Corso di anatomia

"Gross Anatomy" is a romantic comedy and med school student learns about life and himself character study, nicely rolled into a drama. I first saw it as a young teen in the early 90s, and it stuck with me as a dramatic romantic comedy but more so as a med school examination that really spoke to me.

Almost twenty years later, I am much more film literate, and while I still like it, I can see it's not as good as it could have been, or as I remember it. It's really not much of a character study, as Matthew Modine's Joe is your typical smart slacker who gets by on his looks, charm and natural intelligence - which is almost enough for med school. I wish they showed me more of his struggles in school and less of his romantic efforts to win over Laurie (Daphne Zuniga). The romantic comedy angle is so formulaic and predictable, that the comedy fell flat. On the other hand, the interpretation of med school seemed more realistic and not as enticing as most shows and movies make it out to be.

"Gross Anatomy" is probably more intriguing to a younger audience, with its immature characters and predictable romance. But these characters are appealing, especially Modine as we follow him on his journey through first year med school. I was not as emotionally invested as I first was years ago, but I still enjoyed this as a cute film.

i liked this movie.it's about first year medical students and what they go through.it focuses specifically on a small group of five in particular.it's a drama more than anything.it the first half of the movie is pretty light in tone,but the second half is much more serious in tone.in fact,there are two heartbreaking scenes in the second half, which got me pretty emotional.but that's just me.this is a very much a character and story driven movie and it succeeds,in my mind,at least mostly.the acting is pretty good.Matthew Modine, Daphne Zuniga and Christine are the main actors.all are likable characters,in their own way. .overall, well written,well acted movie.not great, but pretty good.for me,"Gross Anatomy" is an 7/10

A good film about the life of a medical student. Shows what students might have to look forward to.

A first-year med student (Matthew Modine) is obsessed with becoming a doctor, but jokes his way through everything else in his life in this under-rated little flick that works due to a clever screenplay and good performances from the major players in the cast. The film goes for funny and outlandish situations, but has undertones of drama early and then the drama takes center stage by the film's final act. Christine Lahti shines as the one professor who locks horns with Modine. Above-average and enjoyable overall. 3.5 out of 5 stars.

Not a great film, I suppose, but "Gross Anatomy" has enough that's entertaining, engaging and memorable about it to recommend the film to fans of character drama. "ER" and "Chicago Hope" may well have set the standard for medical dramas, but this look at some first-year med students and their quest to achieve the impossible (become a practicing surgeon or specialist) has long since been forgotten in the trash-bin of seemingly negatable Disney flicks. Released at the turn of the 80's, when Disney was rampantly putting out what seemed like a movie a week, it features a sterling performance by the eternally underrated Matthew Modine as Joe Slovak, an endlessly appealing character despite his tendency to annoy everyone else in the film. Slovak is a wonderful creation on the part of the writers, first seen in a highly memorable pre-credits sequence in which each of the post-grad medical schools asks him questions that eventually reveal the 'real Joe'. Or at least the Joe Slovak he wishes to project. Christine Lahti, who would of course go on to fame and acclaim in "Chicago Hope", practiced her medical chops here as a sickly professor bent on pressuring her students to achieve perfection, even if they themselves aren't often willing to reach for it. The rest of the cast (Daphne Zuniga and the always-great Todd Fields) have done work elsewhere that's gotten more attention, but it's doubtful they've ever been as effective as they are here. By no means is this a classic, but a sharply-observed film that despite a layer of Disney-esque schmaltz manages to touch, entertain and invigorate.