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Why is this movie not up there with 'The Breakfast Club,' 'Heathers,' and other teen rite-of-passage classics? 'Three O'Clock High' is hilarious. The cinematography is as well-executed as the script, and laughs appear at just about every turn. The mixed nuts in the cast give great deadpan performances (Jeffrey Tambor kills me every time as he heartbrokenly surveys the vandalized school supply store -- 'what kind of animals would DO this?' he almost weeps), playing up the comic absurdity of the script. A wonderful farce that hasn't lost a bit of its charm in 12 years. Why Anne Ryan, the hero's girlfriend, disappeared after this movie is a mystery to me -- she should have become another Winona Ryder. Don't pass this one up if your local video store has bothered to keep it on the shelf. You can thank me later. And if you're leery because the movie tanked at the box office, remember, Milli Vanilli's record sold seven million copies, so trusting the mainstream public is not always the best idea...

I have just discovered this film recently. It was never very popular, and I don't know why. I am surprised that a few people can't stand this film. After viewing the DVD a few times, I can honestly say that overall this is not a bad film. The directing is superb. I liked the way the director uses time...the passage of time...and shows its relationship and importance to the story. I also liked the camera blocking, and angles. My favorite shot is of the bully walking out of the school just before the fight: The camera zooms in and tilts up at a low level. A technique taught in film school to show a subject as "larger-than-life", or menacing over something. The acting was also excellent. Richard Tyson is great as the bully. His deep voice is well suited for this role, and is especially noted if you have a subwoofer. Yeah, I wouldn't want to fight him, either... Although the story is "typical", I like the plot-line. Throughout the whole story, the plot slowly builds to an amazing climax, then drops suddenly, and levels off. Its a perfect plot-line. Although, some parts of the story are "far-fetched". Such as, Jerry pretending to fall in love with his English teacher. One thing to remember, though, this is fiction. Sometimes in fiction, things happen that are unlikely in real life. That's why its called "fiction". Other than the bland "typical" story, I could not find anything wrong with this film. I have yet to even find so much as a continuity error. In conclusion, if you are looking for "content" you will be disappointed with this film. However, if you are looking for a well-directed film with good use of camera blocking and angles, and actor positioning, you will find this to be a very enjoyable film. ACTING: 9.1 / 10 DIRECTING: 9.4 / 10 STORY: 8.8 / 10

AVERAGE: 9.1 / 10 A lost Gem, and a must see for "film people".

The teen movies of the 80's decade were dominated by the cheesy / romantic / well-intentioned cinema of John Hughes; the "Lemon Popsicle" sex teen movies clones such as Bob Clark's "Porky's" trilogy, "Fast Times at Ridgemont High" or "The Last American Virgin" and the Spielberg's executive produced adventure / fantasy teen flicks such as "Back to the Future" or "The Goonies".

Phil Joanou's first venture as a director was an unconventional teen comedy for its time called "Three O'Clock High", set in an all american High School like the majority of Hughes' (and non-Hughes) flicks of this genre, inspired by the classic western "High Noon" starring Gary Cooper (in an Oscar winner role) and Grace Kelly and based in real life situations of the two screenwriters during their High School years.

Joanou, a fan of Scorsese's "After Hours", released 2 years prior and also an unusual comedy, but set in the adult world, based its directing style and fancy cinematography straight for the teen movie genre with the help of the inovator cinematographer, Barry Sonnenfeld (an usual collaborator of the Coen brothers at that time) to acquire a 'cartoon-ish' / comic book style through stylized camera angles and proper lightning effects resulting in a visually nifty film which also benefited from a skillful editing giving the movie its congruous frantic pace.

Besides the greatness of its technical aspects, the movie is also clever in its storytelling, the rivalry between the nerd, Jerry Mitchell and the "new kid on the block", the bad boy, Buddy Revell changes stereotypes through the course of the action with Mitchell being accused of theft, illegal weapon possession and even for cheating at the exam and Buddy, the long-haired' black leather jacket outsider being more smart & sensitive than people would give him credit for.

