Ladro e gentiluomo

Burt Reynolds has had a very shaky career. Truth be told he has made far more bad movies than he has good movies. I personally believe it is because of very poor choices, such as , lame cop movies, smokey and the bandit sequels and both cannonball run flicks. However, amongst the very large pile of "ruff" this movie is a real diamond. His character of "Earnie", the gruff but lovable experienced thief taking a young naive kid under his wing trying to teach him the ropes and tricks of the trade is done with such subtle depth by Reynolds, that it caught me completely and delightfully offgaurd. When you think about it, this was not a big budget movie and Burt gives a fantastic performance just like he does in "Boogie Nights", which is also not a big budget film. Yet when it is a huge budget movie, Reynolds tends to give rather unispired and perfunctory performances. Maybe he should stick with these indie flicks more often.

Often dubbed Burt Reynolds' big comeback (after a lackluster 1980s), though the term "comeback" really only applies to his choice of roles. Reynolds has always been a captivating actor, but his role selection hasn't always been stellar. In Breaking In, he teams up with pragmatic Scottish director Bill Forsyth and talented screenwriter John Sayles. Forsyth directs with a genuine interest in the choices people make in life, and Sayles creates a couple of sharp, engaging characters. Surrounded by solid material such as this, Burt, alongside the lively Casey Siemaszko, delivers a handful of standout, earnest scenes. Forsyth isn't aiming for groundbreaking conclusions here, but rather an intriguing character study - and that's exactly what this film is: an engaging piece of drama, with just the right dose of humour.

I was the music editor on "Breaking In" the experience of working with Bill Forsyth was one of the highlights of my long career. I just wish everyone could see the Director's cut. It was head-and-shoulders above the release edit. It was a very strange hybrid...John Sayles and Bill Forsyth - produced by Sam Goldwyn Jr. I'll never forget the day when Bill got yet another huge list of changes Goldwyn wanted - at the end of the list he asked Bill to respond to the changes he wanted - and also asked Bill(who is a Scot) to recommend a single malt whiskey for a party he was having. Bill sent a case of whiskey to Goldwyn with a note saying "This should answer both of your questions" The name of the whiskey was "KNOCKANDHU" !

Pardon my pun above, but if there's any reason at all to try and catch Breaking In, Burt Reynolds is the main reason. He underplays Ernie, a veteran safe cracker who goes about his business being low key and certainly not flashy at all. He winds up teaming up with a youngster named Mike, played by Casey Siemaszko, who rejuvenates Ernie and he hires him as an apprentice for odd jobs cracking safes. The first half of the forgotten film is the better half because of Reynolds' performance as the aging thief, and is both sympathetic and funny, especially the scenes he's teaching Mike the ropes. It's unfortunate Burt passed up on many good movie roles because the man can act. Anyhow, the latter half of Breaking In revolves around how flashy Mike has become with his cash rewards and his hooker/on and off girlfriend, which I thought slowed the film down a bit. I found Carrie annoying and uninteresting and rather selfish; not sure what Mike saw in her.

Watch this film mainly for Reynolds' performance, as he plays his role convincingly and develops decent chemistry with Mike. Siemaszko also plays his role well, but not quite up to par with his partner in crime.

I remember seeing this little film in the theater. It was a second run theater and this was the second part of a double feature with "The Abyss" which I had actually gone to see. I stuck around for this, not expecting much as Burt reynolds didn't have much a career going at this point. Boy, was I surprised! This film is a gem. A low-key comedy, where the humor doesn't come from gross-out belly laughs but from characters we can relate to. It was such a treat to see Reynolds shelve his tough-guy, trans-am persona and tackle a character role, showing warmth and depth akin to his work in Boogie Nights. I admit to a fondness for "caper" movies, and while this one fits the bill, it's not quite as clever in that department as some others, but this movie isn't about being clever, it's about people and how they relate to each other, even in the realm of burglars. If you haven't seen this, it's well worth renting.