Un ricco speculatore di Wall Street scopre che sua moglie ha un amante. Lo indaga e lo fa assassinare sua moglie. Attentamente pianificato, sembra un omicidio perfetto.Un ricco speculatore di Wall Street scopre che sua moglie ha un amante. Lo indaga e lo fa assassinare sua moglie. Attentamente pianificato, sembra un omicidio perfetto.Un ricco speculatore di Wall Street scopre che sua moglie ha un amante. Lo indaga e lo fa assassinare sua moglie. Attentamente pianificato, sembra un omicidio perfetto.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 3 candidature totali
George Blumenthal
- Merchant Prince #4
- (as George S. Blumenthal)
Iris Braydon
- Guest at Met
- (as Iris Alten)
Recensioni in evidenza
Wealthy Wall Street tycoon Steven learns that his wife Emily is having an affair with David, an artist and career criminal, Steven decides to do away with his wife, using David to do the job.
Over the last few months I've worked my way though Hitchcock's catalogue of films, I was sat wondering why none of his films had been remade for an age, the I remembered this one.
So it's basically Dial M for murder, with a late 90's twist, so we've got the tech, The Wall Street tycoon and of course that wonderful 90's vibe.
I have no intentions of comparing, as I don't think you can, but as an updated version it's good, it's a stylish flick, I liked the updates, and of course the heart of the story is magical.
It perhaps has a little too much polish, but on the whole it works, Hitchcock films weren't exactly in vogue in the late 90's, so it gets credit for at least being different.
Some nice twists and turns, I particularly liked the way the tech is used, and the way that David turns the tables.
Paltrow and Mortensen are both very good, but I'd argue it is Michael Douglas that stands out, and boy does he look sharp here.
I'd forgotten David Suchet was in this, at the time it seemed as though he'd turned away from Poirot somewhat, output was lower, it felt like he was going to leave the role behind, thankfully he didn't.
7/10.
Over the last few months I've worked my way though Hitchcock's catalogue of films, I was sat wondering why none of his films had been remade for an age, the I remembered this one.
So it's basically Dial M for murder, with a late 90's twist, so we've got the tech, The Wall Street tycoon and of course that wonderful 90's vibe.
I have no intentions of comparing, as I don't think you can, but as an updated version it's good, it's a stylish flick, I liked the updates, and of course the heart of the story is magical.
It perhaps has a little too much polish, but on the whole it works, Hitchcock films weren't exactly in vogue in the late 90's, so it gets credit for at least being different.
Some nice twists and turns, I particularly liked the way the tech is used, and the way that David turns the tables.
Paltrow and Mortensen are both very good, but I'd argue it is Michael Douglas that stands out, and boy does he look sharp here.
I'd forgotten David Suchet was in this, at the time it seemed as though he'd turned away from Poirot somewhat, output was lower, it felt like he was going to leave the role behind, thankfully he didn't.
7/10.
I found the film to be very interesting and smoothly executed. The acting of film veteran Michael Douglas was superb. Paltrow and Mortensen were also very smooth and a pleasure to observe. My only problem with this film was the way it ended. An editing glitch? Maybe. It was too abrupt. But all in all, a very entertaining film and an excellent use of a familiar theme-plot.
It should also be noted that Novella Nelson, who portrays Ambassador Alice Wills, is a noted songtress in her own right. I have had the pleasure of attending a few of her concerts and night club appearances in the 1970s. An excellent, sultry and sometimes fiery singer of jazz standards and R&B.
It should also be noted that Novella Nelson, who portrays Ambassador Alice Wills, is a noted songtress in her own right. I have had the pleasure of attending a few of her concerts and night club appearances in the 1970s. An excellent, sultry and sometimes fiery singer of jazz standards and R&B.
Hitchcock's DIAL M FOR MURDER was based on the Frederick Knott play of the same name. A PERFECT MURDER takes elements from the play, makes alterations in scenes and characters, changes the ending, and in attempting to modernize the whole thing has added some extra gore to the proceedings so today's audiences won't feel cheated. And yet, the result is not only distinctly disappointing, but inferior.
Only fans of Gwyneth Paltrow and Michael Douglas will relish their performances in this pale rehash of the original material. The complexity of "the key under the stairmat" which was so effectively played out in the Hitchcock film is entirely missing here. The detective work so fascinating in the original play and film is also gone despite the fact that he is played by David Suchet (in a very underwritten role). In short: none of the revisions are any improvement. Nor does Viggo Mortensen impress as Paltrow's lover.
Those who haven't seen the movie or the play DIAL M FOR MURDER will no doubt find some of this absorbing enough--but anyone able to make a comparison is bound to be disappointed. I'll take Ray Milland-Grace Kelly-Robert Cummings under Hitchcock's direction any day over a misguided Paltrow and Douglas under Andrew Davis' direction.
As for the comments of the viewer who said, "Who's Hitchcock?", please...spare me your review.
Only fans of Gwyneth Paltrow and Michael Douglas will relish their performances in this pale rehash of the original material. The complexity of "the key under the stairmat" which was so effectively played out in the Hitchcock film is entirely missing here. The detective work so fascinating in the original play and film is also gone despite the fact that he is played by David Suchet (in a very underwritten role). In short: none of the revisions are any improvement. Nor does Viggo Mortensen impress as Paltrow's lover.
Those who haven't seen the movie or the play DIAL M FOR MURDER will no doubt find some of this absorbing enough--but anyone able to make a comparison is bound to be disappointed. I'll take Ray Milland-Grace Kelly-Robert Cummings under Hitchcock's direction any day over a misguided Paltrow and Douglas under Andrew Davis' direction.
As for the comments of the viewer who said, "Who's Hitchcock?", please...spare me your review.
I enjoyed most of this film up until the messy resolution. The plot doesn't play out in a supremely satisfying way, which hampers the overall impact. The performances are all fine and there's some good suspense throughout. Gwenyth Paltrow's character makes some odd choices and seems generally clueless throughout, but also makes some remarks that appear as if she knows things. It's rather confusing. A Perfect Murder kept me invested all the way through with its sleek and stylish story, I just wish the ending had been a little more thought out.
This is a good movie, the more I watch it the more I like it. When I first viewed this movie I thought it was ok, but when we bought the video it began to grow on me. The acting is excellent, and the story twists along at a good pace. Douglas is a good actor and his performance alone is worth renting this film.
Lo sapevi?
- QuizMuch of the artwork featured in this film is Mortensen's own.
- BlooperWhen detective Karaman shows Emily the pictures and the sketches of he murdered man, you can see the man stabbed on the left side of the neck on the picture (as really happened), but on the right side of the neck on both sketches.
- Versioni alternativeThe 75th anniversary variant of the Warner Bros. Pictures logo is plastered in the Blu-ray with the 2003 variant.
- Colonne sonoreVelvet Night
Written by Chris 'Hambone' Cameron and Richard Davis
Performed by Jeff Morrow
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Un crimen perfecto
- Luoghi delle riprese
- The Convent of the Sacred Heart - 1 East 91st Street, Manhattan, New York, New York, Stati Uniti(Steve & Emily Taylor's Apartment)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 60.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 67.638.368 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.615.704 USD
- 7 giu 1998
- Lordo in tutto il mondo
- 128.038.368 USD
- Tempo di esecuzione
- 1h 47min(107 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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