Gente del Nord

Deceptively marketed as a "Deliverance" retread, it has, in fact, more in common with Peter Weir's "Witness" and Richard Pearce's "Heartland". Kurt Russell plays Wayland Jackson, a humble widower who begins a new life with his daughter in North Carolina. When he meets and falls in love with Collie Wright (Kelly McGilis), he must prove his mettle to her father (Lloyd Bridges) and deal with local animosity towards him.

Director Ted Kotcheff, who also made "First Blood", "Uncommon Valor" and the brilliant "Split Image", a scathing look at a religious sect, brings his considerable experience with personal politics to this well made, beautifully acted, snow-bound drama.

The film's last act is where the violence flares and the stage is set for several bloody, taut altercations. The film, however, never loses sight of its personal story and focuses closely on the courage and resilience of good, honest folk.

John Scott's score is hypnotic.

Kurt Russell and Kelly McGillis give believable performances in this rural drama. Tremendous North Carolina atmosphere and a fine score add immensely to the film. Some may find it a bit slow, but those willing to watch and listen, will be rewarded. "Winter People" does not follow any typical feuding families formula, but carves new ground, with sacrifice instead of shoot outs. Anyone expecting a "Deliverance" clone would be advised to seek out "Hunter's Blood" and leave "Winter People" to those who appreciate a quieter, more thought provoking movie. Definitely recommended for couples viewing as there is enough depth to maintain interest for everyone. - MERK

Widowed clockmaker Kurt Russell brings his daughter, Amelia Burnette, to the Carolina Piedmont. There he falls in love with single mother Kelly McGillis. However, when the baby's drunken father comes calling, the pair of them are forced into desperate action.

The movie is replete with carefully offered symbolism, almost certainly from the novel by John Ehle), mostly about the wintry stasis of people and society during the early stages of the Roosevelt New Deal, to characters' names (I'm reading Scott's KENILWORTH, so Russell's character's name of "Wayland" seems apt), to the way cinematographer Francois Protat lights the shots in a greyness that doesn't break until the end. Ordinarily I would find this sort of movie pompous with its easy-to-analyze details substituting for the things that interest me most: character and story.

This one never does, thanks to a fine cast under a solid director. Ted Kotcheff may be best know for his gross comedy hit WEEKEND WITH BERNIE, but his long resume shows a respectful handling of movies about subcultures: not only THE APPRENTICESHIP OF DUDDY KRAVITZ, but NORTH DALLAS FORTY.

This is a film that took me by surprise. Impressive in its delicate sensiblity of the human emotions. This is best illustrated at Kurt Russell's outburst when one of his clocks is destroyed. Well directed and well acted. One of Russell's best acting performances. Not an action film, or anything to really rock you in your seat but a powerful human story. A+

Wayland Jackson (Kurt Russell) and his young daughter leave Pennsylvania and movie to rural Appalachia in 1934. Now considering the poverty in this part of the world, particularly during the Depression, this is an odd decision to say the least. On their way, Wayland's truck breaks down and he and the daughter make their way to a local cabin where Collie (Kelly McGillis) and her baby live. She lets them stay a bit, as it's cold outside and soon the pair fall in love. However, the baby's ne'er-do-well and extremely violent father returns for one of his rare visits...and he nearly kills Wayland and attempts to force himself on Collie. What's next? Well, a LOT...including threats from the violent man's very violent and awful clan.

The film has some remarkably good and restrained acting. In addition to Russell and McGillis doing a fine job, the oddly named Jeffrey Meek is exceptional as the evil father of the baby and the rest of the supporting cast (including Lloyd Bridges and Mitchell Ryan) are superb.

As for the story, it's compelling and has many twists and turns. You might not like these...but they do make for a story that is hard to stop watching.

Overall, a very well done film....not always pleasant but exceptional nonetheless...and far better than its current 6.3 rating on IMDB.