Casey Siemaszko, after a string of good supporting roles in famous teen movies such as "Back to the Future", "Secret Admirer" and "Stand by Me" was given the lead role of Jerry Mitchell and he's perfectly cast giving life to his character, a nervous, unpopular & nerdy high schooler about to face his rite of passage to becoming a confident young man after his feud with the troubled misfit, played here by Richard Tyson, in his debut role, who delivered an interesting (and imposing) performance as Buddy Revell, even if his screentime is kind of short.

The supporting players are filled with great character actors such as the always sinister, the late John P. Ryan ("Runaway Train", "Avenging Force", "Class of 1999"); Jeffrey Tambor and Mitch Pileggi (future Wes Craven's "Shocker" and better known as Skinner in the hit TV show, "The X-Files").

Some may say, including the late Roger Ebert in his review, that this movie resembles a lot of an early teen movie starring Chris Makepeace, Adam Baldwin & Matt Dillon called "My Bodyguard", which is a great (and earlier) entry on the High School genre, but ultimately, "Three O'Clock High" is way more creative, memorable and well paced and much more worthy in the rewatchable factor.

Steven Spielberg, who executive produced this movie, ordered to get his name removed from the credits after he watched a rough cut of this. Apparently, the big bearded wanted another "The Karate Kid" or a more conventional / cheesy High School teen flick and this kind of offbeat comedy startled him. He had already done the same two years before with "Fandango", the debut movie of director Kevin Reynolds which featured a young Kevin Costner in his first leading role.

In my point of view, Spielberg made a big mistake of disowned both films, because they're way original and inventive and still hold up well today and maybe with the Spielberg name envolved, they could have had more chances at the box office, instead of being flops that ran into obscurity (only cinephiles know the existence).

Also worthy of a mention is the memorable music score by Tangerine Dream and the additional music provided by Sylvester Levay.

In short, "Three O'Clock High" deserves to be in the Top 10 of the best High School teen movies from the 80's, it's a great watch and one of the last breath of a genre that started the downfall in popularity at the same time as the end of the decade was approaching...

On a side note, the hit TV Show for Fox Network that premiered in '90, "Parker Lewis Can't Lose" stole the concept, ideas, the cinematography and directing style of this one. Universal Pictures and Joanou should have sued Columbia Pictures Television for producing such a blatant rip-off.

When I think of the eighties teen genre, I think about John Hughes and John Cusack...and a little movie called Three O'Clock High. Three O'Clock High is the greatest eighties movie that no one knows about. It does, in fact, blow The Breakfast Club out of the water. Casey Siemaszko is perfect in the lead as Jerry Mitchell and he is the ultimate underdog. You can't help but love his character. He definitely has a large degree of untapped talent. The most unforgettable character however, is Richard Tyson's infamous Buddy Revell. I won't say that he completely steals the show, but he does come close to it. Revell has many a one-liner and I quote him on a weekly basis. And who could forget Tangerine Dream's score. They are also an integral ingredient of the eighties flick. This is a truly brilliant piece of comedy. Three O'Clock High is a comic gem as well as a must see.

"You and me, we're gonna have a fight-today-after school-3 O'Clock-in the parking lot. You try and run, I'm gonna track you down. You go to a teacher, it's only gonna get worse. You sneak home, I'll be under your bed. You and me...3 O'Clock."

This is a consistently overlooked and under-rated film. Fans of movies like Rushmore and Election may be surprised to learn that even during the John Hughes (Pretty in Pink, Sixteen Candles, etc.) era there were still hip, funny movies being made about the high school experience.

The movie is shot in a mildly surreal "Coen brothers-esque" fashion that makes it a joy to look at, while the script is sharp and inventive. Despite its abstract nature, the script is very true to the realism of adolescent intimidation. Also not to be overlooked are some very clever performances by some lesser known performers which come off as very convincing.

Don't get me wrong, this is not a great film, very few are. If you consider Rushmore a 10 in this genre than Three O'clock High is about a 6 1/2 or a seven, but still well worth viewing.