke-filled real-life documentary. The miry setting, in the midst of the sectarian wars of Ireland, and including within the tawdry bowels of the Royal Ulster Constabulary, also Republican bars, minor hotels, and humble households was most intriguing, but then the 'hidden agenda' plot panned away some distance from the psycho-realism onto a rather disappointing vein about incredulous or just uninteresting high level parliamentary dirty tricks, ho hum... Thatcher (of course), well not her exactly, anyway... It felt great in the main though, in the unique way the drama was directed, somewhat over the shoulder camera positions where the context is always in view, and conjuring easy naturalistic performances - with Cox doing a great turn as kind of big Yorkshire terrier. The story muddled its way along in a way that felt pretty convincing as a slice of real life in all its convolutions and routine failures of trust, up until the final segment which as I say pulled back I feel a little far, with its ambition to be a big Political thriller, somewhat betraying the best bit, the human narrative of the everyday fog of war and enduring terror that was no doubt an everyday reality for the citizens of northern Ireland.