Un disoccupato visionario diventa il direttore di un'emittente locale. L'emittente ottiene grande successo, grazie al mix di divertenti gag e strampalato umorismo.Un disoccupato visionario diventa il direttore di un'emittente locale. L'emittente ottiene grande successo, grazie al mix di divertenti gag e strampalato umorismo.Un disoccupato visionario diventa il direttore di un'emittente locale. L'emittente ottiene grande successo, grazie al mix di divertenti gag e strampalato umorismo.
- Regia
- Sceneggiatura
- Star
- The Kipper Kids
- (as Harry Kipper)
Recensioni in evidenza
"Weird Al" Yankovic's first (and only) movie is everything you would expect from this underappreciated comic genius. It has the same goofy charm as a Weird Al record, and works as an effective visual representation of what Al's music is all about. As you would expect, UHF contains plenty of movie parodies, all of which are spot-on and generally harmless. Die-hard fans can also look forward to seeing a wide array of "Al-isms" like Twinkie-Wiener Sandwiches, detailed rants about bizarre nonsense, usage of the word "weasel", et cetera.
Casual viewers will find the good (U-62) vs. evil (Channel 8) story a bit ho-hum and the humor a little too... Well, a little too weird. But let's face it: this film wasn't made to tell a captivating love story or to inspire us with biting social commentary. It's an excuse for using a new medium to show Al doing what Al does best: being himself. And, as all of us devoted fans can agree, we couldn't possibly ask for anything more! LONG LIVE MR. YANKOVIC!
This movie made me laugh as a teenager, but it also makes me laugh as a fully grown adult. Does that mean the humor is dumb or sophomoric? Not necessarily. What exactly is "adult humor" anyway? Does it necessarily need to contain graphic depictions of sex and generous uses of profanity to be considered sophisticated and adult?? I contend that it does not, and I cite UHF as an example.
The laughs here are genuine, and they come from lack of pretentiousness and an honest feeling that one need not take oneself too seriously at any given moment. Al lets us know that it's OK to make fun of yourself as well as the rest of society. Much of what he does is self-deprecating, and UHF is no exception. He doesn't stand around making fun of others and establishing an air of superiority over the rest of society. As George Newman, he becomes the everyman, infusing much of his own personality along with his on-stage comedic persona. And he's not afraid to kick himself around and then proceed to pull himself up via his own bootstraps. Nobody else has to be hurt.
Plot has never been a big necessity in these spoof/parody movies. "The Naked Gun," "Airplane," "Top Secret," "Johnny Dangerously," and many others have had the most skeletal of plots. Cop must find and bring to justice bad guy who shot his friend. Burned out ex-pilot must save aircraft when crew dies. Rock and roll star must overthrow Nazi plot. Mobster must overcome those who wish to take him down. And in "UHF" we have Loser Man must save TV station from evil network exec. The plot is not important; it's just a vehicle to get us from laugh to laugh and set up the next joke.
UHF's comedy, though basic, rings true, and if you'll drop all of your pretentious airs, you'll get it. (We all know you're not nearly as sophisticated as you think you are anyway.) Who among us can keep from laughing while Raul teaches poodles to fly? Who can stifle a chuckle when Stanley is doing... well... doing just about everything he does in this film? Al admits in his commentaries and interviews that "UHF" is no "Citizen Kane." But that's the beauty of it. There's nothing complex here. It's all about the laugh, and there's where this movie really scores.
Weird Al stars as a wacky guy who always has many funny ideas for television and movies and many other things. The real show-stopper in this movie is Raul's Wild Kingdom, you have to see it for yourself. The bad-guy works for the competing station, which had higher ratings.
Some parts of this film are not that funny, but stupid. If you are a big fan of Weird Al you'll love this film. And if you aren't then you will still love it. This film is for everyone.
Rated PG-13
What I think it should be rated and why: PG-13 for some crude and sexual humor, brief language, and some comic violent images.
The film is the story of George Newman, a young man who has trouble holding a job (and frequently gets his best friend Bob in trouble too) due to his overactive imagination. When he is given ownership of a local TV station, UHF, his imagination can finally be put to good use, in inventing the most bizarre show lineup you can imagine. When a network owner gets jealous of UHF's success, George and his friends and fans must unite to stop him and keep UHF on the air. Michael Richards is also quite excellent as the optimistic, not-too-bright Stanley.
Though it can be somewhat difficult to find, it's definitely worth the time and effort to buy "UHF" on DVD, so you can enjoy Weird Al's movie again and again and again...
Lo sapevi?
- QuizFor the shot of the Spatula City billboard, the production bought a billboard on a remote stretch of highway. For months afterward, drivers taking the exit would ask nearby businesses about Spatula City. The ad was finally removed after the businesses complained.
- BlooperSince George's uncle valued the station at $75,000, George essentially sells off 100% of the station in the form of stock. If R.J. got intermediaries to quietly buy a controlling interest, he could shut the station down and save some money. As a cutthroat businessman, he should've realized that immediately.
- Citazioni
Stanley Spadowski: [grinning as he spoofs "Network"] This is my new mop. George, my friend, he gave me this mop. This is a pretty good mop. It's not as good as my first mop. I miss my first mop, but this is still a good mop. Sometimes, you just hafta take what life gives ya, 'cause life is like a mop and sometimes life gets full of dirt and crud and bugs and hairballs and stuff... you, you, you gotta clean it out. You, you, you gotta put it in here and rinse it off and start all over again and, and sometimes, sometimes life sticks to the floor so bad you know a mop, a mop, it's not good enough, it's not good enough. You, you gotta get down there, like, with a toothbrush, you know, and you gotta, you gotta really scrub 'cause you gotta get it off. You gotta really try to get it off. But if that doesn't work, that doesn't work, you can't give up. You gotta, you gotta stand right up. You, you gotta run to a window and say, "Hey! These floors are dirty as hell, and I'm not gonna take it anymore!"
- Versioni alternativeThe Comedy Central version deletes quite a little out of such a short film - mainly bits related to animal cruelty, such as much of the "Raul's Wild Kingdom" scene (involving teaching poodles how to fly) and the punchline of car commercial (the owner threatens to club a baby seal if buyers don't come). Among other bits deleted: a scene regarding gun nuts; part of the scene where Emo Phillips loses a finger in a saw; most of the first "Uncle Nutzy's Clubhouse" scene (probably because the final punchline involves a guy eating dog treats by accident); the part of the "Conan the Librarian" sequence where a guy says he has an overdue library book, and Conan bloodlessly cuts him in half with his sword; a sequence with an elderly lady who knees R.J. Fletcher in the crotch.
- ConnessioniEdited into The Weird Al Show: Al Gets Robbed (1997)
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- UHF - I video idioti
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.157.157 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.251.831 USD
- 23 lug 1989
- Lordo in tutto il mondo
- 6.157.157 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1