L'ambulanza

"The ambulance" is perhaps not what people call a great movie.But it's sure much fun to watch!Its black humor is priceless.All the male actors overplay,Eric Roberts ,James Earl Jones and Eric Braeden camp it up and give the viewer the feeling of watching a cartoon (Roberts' escape from the ambulance) or reading a comic strip :anyway ,Roberts makes comic books ("They are not what they used to be "says cop Jones ).The director knows only one tempo:accelerated and ,for lack of subtlety ,there's never a dull moment.And the villain (Braeden) does believe he works for the greater good of humanity !And anyway won't his patient be in perfect health when he dies?

Starring Eric Roberts, James Earl Jones and Meghan Gallagher this early 90's thriller actually succeeds in entertaining.

It tells the story of a man who finally makes a move on the woman of his dreams only to witness her collapse and get taken away by an ambulance (I too have that effect on women). When he tries to visit her however he learns she was never brought in and may be one of a number of missing persons connected to this old ambulance.

I like the idea, though I've seen things with a similiar concept before the addition of the ambulance really made it interesting.

Roberts though a hokey actor manages to deliver here as does the rest of the stellar cast.

Though I love the concept I don't think it was utilized well and I'd love to see this remade. Regardless however the competence of the cast, the concept and an odd amount of comedy make for a passable film.

Kudos to Stan Lee being cast as Stan Lee.

The Good:

Cast are on point

Stan Lee!

Excellent idea

The Bad:

Not followed through with all that well

Ending is a bit underwhelming

Things I Learnt From This Movie:

I simply cannot take a lead male seriously with a mullet...........except Joe Dirt

More and more I love the work of writer/director Larry Cohen and I can only encourage people to check out his versatile imagination. "The Ambulance" is less ambitious, comical and outrageous than some of Cohen's more famous achievements (like "God Told me To", "It's Alive" or "Q – the Winged Serpent") but it definitely is a well-elaborated and entertaining B-movie. Once again, Cohen succeeds in turning a familiar and every-day topic into an exciting and rather suspenseful thriller. Inconspicuously and well organized, a group of fake nurses and doctors drive around New York in an old-type of ambulance, picking up diabetics that suffer from a 'sudden attack'. After they're brought into the cool conveyance, they disappear and no one ever hears from them again. The womanizing comic-book artist Josh Baker coincidentally stumbles upon this suspicious organization when a broad he's been stalking for a long time is taken away in front of him. His search for the girl results in a tense and involving movie, filled with ingenious plot-twists and adorably eccentric New York-characters. The screenplay is very clever, the dialogues are well written and there isn't a dull moment in the entire movie. 'The Ambulance' isn't a horror film so the deaths aren't as sadistic as in other Cohen films and there's also the lack of pungent social criticism. Still, this is a truly cool movie that deserves a wider audience. Judging by his performance here, I'd say it's unjust that Eric Roberts' career went to waste so badly. He looks a little goofy but his lines are exhilarating and his bad-boy charisma definitely works for the character he plays. Even more amusing are the supporting roles like, for example, James Earl Jones as the weird and over-stressed copper and Red Buttons as the persistent journalist. Check it out!

Larry Cohen has not been known for coherence in his pictures. As a writer, he is often excellent with creative twists and turns for every story. As a director, he is often sloppy and mostly leaves you disappointed, thinking that a great opportunity has been lost. In his movies major characters disappear without explaination and whole chunks of plot often seem to be missing. All the while you are thinking "what a shame on such a good story!". To my surprise, I found that "Ambulance" actually is held together quite neatly. No chop-chop editing this time. The plot runs amok here and there, but not damagingly so. It is amusing and suspenseful with spunky performances by Gallagher and Roberts and a really good one by Red Buttons. Some effort have been put into the action sequences and interiors. This movie, unlike many other Cohen-directed, actually looks like it had a budget. The pace never flags and even if the ending is no great shakes, it's satisfying. Nice score too.

Eric Roberts, sporting an impressive mullet, plays Marvel comic artist Josh Baker, who tries his luck with the beautiful stranger he sees every day on the way to work. Not one to take 'no' for an answer (making him a sexual predator by today's standards), he pursues the woman (Janine Turner), even buying her a Walkman from a street vendor (she throws it back at him: probably didn't have Megabass and auto-reverse). However, when the woman suddenly collapses in the street and Josh comes to her help, he learns a little more about her: she is diabetic and her name is Cheryl. An ambulance arrives and whisks her to hospital, or so it seems...

In reality, Cheryl has been kidnapped by human traffickers, who sell people with diabetes for medical experimentation. When Josh is unable to locate Cheryl at any of the local hospitals, he tries to find out what has happened to her, enlisting the help of grouchy New York detective Lt. Spencer (James Earl Jones), elderly newspaper reporter Elias Zacharai (Red Buttons), and pretty policewoman Sandra Malloy (Megan Gallagher)

Like most of director Larry Cohen's movies, The Ambulance is a quirky little B-movie, packed with offbeat performances, often bordering on the camp (Jones, gum in mouth, chews up the scenery and Roberts' mannerisms are strange, to say the least). The film's oddball approach and OTT acting help to make it an entertaining time-waster for fans of cult cinema, despite the somewhat off-putting nature of Josh's flowing locks (not surprised that Cheryl said 'no' to him; do you think Eric Roberts ever looks back at his work from this period and cringes?). Cohen keeps the action moving at a fair lick, with plenty of mystery and peril, and a particularly well-handled final act that features lots of dangerous looking stunt-work.

Of the six Cohen films I have seen so far (The Ambulance, Full Moon High, Special Effects, Q-The Winged Serpent, It's Alive, and The Stuff), this is easily my favourite. 6.5/10, rounded up to 7 for Stan Lee as Stan Lee - not much acting required, but at least it's not just a pointless blink-and-you'll-miss-it cameo like in the MCU movies.