Wargames - Giochi di guerra

A rogue young man named David (Matthew Broderick) along with his best friend Jennifer (Ally Sheedy) hack into their high school's computer to change his grade and later on , find a back door into a military central computer in which reality is confused with game-playing, possibly starting World War III . As the United State's Department of Homeland Security is led to believe an American teen hacker playing a terrorist-attack simulator game online is a real terrorist out to destroy the U.S . The system is called the War Operation Plan Response, or WOPR for short, developed by brilliant but now deceased scientist Stephen Falken (John Wood), who programmed the system to learn continually through game simulations . At the end , a message : The only winning move is not to play.

This is an entertaining film of the 80s ; it was way ahead of its time and it stills grips the spectator . A popular flick in which a young computer whiz hooks into a game manufacturer's computer and accidentally starts WWII when he decides to play a selection titled ¨Global Thermonuclear Warfare¨ . The picture contains almost no violence , nor murders or any other sensationalistic content . Interesting as well as amusing screenplay by writers Lawrence Lasker and Walter F. Parkes who during their extensive research for the film, made friends with many 'hackers' and security experts. They later wrote ¨Sneakers¨ another film featuring 'hackers' and security experts. Likable starring couple , Matthew Broderick and Ally Sheedy , both of whom hold a great chemistry . Large support cast such as Barry Corbin , Dabney Coleman , Dennis Lipscomb and many of them uncredited as Michael Madsen , Eddie Deezen , James Tolkan , ArtLeFleur , William H. Macy , Maury Chaykin and John Spencer . Special mention to John Wood as Professor Stephen Falken ; main inspiration for this character was Cambridge Professor Stephen Hawking ; he was originally approached to appear in the movie, but he declined because he didn't want the producers exploiting his disability . Adequate musical score accompanying the action by Arthur B. Rubinstein and inventively photographed by classic cameraman William A Fraker . The film was part of a 1980s cycle of films about atomic bombs and nuclear warfare which had started in 1979 with ¨The China syndrome¨. The films included ¨Silkwood¨, ¨Testament¨, ¨Threads¨, ¨The day after¨ , ¨The Atomic Cafe¨, ¨Ground zero¨,¨Special Bulletin¨ , ¨Barefoot Gen¨, ¨Rules of Engagement¨, ¨Letters from a Dead Man¨ , ¨The chain reaction¨, among others . Followed by an inferior remake titled ¨ WarGames: The Dead Code (2008)¨ by Stuart Gillard with Matt Lanter as Will Farmer , Amanda Walsh as Annie D'Mateo , Colm Feore as Joshua and Chuck Shamata as Bill Carter .

The motion picture was professionally directed by John Badham , though the original director was Martin Brest, and several of the scenes he shot are still in the movie , but he was fired as filmmaker a short while into production due to creative differences . Badham's breakthrough credit was the box office smash Fever Saturday night (1977) ; other hits on his resume include The Blue Thunder (1983), War games (1983), and Shortcircuit (1986). He's a nice director who achieved his greatest success in the 80s and 90s . He directed several hits (Drop zone , Nick of time , Skateout ,Point of No Return , Bird on a wire) , though today making TV movies (Jack Bull , Floating away) and television episodes (Crossing Jordan, Psych, Las Vegas, Standoff , Heroes).

In the 1980's, the realisation that computers will soon play an extremely important role in everyday life was becoming more and more evident. This idea was treated with excitement, curiosity, and fear - people genuinely did not know how powerful they would become, but they were certainly fearful of it. Cinema explored this fear in successful films such as The Terminator (1984), which depicted a future where humans were locked into a battle with robots, and Tron (1982), in which a character is sucked into a game where he is forced to battle with the computer to survive. Never had the capabilities of computers been so realistically portrayed than in WarGames, a film that introduced the world to home computers, hacking, and how humanity can be replaced by machines (as well as the idea that nuclear destruction is still a threat).

When two missile controllers fail to launch a missile during a test launch due to uncertainty, government bigwig McKittrick (Dabney Coleman) introduces his superiors to WOPR (War Operation Plan Response), a giant super-computer that repeatedly plays games with itself to generate stats and results of possible nuclear war outcomes. The operation is given the go-ahead, and workers find themselves replaced by this metallic super- brain, that will deal with any potential nuclear threat to the US. High school punk David (Matthew Broderick) is a highly intelligent computer- obsessive who uses his hacking skills to change his grades on his high school system. When he learns that a company is releasing new breakthrough games in California, he scans the area for computers in order to hack into their mainframe. He stumbles upon a computer that lists many strange war games, including 'Global Thermonuclear War'. He begins a game, choosing to be Russia, but unbeknownst to him, he is actually playing WOPR who is playing the game for real. Soon David is brought in by the FBI who suspect him of working with the Russians, while the threat of global nuclear destruction lingers as WOPR carries on playing the 'game'.

I viewed this film quite often when I was a child as I owned the VHS, but admittedly the film went over my head somewhat and I found it quite boring. Watching it now, I was shocked to find out this is a very good film, and it makes for a gripping adult thriller, while maintaining that 1980's kids-film-feel. The technical aspects shown on screen are extremely well-researched, and David's hacking activities make for exciting and interesting viewing. It's also fascinating to see the early giant, clunky computers of the 1980's and an early portrayal of the Internet. Overall, this is a highly entertaining thriller that is well acted, scripted and filmed (and even received three Academy Award nominations), and has plenty of those nostalgic qualities for us children of the 80's.

