Una coppia di sposi prova di tutto per convincere l'altro a lasciare la casa in una feroce battaglia di divorzio.Una coppia di sposi prova di tutto per convincere l'altro a lasciare la casa in una feroce battaglia di divorzio.Una coppia di sposi prova di tutto per convincere l'altro a lasciare la casa in una feroce battaglia di divorzio.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 2 vittorie e 9 candidature totali
Recensioni in evidenza
Director Danny Devito and the writers are to be credited for following
this story's dark premise straight to its grim conclusion, and not
opting for a cop-out 'happy ending'. Maybe that accounts for the
movie's relatively low user rating. Whatever. Turner and Douglas are
superb here. I saw Douglas on the Carson show after the movie came out,
relating how, after a day's shoot, he and Turner would get together to
remind each other that they were still friends. Seeing the movie shows
why they had to do this.
Note how the movie begins in the openness and light of Nantucket in summer and gets progressively darker, ending in the claustrophobic closeness of the nailed-up house. Note how Kathleen Turner's hair changes from sleek at the start to straw at the end. Note the role the Baccarat crystal plays. Note the frequent emphasis on the chandelier throughout. All masterful touches.
A classic black comedy for grownups. Don't watch this one with your spouse unless you are on really good terms.
Note how the movie begins in the openness and light of Nantucket in summer and gets progressively darker, ending in the claustrophobic closeness of the nailed-up house. Note how Kathleen Turner's hair changes from sleek at the start to straw at the end. Note the role the Baccarat crystal plays. Note the frequent emphasis on the chandelier throughout. All masterful touches.
A classic black comedy for grownups. Don't watch this one with your spouse unless you are on really good terms.
You know a movie is funny when you're by yourself and laughing out loud. This is a hilarious saga of a divorcing couple, both of whom refuse to leave their house.
"The gloves are off," Michael Douglas announces to wife Kathleen Turner, although for the viewer, they had been off for some time. Both stop at nothing to drive the other out.
It's a strange film in a way because it starts out as a love story and slowly builds, as little signs that all is not well in paradise begin to emerge. Once the ugliness starts, there's no stopping it, and the film rapidly becomes a very black comedy.
Turner and Douglas receive able support from a very funny Danny Devito, who also directed, and the wonderful Marianne Sagebrecht, who provides a gentle presence amidst the chaos.
"The gloves are off," Michael Douglas announces to wife Kathleen Turner, although for the viewer, they had been off for some time. Both stop at nothing to drive the other out.
It's a strange film in a way because it starts out as a love story and slowly builds, as little signs that all is not well in paradise begin to emerge. Once the ugliness starts, there's no stopping it, and the film rapidly becomes a very black comedy.
Turner and Douglas receive able support from a very funny Danny Devito, who also directed, and the wonderful Marianne Sagebrecht, who provides a gentle presence amidst the chaos.
There isn't a plethora of funny lines in "The War of the Roses" (it's just not that kind of comedy), but the blistering cynicism about marriage makes them stand out all the same (the stabbing victim in the hospital claimed most of these). If you want to call this a cautionary tale of divorce, I'm just fine with that. Watching these people bitterly drift apart is uncomfortable, and the filmmakers know this because the whole third act is the literal destruction of everything they've labored so long to build. The absurdity is almost a salve.
It's a comedy, but also dark as hell. The dialogue, on the other hand, that's fantastic.
7/10
It's a comedy, but also dark as hell. The dialogue, on the other hand, that's fantastic.
7/10
A middle-aged affluent couple hit marital problems and start fighting over the ownership of their mansion. This leads to increasing levels of antagonism and borderline sociopathic behaviour.
The War of the Roses is very 80's, very loud and kind of fun. If you want a subtle study of marital breakdown then seek it somewhere else because this most certainly is not it. Michael Douglas and Kathleen Turner play the warring couple. We follow their story from their first meeting, through the happy early days to the outright marital war that constitutes the end of their relationship. Douglas and Turner are basically let loose on this film to chew the scenery and go cartoonishly over-the-top. And for the most part it's a great deal of fun seeing them do this, as both are very capable actors who can play mildly deranged very convincingly. I felt, however, that the film lost a bit of steam in its final section. As the pair went increasingly berserk in their antics, the film lost me a bit. Having said that, it is a funny film at times and it's quite a bit of fun watching both principal actors going hell for leather. It's probably a film that people going through a divorce can relate to best. It most probably will give them a few ideas.
The War of the Roses is very 80's, very loud and kind of fun. If you want a subtle study of marital breakdown then seek it somewhere else because this most certainly is not it. Michael Douglas and Kathleen Turner play the warring couple. We follow their story from their first meeting, through the happy early days to the outright marital war that constitutes the end of their relationship. Douglas and Turner are basically let loose on this film to chew the scenery and go cartoonishly over-the-top. And for the most part it's a great deal of fun seeing them do this, as both are very capable actors who can play mildly deranged very convincingly. I felt, however, that the film lost a bit of steam in its final section. As the pair went increasingly berserk in their antics, the film lost me a bit. Having said that, it is a funny film at times and it's quite a bit of fun watching both principal actors going hell for leather. It's probably a film that people going through a divorce can relate to best. It most probably will give them a few ideas.
A deliciously black comedy from three superstars at the height of their powers. Michael Douglas may have actually got better as he's got older, but in 1989 he and co-star Kathleen Turner were hot off romancing stones, and they are ideal in this best-ever directorial effort from DeVito.
Lo sapevi?
- QuizWhile shooting the scene where Michael Douglas (Oliver Rose) and Kathleen Turner (Barbara Rose) are sitting in the chandelier, director Danny DeVito pretended to break for lunch while the two actors were 30 feet above ground.
- BlooperIn the final scene in the chandelier, Barbara goes from being barefoot, to shod, back to barefoot again.
- Citazioni
Oliver Rose: I think you owe me a solid reason. I worked my ass off for you and the kids to have a nice life and you owe me a reason that makes sense. I want to hear it.
Barbara Rose: Because. When I watch you eat. When I see you asleep. When I look at you lately, I just want to smash your face in.
- Curiosità sui creditiThe fanfare in the 20th Century Fox logo at the beginning of the movie segues into the opening theme of the movie.
- Colonne sonoreOnly You (And You Alone)
Written by Buck Ram and Buck Ram (as Ande Rand)
Performed by The Platters
Courtesy of PolyGram Special Projects a division of
PolyGram Records, Inc.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- La guerra de los Roses
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 26.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 86.888.546 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.488.794 USD
- 10 dic 1989
- Lordo in tutto il mondo
- 160.188.546 USD
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