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Cyberthrillers may not have started with "WarGames," but it was here the form achieved an early peak. As more filmmakers follow its example of portraying a high-tech faceoff between man and machine, "WarGames" remains a standard to be measured against. While it's not a film classic, it's a very, very good popcorn thriller of uncommon craft, charm, and humanity.

Seattle high schooler David Lightman (Matthew Broderick) has only a few hours to undo what he thought was a sneak preview of an upcoming computer game but what instead got him tinkering with the U.S. Air Force's WOPR (War Operation Planned Response) computer system in such a way as to trigger a countdown to World War III. The FBI thinks he's a Soviet spy, while classmate Jennifer Mack (Ally Sheedy) is wondering if this isn't all really about a rejiggered biology grade.

Broderick is solid, and Sheedy even better, but what really sells this film is everything else. Start with the excellent supporting performances. John Wood as a reclusive professor and Barry Corbin as a tobacco-chewing general get much of the kudos, and rightly, but there's a whole deep bench of quality work beyond that, like Kent Williams as a curt White House advisor, William Bogert and Susan Davis as David's out-of-it parents, Alan Blumenfeld as the swaggering bully of a biology teacher, and Juanin Clay as a beautiful but underappreciated assistant (even by herself as she uses her own mouth as an ashcan for her boss's discarded gum.) You know the casting people behind this movie were on the ball when the opening sequence features two very recognizable faces, those of Michael Madsen and John Spencer, in what were film debuts for both.

That sequence with Madsen and Spencer as missile men point up another quality of "WarGames," the way the movie works in terms of setting up expectations and developing pace. The harrowing business between the two of them is mercilessly presented ("Turn your key, sir!") and then effectively abandoned so as to work in the central storyline, the replacement of these men with computers. We get a macro-view where Dabney Coleman as a tunnel-visioned warroom executive effectively makes the case for "taking the men out of the loop" and then zoom back into what seems a totally unrelated story, that of slacker teen David Lightman and his high school travails.

The film could have just started with Lightman, and worked its way out to the business with the WOPR. But the early peek behind the curtain is a clever way of raising the stakes with the audience before the protagonist realizes what's up.

The set design, cinematography, lighting, and editing all work wonders as well. The NORAD warroom is really a character onto itself, the ultimate source of reality in this film (and better for my money than the warroom in `Dr. Strangelove,' an obvious inspiration.) The way the cameras dart around from terminal to terminal as uniformed USAF technicians follow the progress of an apparent Soviet attack, lighting onto one of them just before he or she relays an important piece of information, is highly addictive and entertaining.

There's some sloppiness in the movie. Madsen and Spencer's talk about this great pot Spencer's character has scored strains credulity in the high-security setting they are in, and its blindingly obvious that the two men we see exiting a helicopter and entering a jeep during the credits are not the same two men getting out of the jeep moments later. The musical score is terrible, except for the elegiac tune at the end by which time it's too late. And there's no real examination of the morality of Lightman's serial lawbreaking.

But this is a funny, exciting, consciousness-raising movie that is as entertaining now with the Cold War more than a decade behind us as it was all those years ago. For all the technical innovation on display, it's ironically appropriate we remember it for showing us how to butter an ear of corn, because it's the human side of the equation `WarGames' keeps in its sights at all times.

[The DVD features a terrific, candid commentary from director John Badham and writers Lawrence Lasker and Walter Parkes that gives one a real appreciation for the value of creative license as well as factual diligence in making a film of this kind work.]

I enjoyed this movie quite a bit. Matthew Broderick is the teenager computer nerd who hacks into a military database through a "back door" and starts to unintentionally play games--which are, quite surprisingly, not games after all. He's really controlling the military! With WWIII nearing, the movie takes some twists and turns and it's all good fun.

Broderick is well-cast and this is probably one of the roles, along with Ferris Bueller, that stereotyped him as a continual teenager--which makes it hard for him to get adult roles nowadays. (He's in the upcoming remake of "The Producers"--yay!)

Ally Sheedy and Dabney Coleman both have supporting roles.

I thoroughly enjoyed this film and rate it a solid "4" of five stars.

Trivia note: Sheedy and Broderick both appeared in separate movies by John Hughes: "Ferris Bueller's Day Off" and "The Breakfast Club."

If you want to see a film with the most real style of hacking, forget Swordfish, The Net and all these other films where "hackers" work in graphically superb programs and can hack government server in few seconds. Broderick, working in his text-only mode, using social-engineering and having good abilities handling primitive electric devices is nearest the real world's "hacking", at least in his period.

As thought that the film sometimes lacks tension, especially in the middle, it has its very strong moments. To be honest, I got most excited on the very beginning, I really loved it.

The performances are good, but I disliked and didn't believe the performance of the man, who should have played the wooden-head general. It seemed to be too overacted. He himself lowered my rating by one.

This film might not be so interesting for people, who aren't interested in computers, because, as I mentioned upper, the plot lacks some deeper crisis, but I thing that everyone else will like it, so if you match the upper criterion I can recommend you only one thing: Go and get it!